Finland’s Horned Shaman and Pre-Horned-God at least 4,500 years ago?

Damien Marie AtHope’s Art

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Finnish rock art

“Finnish rock art pictographs created during the Stone Age have been found at 127 sites around Finland. They consist mainly of brownish-red figures and markings painted onto steep granite walls, often overlooking waterways. There are scenes featuring people, boats, elk, fish, and mysterious part human figures. The survival of the art in adverse climatic conditions is due to their protection by a naturally forming thin layer of silicon dioxide on the rock surface. The Comb Ceramic Culture who lived in what is now Finland between 5000 to 2000 BCE is credited with their production. The paints used included a mix of iron oxide, blood, and animal fat or egg, although traces of the organic materials are no longer detectable.” ref

“Characteristics to the art are sacrificial parts (arrow points, bones, signs of fire, etc.) and the location on steep cliffs at water’s edge. Similar sites can be found in parts of Northern Sweden, Norway and Russia – mainly, it seems, in areas once populated by the Saami or other Finnic peoples. Most of the paintings lie in the Saimaa and Päijänne lake districts. By far the best-known site, at Astuvansalmi, and another site is Värikallio in the Hossa Hiking Area. This has unusual figures with triangular heads. The biggest painted area is in Central Finland, where the Saraakallio rock paintings include 50–200 pictures, maybe even more.” ref

Värikallio rock paintings

“The Värikallio rock painting is located in Suomussalmi Hossa National Park in Kainuu. The rock painting is the third largest in terms of motifs in Finland and it was apparently painted in the Stone Age. Today, the region is an almost uninhabited wilderness. The Värikallio rock painting is located on the northern shore of the easternmost part of Somerjärvi on the tops of the Oulujoki watershed. The distance from the Kuusamo border is 700 meters to the south. The painting surface is on the vertical rock wall facing southwest. There are paintings at a distance of 10.5 meters, approximately 0.2–2.5 meters above the lake level. A vertical cliff descends directly into the water.” ref

“Hossa is a village in Finland, located in the province of Oulu and part of the Suomussalmi municipality. The village is a popular outdoor tourist destination and is known for the oldest rock paintings in Northern Finland, dating back to 1500-2500 BC (Värikallio). The name “Hossa” originates from the old Sami word Huossa meaning “a place far away.” ref 

“The age of the rock paintings in Finland has been estimated based on the tilting of the lake basin due to land uplift. However, the height of the water level at Värikallio has remained almost at the same level throughout the post- glacial period, and therefore this timing method is not suitable for this site. Most of the rock paintings in our country are from the comb ceramic period, i.e. from the period 5000–3200 BCE. The youngest paintings may date back to 2000 BCE  stages or even later. Based on their style, the Värikallio rock paintings are estimated to have been made between 1500 and 2500 BCE.” ref

“The Värikallio rock painting is Finland’s third largest picture field. The largest picture field is Saraakallio I and the second largest is Astuvansalmi . The painting field is quite compact and its patterns are small. A maximum of 61 separate patterns have been identified on Värikallio, most of which depict human figures and deer. Some of the patterns have not been preserved intact and have remained unrecognized. The human figure with a horned head is located just above the crack in section C.” ref

Astuvansalmi rock paintings

“The Astuvansalmi rock paintings (Finnish: Astuvansalmen kalliomaalaukset) are located in Ristiina, Mikkeli, Southern Savonia, Finland at the shores of the lake Yövesi, which is a part of the large lake Saimaa. The paintings are 7.7 to 11.8 metres above the water-level of lake Saimaa. The lake level was much higher at the time the rock paintings were made. There are about 70 paintings in the area. The rock where the paintings are located looks like a human head, the form especially visible during wintertime when viewed from the ice of the lake. The rock has presumably been some kind of a cult or ceremony site. The images of moose in Finnish rock paintings may be related to ‘animal ceremonialism’, whereupon the continuity of the hunted species is guaranteed by a ritual in which the animal is sent back to its ‘owner’.” ref

“The oldest paintings were made about 3000–2500 BCE. They are located at the highest level (about 11 metres). The water level changed rapidly (about 2.5 metres) with the landslide of Vuoksi. Later on the level slowly went down 8 metres to its present level. All the later paintings were made from boats during the different historical water-levels. Other archaeological artefacts have been found on the site, at the bottom of the lake, among them small amber statuettes of old gods (Ukko and Akka). Some animal jewellery was also found, one showing a bear head. The jewellery and statuettes refer to some religious ceremonies held on the site. Arrowheads have also been found, dated to 2200–1800 BCE and 1300–500 BCE. Stone age settlements from about 3300–2800 BCE have been found near Astuvansalmi in Heiniemi.” ref

The Astuvansalmi rock paintings contain the following pictures: 18 to 20 moose, about as many human figures, tens of hands and animal tracks, 8 to 9 boats, and geometrical figures and pictures that are thought to show a fish and a dog. The paintings could have a link to the Siberian and North European shamanistic tradition, where the sun was thought to be a deer or an moose running through the sky. The Lapps (or Sami people) also had a belief that the sun was a running Cosmic Sun-Reindeer. The people in the paintings were the shamans, who had a contact with the spirit world through trance with their drumming and songs. Shamanism is the oldest cultural tradition of Finland and the North. It has been actively present already in the Paleolithic age.” ref

“The human figures are both shamans and spirits, who are connected with hunting ceremonies. The human figures could also have meant the people who drew them. The rare woman figure holding a bow in her hand is thought to show the mythic “Tellervo“, a goddess from the Kalevala mythology, who is thought to be the progenitor of the human race. Women never usually took part in the hunting, that is why she is thought to be of a more divine nature. The moose has traditionally been a very important prey for the people of the north. The moose has also meant the Center of the Universe. Some of the eighteen moose of Astuvansalmi have dots on their heart. All except one is looking west. Some are moving and some are standing. The boat was an important means of transport in the lake regions of prehistoric Finland. Big boats of skin and wood were already being made before the Vikings started making their big ships. The boats were quite similar to the North American Indian models.” ref

Tellervo

“The rare woman figure holding a bow in her hand is thought to show the mythic “Tellervo“, a goddess from the Kalevala mythology. Tellervo is the Finnish goddess of forests. She was the daughter of Tapio, an East Finnish forest spirit.” ref, ref

“The Kalevala is a compiled from Karelian and Finnish oral folklore and mythology, telling an epic story about the Creation of the Earth, describing the controversies and retaliatory voyages between the peoples of the land of Kalevala called Väinölä and the land of Pohjola and their various protagonists and antagonists, as well as the construction and robbery of the epic mythical wealth-making machine Sampo. The Kalevala is regarded as the national epic of Karelia and Finland and is one of the most significant works of Finnish literature with J. L. Runeberg‘s The Tales of Ensign Stål and Aleksis Kivi‘s The Seven Brothers. The Kalevala was instrumental in the development of the Finnish national identity and the intensification of Finland’s language strife that ultimately led to Finland’s independence from Russia in 1917. The first version of the Kalevala, called the Old Kalevala, was published in 1835, consisting of 12,078 verses.” ref

Comb Ceramic culture

“The Comb Ceramic culture or Pit-Comb Ware culture, often abbreviated as CCC or PCW, was a northeast European culture characterized by its Pit–Comb Ware. It existed from around 4200 BCE to around 2000 BCE.  The bearers of the Comb Ceramic culture are thought to have still mostly followed the Mesolithic hunter-gatherer lifestyle, with traces of early agriculture. The distribution of the artifacts found includes Finnmark (Norway) in the north, the Kalix River (Sweden) and the Gulf of Bothnia (Finland) in the west, and the Vistula River (Poland) in the south. It would include the Narva culture of Estonia and the Sperrings culture in Finland, among others. They are thought to have been essentially hunter-gatherers, though e.g. the Narva culture in Estonia shows some evidence of agriculture. Some of this region was absorbed by the later Corded Ware horizon.” ref

“The Pit–Comb Ware culture is one of the few exceptions to the rule that pottery and farming coexist in Europe. In the Near East farming appeared before pottery, then when farming spread into Europe from the Near East, pottery-making came with it. However, in Asia, where the oldest pottery has been found, pottery was made long before farming. It appears that the Comb Ceramic Culture reflects influences from Siberia and distant China. By dating according to the elevation of land, the ceramics have traditionally been divided into the following periods: early (Ka I, c. 4200 – 3300 BCE), typical (Ka II, c. 3300– 2700 BCE), and late Comb Ceramic (Ka III, c. 2800– 2000 BCE). However, calibrated radiocarbon dates for the comb-ware fragments found (e.g., in the Karelian isthmus), give a total interval of 5600 – 2300 BCE.” ref

“The settlements were located at sea shores or beside lakes and the economy was based on hunting, fishing, and the gathering of plants. In Finland, it was a maritime culture that became more and more specialized in hunting seals. The dominant dwelling was probably a teepee of about 30 square meters where some 15 people could live. Also, rectangular houses made of timber become popular in Finland from 4000 BC cal. Graves were dug at the settlements and the dead were covered with red ochre. The typical Comb Ceramic age shows an extensive use of objects made of flint and amber as grave offerings. The culture was characterized by small figurines of burnt clay and animal heads made of stone. The animal heads usually depict moose and bears and were derived from the art of the Mesolithic. There were also many rock paintings. There are sources noting that the typical comb ceramic pottery had a sense of luxury and that its makers knew how to wear precious amber pendants.” ref

Genetics

“Saag et al. (2017) analyzed three CCC individuals buried at Kudruküla as belonging to Y-hg R1a5-YP1272 (R1a1b~ after ISOGG 2020), along with three mtDNA samples of mt-hg U5b1d1, U4a, and U2e1. Mittnik (2018) analyzed two CCC individuals. The male carried R1 (2021: R1b-M343) and U4d2, while the female carried U5a1d2b. Generally, the CCC individuals were mostly of Eastern Hunter-Gatherer (EHG) descent, with even more EHG than people of the Narva culture. Lamnidis et al. (2018) confirmed and specified this to 65% Eastern Hunter-Gatherer (EHG), 20% Western Steppe Herder (WSH), and 15% Western Hunter-Gatherer (WHG) ancestry. This amount of EHG ancestry was higher than among earlier cultures of the eastern Baltic, while WSH ancestry had previously not even been attested among such an early culture in the region.” ref

Damien Marie AtHope’s Art

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The Comb Ceramic culture came after the Narva culture (5300 to 1750 BCE) was followed by the Volosovo culture (4000-2000 BCE to 1800-1500 BCE) and the Corded Ware culture  (3000 to 2350 BCE).” ref, ref, ref, ref

Damien Marie AtHope’s Art

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Damien Marie AtHope’s Art 

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The interconnectedness of religious thinking Animism, Totemism, Shamanism, Paganism, and Beyond

So, to me, it all starts in a general way with Animism (theoretical belief in supernatural powers/spirits), then this is physically expressed in or with Totemism (theoretical belief in mythical relationship with powers/spirits through a totem item), which then enlists a full-time specific person to do this worship and believed interacting Shamanism (theoretical belief in access and influence with spirits through ritual), and then there is the further employing of myths and gods added to all the above giving you Paganism (often a lot more nature-based than most current top world religions, thus hinting to their close link to more ancient religious thinking it stems from). My hypothesis is expressed with an explanation of the building of a theatrical house (modern religions development).

Pre-satanism Devil/horned-god worship?

“The god of the witches/pagans was not the Devil but the ancient horned god.”“Many horned deities are known to have been worshipped in various cultures throughout history. Such as the Horned God Naigamesha of the Indian sub-religion Kaumaram. Possibly from the Shunga period (1st-2nd century B.C), or earlier. Deities depicted with horns or antlers are found in many different religions across the world. Hathor is commonly depicted as a cow goddess with head horns in which is set a sun disk with Uraeus. Twin feathers are also sometimes shown in later periods as well as a menat necklace.” Ref, Ref 

“Hathor may be the cow goddess who is depicted from an early date on the Narmer Palette and on a stone urn dating from the 1st dynasty that suggests a role as sky-goddess and a relationship to Horus who, as a sun god, is “housed” in her. Bat was a cow goddess in Egyptian mythology depicted as a human face with cow ears and horns. By the time of the Middle Kingdom her identity and attributes were subsumed within the goddess Hathor. The worship of Bat dates to earliest times and may have its origins in Late Paleolithic cattle herding. Bat was the chief goddess of Seshesh, otherwise known as Hu or Diospolis Parva, the 7th nome of Upper Egypt.” Ref, Ref

“The imagery of Bat as a divine cow was remarkably similar to that of Hathor the parallel goddess from Lower Egypt. The significant difference in their depiction is that Bat’s horns curve inward and Hathor’s curve outward slightly. It is possible that this could be based in the different breeds of cattle herded at different times. Pan was a god of shepherds and flocks, of mountain wilds and rustic music. Depictions in Celtic cultures of figures with antlers are often identified as Cernunnos (“horned one” in Latin). The prime evidence for this comes from a pillar in Paris which also features the Roman god Jupiter. Cocidius was the name of a Romano-British war-god and local deity from the area around Hadrian’s Wall, who is sometimes represented as being horned. He is associated with warfare and woodland and was worshipped mostly by military personnel and the lower classes.” Ref, Ref

“A ram-shaped oracle god whose name is unknown was worshiped by Libyan tribes at Siwa. The figure was incorporated by the Egyptians into depictions of their god Amun that’s considered an ”Interpretatio graeca” of the Greek Zeus-Ammon. Adherents of Odinani (the traditional folk religion of the Igbo people of south-eastern Nigeria) worship the Ikenga, a horned god of honest achievement, whose two horns symbolise self-will. Small wooden statues of him are made and praised as personal altars. The Pashupati seal, a seal discovered during the excavation of Mohenjo-daro in Pakistan has drawn attention as a possible representation of a “proto-Shiva” figure. This “Pashupati” (Lord of animal-like beings – Sanskrit paśupati) seal shows a seated figure with horns, possibly ithyphallic, surrounded by animals. Ref, Ref 

“Amun (also Amon, Ammon, Amen; Greek Ámmōn, Hámmōn) was a major ancient Egyptian deity who appears as a member of the Hermopolitanogdoad. Amun was attested from the Old Kingdom together with his wife Amaunet. With the 11th dynasty (c. 21st century BC), Amun rose to the position of patron deity of Thebes by replacing Monthu. After the rebellion of Thebes against the Hyksos and with the rule of Ahmose I (16th century BC), Amun acquired national importance, expressed in his fusion with the Sun god, Ra, as Amun-Ra or Amun-Re. Amun-Ra retained chief importance in the Egyptian pantheon throughout the New Kingdom (with the exception of the “Atenist heresy” under Akhenaten).” ref 

“Amun-Ra in this period (16th to 11th centuries BC) held the position of transcendental, self-created creator deity“par excellence”, he was the champion of the poor or troubled and central to personal piety. His position as King of Gods developed to the point of virtual monotheism where other gods became manifestations of him. With Osiris, Amun-Ra is the most widely recorded of the Egyptian gods. As the chief deity of the Egyptian Empire, Amun-Ra also came to be worshiped outside Egypt, according to the testimony of ancient Greek historiographers in Libya and Nubia. As Zeus Ammon he came to be identified withZeus in Greece. In the early history, Amun and Amaunet are mentioned in the Old EgyptianPyramid Texts. The name Amun (written imn) meant something like “the hidden one” or “invisible.” ref 

Finnish mythology

“Finnish mythology is a commonly applied description of the folklore of Finnish paganism, of which a modern revival is practiced by a small percentage of the Finnish people. It has many features shared with Estonian and other Finnic mythologies but also shares some similarities with neighboring Baltic, Slavic, and, to a lesser extent, Norse mythologies. Finnish mythology survived within an oral tradition of mythical poem-singing and folklore well into the 19th century. Of the animals, the most sacred was the bear, whose real name was never uttered out loud, lest his kind be unfavorable to the hunting. The bear (“karhu” in Finnish) was seen as the embodiment of the forefathers, and for this reason it was called by many circumlocutions: mesikämmen (“mead-paw”), otso (“browed one”), kontio (“dweller of the land”), metsän kultaomena (“the golden apple of the forest”) but not a god.” ref

“The first historical mention of Finnish folk religion was by the bishop and Lutheran reformer Mikael Agricola (1510–1555) in the preface to his 1551 Finnish translation of the Psalms. Agricola supplied a list of purported deities of the Häme (in Swedish, Tavastia) and Karjala (Karelia), twelve deities in each region, with their supposed functions briefly set out in verse form. (Some commentators state that only eleven deities were listed for Häme, not counting Agricola’s mention of Piru, the Devil.) Due to the lists, Agricola is considered to be the father of the study of Finnish religious history and mythology. Later scholars and students commonly quoted Agricola’s lists as a historical source; only in the late eighteenth century did scholars begin to critically evaluate the “gods” in Agricola’s lists and the information he presented about them, determining with further research that most of the figures in his lists were not gods, but local guardian spirits, figures from folk mythology or explanatory legends, cultural heroes, Christian saints under alternative names, and, in one case, a harvest-time festival.” ref

“The world was believed to have been formed out of a bird’s egg or eggs. The species of the bird and the number of eggs varies between different stories. In the Kalevala the bird is a pochard that lays seven eggs (six of gold and one of iron); examples from other stories include a swallow, a loon, and a mythical giant eagle, kokko. The sky was believed to be the upper cover of the egg; alternately it was seen as a tent, which was supported by a column at the north pole, below the north star. The movement of the stars was explained to be caused by the sky-dome’s rotation around the North Star and itself. A great whirl was caused at the north pole by the rotation of a column of sky. Through this whirl souls could go to the outside of the world to the land of dead, Tuonela.” ref

“Earth was believed to be flat. At the edges of Earth was Lintukoto, “the home of the birds”, a warm region in which birds lived during the winter. The Milky Way is called Linnunrata, “the path of the birds”, because the birds were believed to move along it to Lintukoto and back. In Modern Finnish usage, the word lintukoto means an imaginary happy, warm and peaceful paradise-like place. Birds also had other significance. Birds brought a human’s soul to the body at the moment of birth, and took it away at the moment of death. In some areas, it was necessary to have a wooden bird-figure nearby to prevent the soul from escaping during sleep. This Sielulintu, “the soul-bird”, protected the soul from being lost in the paths of dreams. Waterfowl are very common in tales, and also in stone paintings and carvings, indicating their great significance in the beliefs of ancient Finns.” ref

“Tuonela was the land of dead. It was an underground home or city for all the dead people, not only the good or the bad ones. It was a dark and lifeless place, where everybody slept forever. Still a brave shaman could travel to Tuonela in trance to ask for the forefathers’ guidance. To travel to Tuonela, the soul had to cross the dark river of Tuonela. If the shaman had a proper reason, then a boat would come to take them over. Many times a shaman’s soul had to trick the guards of Tuonela into believing that they were actually dead. Ukko (“old man”) was a god of the sky, weather, and the crops. The Finnish word for thunder, “ukkonen” (little Ukko) or “ukonilma” (Ukko’s weather), is derived from his name. In the Kalevala he is also called “ylijumala” (overgod, Supreme God), as he is the god of things of the sky. He makes all his appearances in myths solely by natural effects when invoked.

“Ukko’s origins are probably in Baltic Perkons and the older Finnish sky god Ilmarinen. While Ukko took Ilmarinen’s position as the Sky God, Ilmarinen’s destiny was to turn into a smith-hero, or the god of the rock. In the epic poetry of the Kalevala, Ilmarinen is credited with forging the stars on the dome of the sky and the magic mill of plenty, the Sampo. Ukko’s weapon was a hammer, ax, or sword, by which he struck lightning. While Ukko and his wife Akka (“old woman”) mated, there was a thunderstorm. He created thunderstorms also by driving with his chariot in clouds. The original weapon of Ukko was probably the boat-shaped stone-axe of battle ax culture. Ukko’s hammer, the Vasara (means merely “hammer”), probably meant originally the same thing as the boat-shaped stone ax. When stone tools were abandoned in the metal ages, the origins of stone-weapons became a mystery. They were believed to be weapons of Ukko, stone-heads of striking bolts of lightning. Shamans collected and held stone-axes because they were believed to hold many powers to heal and to damage. The viper with the saw-figure on its skin has been seen as a symbol of thunder.” ref

Heroes, gods, and spirits

• “Ahti (or Ahto), god of the depths, giver of fish.
• Ajatar (sometimes Ajattara), an evil forest spirit.
• Akka (“old lady”), female spirit, feminine counterpart of “Ukko”.
• Äkräs, the god of fertility and the protector of plants, especially the turnip.
• Antero Vipunen, deceased giant, protector of deep knowledge and magic.
• Hiisi, demon, originally meaning a sacred grove, later a mean goblin.
• Iku-Turso, a malevolent sea monster; probably same as Tursas.
• Ilmarinen, the great smith, maker of heaven. Designed the Sampo mill of fortune. Originally a male spirit of air.
• Ilmatar, female spirit of air; the daughter of primeval substance of creative spirit. Mother of Väinämöinen in Kalevala.
• Jumala, a generic name for a major deity. Originally the name given by the Finns to the sky, the sky-god, and the supreme god. Later taivas and Ukko were used as the names for the sky and the sky-god. The word means god and was later used for the Christian God. The origin of the word is unknown – some possible explanations are derivation from Jomali, the supreme deity of the Permians and origination from the Estonian word jume.
• Kalevanpoika (son/man of Kaleva), a giant hero who can cut down forests and mow down huge meadows, identical with Estonian national epic hero Kalevipoeg.
• Kave, ancient god of sky, later the deity of the lunar cycle. Father of Väinämöinen. Also Kaleva.
• Kullervo, tragic antihero. Model for Túrin Turambar in Tolkien‘s Silmarillion.
• Kuu, goddess of the Moon.
• Lemminkäinen (Ahti Saarelainen, Kaukomieli), a brash hero.
• Lempo, originally a fertility spirit, became synonymous with demon in the Christian era.
• Lalli, Finn who slew St. Henry of Uppsala on the ice of Lake Köyliö, according to a legend.
• Louhi, the matriarch of Pohjola, hostess of the Underworld.
• Loviatar, the blind daughter of Tuoni and the mother of Nine diseases.
• Luonnotar, spirit of nature, feminine creator.
• Menninkäinen, a fairy spirit, gnome, leprechaun of some sort.
• Metsänväki, spirit of forest, forest creature.
• Mielikki, wife of Tapio, the goddess of the forest.
• Nyyrikki, the god of hunting, son of Tapio.
• Näkki, the fearsome spirit of pools, wells and bridges (A spiteful and beautiful womanlike creature with woman’s body and fish’s behind who flatters men into water in Estonian mythology). Same as Nix.
• Otso, the spirit of bear (one of many circumlocutory epithets).
• Pekko (or Pellon Pekko), the god of crops, especially barley and brewing.
• Perkele, the Devil. Originally a god of thunder, Perkele was demonized with the introduction of the Christian religion. Related to Baltic Perkunas and Norse Thor.
• Pellervo (or Sampsa Pellervoinen), the god of harvest.
• Pihatonttu, tutelary of the yard.
• Piru, spirit, demon. Probably later loan word related to “spirit”.
• Päivätär, the goddess of day.
• Rahko, the Karelian god of time; Rahko tars the moon describes the phases of the moon.
• Surma, the personification of a violent death.
• Saunatonttu, tutelary of the sauna.
• Tapio, the god of the forest.
• Tellervo, the goddess of the forest, daughter of Tapio and Mielikki.
• Tonttu, generally benign tutelary. Originally, a patron of cultivated land, keeper of lot.
• Tuonetar, name referring to both the mistress and the daughter of Tuoni.
• Tuoni, the personification of Death.
• Tursas, the Tavastian god of war. May be the same as the Norse Tyr and the Germanic Tîwaz.
• Tuulikki, daughter of Tapio and Mielikki, goddess of animals.
• Ukko (“old man”) the god of the sky and thunder, related to Thor (Estonian Taara).
• Vellamo, the wife of Ahti, goddess of the sea, lakes and storms. A current image of Vellamo can be seen on the coat of arms of Päijät-häme.
• Vedenemo (“mother of waters”) the Karelian Goddess of water of the Karelia region resembles a mermaid, with the body of a fish and the torso and head of a human woman. Like a Greek siren, she sings and seduces humans into the murky depths. Fishermen used to offer their first catch to appease Vedenemo, and spotting her was regarded as an extremely bad omen.
• Väinämöinen, the old and wise man, who possessed a potent, magical voice. Also related to Estonian Vanemuine. The central character in Finnish folklore and he is the main character in the Kalevala.” ref

Finnish paganism

“Finnish paganism is the indigenous pagan religion in Finland and Karelia prior to Christianisation. It was a polytheistic religion, worshipping a number of different deities. The principal god was the god of thunder and the sky, Ukko; other important gods included Jumo (Jumala), Ahti, and Tapio. Jumala was a sky god; today, the word “Jumala” refers to all gods in general. Ahti was a god of the sea, waters, and fish. Tapio was the god of forests and hunting. Finnish paganism shows many similarities with the religious practices of related cultures, such as Estonian, Mordvin, Mari, Sami, and other Eurasian paganism. It shares some features with its neighboring Baltic, Norse, and Germanic paganisms.” ref

“The organic tradition was sidelined due to Christianization starting from ca. 12th century and finally broken by the early 20th century, when folk magic and oral traditions went extinct. Finnish paganism provided the inspiration for a contemporary pagan movement Suomenusko (Finnish: Finnish faith), which is an attempt to reconstruct the old religion of the Finns. It is nevertheless based on secondary sources. The Finnish pagans were polytheistic, believing in a number of different deities. Most of the deities ruled over a specific aspect of nature; for instance, Ukko was the god of the sky, and thunder (ukkonen and ukonilma (“Ukko’s air”) are still used in modern Finnish as terms for thunderstorms).” ref

“These deities were often pan-Finnic, being worshipped by many different tribes in different regions. The Finnish pagans were also animists, worshipping local nature deities at site-specific shrines to that particular deity. These shrines are thought to be mainly “tree-gods”: wooden statues or carvings done in trees or treestumps, depicting human figures, and have been scarcely preserved. One confirmed Stone Age wooden statue has been found in Pohjankuru, and folklore about worshipping tree-gods has been documented. Another kind of shrine are “cup-stones” (Finnish: fi:kuppikivi), large natural stones into which cup-sized recesses have been drilled. Votive offerings of food or drink were left into these cups. Despite Christianization, offerings on these cup-stones continued up to the early 20th century.” ref

“It is believed by some scholars that shamanism played a big part in Finnish paganism, as it did (and still does) in the Siberian paganism to the east of Finland. A tietäjä (shaman, literally “one who knows”) is a wise and respected person in the community, believed to have a special relationship with the spirit world. Shamans go into a trance to commune with spirits and ancestors or to take a journey into the spirit realm. In trances shamans may ask their ancestors or various nature spirits for guidance. They believe that nature has the answers to all questions. Tietäjäs or healers were typically men of high standing in the local society, often landed peasants; it was thought that wealth was evidence of magic powers.” ref

“Among the Finns’ western neighbors, the Norse of Scandinavia, it was a common belief that the Finns were wizards. In the Norse sagas, the inclusion of a Finnish element almost always signifies a supernatural aspect to the story. Finns were also called Kvens. However, “Finn” in some Norse sagas could also mean the Sami and not the Finns. In the iron age, the nomadic Sami people inhabited much of the same lands as Finns, and the Sami warlocks (Lapin noita) were a parallel and coexisting tradition. Sami warlocks inherited their position and traditions through a paternal line.” ref

Major deities

“Several key deities were venerated across nearly all of Finland and Karelia. These pan-Finnic deities controlled many aspects of nature.

• The chief god was Ukko (also (thought to be) known as Perkele), who was the ruler over the sky and thunder. A corresponding figure is known in countless other cultures of the world.
• Another deity that appeared very significant to the Finnish pagans, but about whom modern scholars know very little, was Jumi, whose name is related to “Jumala“, the modern Finnish language word for a monotheist God.
• There were many other important deities who ruled over a specific aspect of the natural world, and who have been referred to as “kings”^{[citation needed]}. The king of water was often called Ahti, and the king of the forest was Tapio.
• Other major deities included Äkräs, the god of fertility; Mielikki, the goddess of the forests and the hunt; Kuu, the goddess of the moon; and Lempo, the god of wilderness and archery.
• Great heroes, who had, in mythology, once been human, such as Väinämöinen and Ilmarinen, were also objects of worship, in a way similar to the Greek pagans‘ worship of mythical human heroes like Herakles.” ref

Haltija

“Local animistic deities, known as haltijas or haltias, were also worshipped. These haltijas could be male or female, and could take a human or another animal’s form. Haltijas could be found everywhere in nature, both in the biotic and abiotic parts. Every human has a haltija, usually called haltijasielu (haltija soul) or luontohaltija (nature haltija), which is one of the three parts of a person’s soul. The tradition blends with the Swedish tomte: the Finnish tonttu was a being analogous to haltija, but which lives in a building, like a home (kotitonttu) or a sauna (saunatonttu). Certain “haltiat”, known as “maan haltija” (literally “tutelary of land”), guarded the property of an individual, including their house and livestock. Votive offerings would be given to these haltijas at a shrine, as thanks for the help given and also to prevent the haltija from causing harm. Sometimes haltijas of certain families and farms acted against other families and their farms by stealing their wealth or making the animals infertile, for instance. Many local haltijas were believed to have originally been the sacred spirits of ancestors. In some cases a haltija was the first inhabitant of house. Sometimes while making a new house a local spirit of nature could be “employed” to work as a maan haltija.” ref

Väki and haltija

“Different elements and environments had their own haltijas. Haltijas were grouped into types or races called väki. “Väki” has multiple connected meanings of “strength”, “force”, “throng”, “military troop”; in the magical context, it referred ambiguously to magical strength and numbers. There were, for instance, different väki of water, forests, and graveyards. Väkis could become angry if people acted in a disrespectful manner in their area. For example, cursing close to water made the väki of water angry. When angry, väkis could cause diseases and other misfortune to befall the human victim. Some väkis were always angry, like the väki of fire, explaining why every time you touch fire it burns, no matter how respectful you are around it.” ref

“Each tribe of väkis belonged to specific environments and if they were misplaced, problems occurred. For example, most väkis were misplaced if they attached to a human being, and they made the human being ill because they were in the wrong place. Illnesses were removed by sending väkis back to their right places. Shamans who cured diseases were returning the cosmic balance. For example, it was believed that on contact with the ground, as in falling on one’s face, diseases could spread to the human, caused by the “väki” of the earth. Similarly, löyly (sauna steam) was believed to contain a väki spirit (löylyn henki), which could cause open wounds to get infected.” ref

“According to the concept of väki being divided in two (into power and folk of haltijas) the ancient Finns believed that the world was totally animistic in that no force of nature or intelligent life existed without väkis or haltijas. In other words, nothing happened in the universe without it being caused by a group of spirits. Even a person’s soul consisted of many spirits. The pagan Finnish belief about the soul dictated that the human soul is composed of three different parts: henki, luonto and itse. Each of the three were autonomous beings on their own. Similar beliefs about multiple autonomous souls are found amongst other peoples speaking Uralic languages, such as the Khanty and Mansi, who believe in two souls: the shadow and the lili (löyly).” ref

“Henki (translated as “life”, “breath” or “spirit”, sometimes also referred to as löyly) was a person’s life force, which presented itself as breathing, the beating of one’s heart and the warmth of their body. Henki was received prior to birth and it left at the moment of death. The word hengetön (lit. “one without henki”) can be used as a synonym for dead in the Finnish language even now.” ref

“Luonto (translated as “nature”) was a guardian spirit or protector. Luonto has also been referred to as the haltija of a person. A strong willed, artistic or otherwise talented person was believed to have a strong haltija who granted them good luck and skills to complete their tasks well. A weak luonto could be strengthened by various spells and rituals. Luonto could leave a person’s body without the person dying, but its lengthened absence would cause problems, such as alcoholism and other addictions. Unlike henki, luonto was not received prior to birth but instead either at the time of getting the first teeth or being given a name. A newborn child was thus considered to be particularly vulnerable. These concepts share similar basics with the idea of hamr (life force) and Hamingja (luck) in Norse belief.” ref

“Itse was a spirit received at the time of birth or a few days after. It was believed to define one’s personality and receiving itse made one a person. In modern-day Finnish the word itse means “self”, but in old days itse was different from one’s self, minuus. Like luonto, itse could leave one’s body without the person dying but long absence would cause illnesses and misery. Depressions, for instance, was seen as a result of having lost one’s itse. If a person was diagnosed to be itsetön or luonnoton (without one’s itse or without one’s luonto), a shaman or a sage could try locating the missing part of the soul and bring it back. Although itse and luonto were usually lost after a traumatising event, it was possible to purposefully separate one’s itse from their body. This was required if a missing part of the soul needed to be found. Itse could also leave the body to appear as an etiäinen (a sort of false arrival apparition). At the time of a person’s death their itse joined the other deceased of the family or, in some cases, stayed among the living as a ghost; much like the Norse concept of Fylgja (follower).” ref

Finnish paganism, Ancestor veneration, and the Afterlife

People were afraid of ghosts, but spirits of ancestors could also help their living relatives, and they were asked to help. A shaman could be sent to Tuonela to ask for knowledge of spirits or even to take a spirit to the world of living as luonto. A Spirit of the dead had to be honored by giving him/her sacrifices. Places where sacrifices were given to ancestors were called Hiisi ( = sacred forest, also a kind of open-air temple, often included the Offering-stone, uhrikivi, collective monument for the dead of the family). Christianity held hiisi to be evil creatures and places. The old sacred places were often desecrated by being used as the building sites for the churches of the new religion, and the old sacred trees were hacked down.” ref

Tuonela

“The Finns believed in a place of afterlife called Tuonela, or sometimes Manala. In most traditions it was situated underground or at the bottom of a lake, though sometimes it was said to exist on the other side of a dark river. Tuonela was ruled over by the god Tuoni, and his wife, the goddess Tuonetar. Tuonela was a dark and lifeless place, where the dead were in a state of eternal sleep. Shamans were sometimes able to reach the spirits of their dead ancestors by traveling to Tuonela in a state of trance created by rituals. He had to make his way over the Tuonela river by tricking the ferryman. While in Tuonela, the shaman had to be careful not to get caught: the living were not welcome there. Shamans who were caught could end up decaying in the stomach of a giant pikefish with no hope of returning to normal life. If the shaman died during the trance ritual, it was believed that he had been caught by the guards at Tuonela.” ref

Damien Marie AtHope’s Art

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Low Gods “Earth” or Tutelary deity and High Gods “Sky” or Supreme deity

“An Earth goddess is a deification of the Earth. Earth goddesses are often associated with the “chthonic” deities of the underworld. Ki and Ninhursag are Mesopotamian earth goddesses. In Greek mythology, the Earth is personified as Gaia, corresponding to Roman Terra, Indic Prithvi/Bhūmi, etc. traced to an “Earth Mother” complementary to the “Sky Father” in Proto-Indo-European religion. Egyptian mythology exceptionally has a sky goddess and an Earth god.” ref

“A mother goddess is a goddess who represents or is a personification of nature, motherhood, fertility, creation, destruction or who embodies the bounty of the Earth. When equated with the Earth or the natural world, such goddesses are sometimes referred to as Mother Earth or as the Earth Mother. In some religious traditions or movements, Heavenly Mother (also referred to as Mother in Heaven or Sky Mother) is the wife or feminine counterpart of the Sky father or God the Father.” ref

“Any masculine sky god is often also king of the gods, taking the position of patriarch within a pantheon. Such king gods are collectively categorized as “sky father” deities, with a polarity between sky and earth often being expressed by pairing a “sky father” god with an “earth mother” goddess (pairings of a sky mother with an earth father are less frequent). A main sky goddess is often the queen of the gods and may be an air/sky goddess in her own right, though she usually has other functions as well with “sky” not being her main. In antiquity, several sky goddesses in ancient Egypt, Mesopotamia, and the Near East were called Queen of Heaven. Neopagans often apply it with impunity to sky goddesses from other regions who were never associated with the term historically. The sky often has important religious significance. Many religions, both polytheistic and monotheistic, have deities associated with the sky.” ref

“In comparative mythology, sky father is a term for a recurring concept in polytheistic religions of a sky god who is addressed as a “father”, often the father of a pantheon and is often either a reigning or former King of the Gods. The concept of “sky father” may also be taken to include Sun gods with similar characteristics, such as Ra. The concept is complementary to an “earth mother“. “Sky Father” is a direct translation of the Vedic Dyaus Pita, etymologically descended from the same Proto-Indo-European deity name as the Greek Zeûs Pater and Roman Jupiter and Germanic Týr, Tir or Tiwaz, all of which are reflexes of the same Proto-Indo-European deity’s name, *Dyēus Ph₂tḗr. While there are numerous parallels adduced from outside of Indo-European mythology, there are exceptions (e.g. In Egyptian mythology, Nut is the sky mother and Geb is the earth father).” ref

Tutelary deity

“A tutelary (also tutelar) is a deity or spirit who is a guardian, patron, or protector of a particular place, geographic feature, person, lineage, nation, culture, or occupation. The etymology of “tutelary” expresses the concept of safety and thus of guardianship. In late Greek and Roman religion, one type of tutelary deity, the genius, functions as the personal deity or daimon of an individual from birth to death. Another form of personal tutelary spirit is the familiar spirit of European folklore.” ref

“A tutelary (also tutelar) in Korean shamanism, jangseung and sotdae were placed at the edge of villages to frighten off demons. They were also worshiped as deities. Seonangshin is the patron deity of the village in Korean tradition and was believed to embody the Seonangdang. In Philippine animism, Diwata or Lambana are deities or spirits that inhabit sacred places like mountains and mounds and serve as guardians. Such as: Maria Makiling is the deity who guards Mt. Makiling and Maria Cacao and Maria Sinukuan. In Shinto, the spirits, or kami, which give life to human bodies come from nature and return to it after death. Ancestors are therefore themselves tutelaries to be worshiped. And similarly, Native American beliefs such as Tonás, tutelary animal spirit among the Zapotec and Totems, familial or clan spirits among the Ojibwe, can be animals.” ref

“A tutelary (also tutelar) in Austronesian beliefs such as: Atua (gods and spirits of the Polynesian peoples such as the Māori or the Hawaiians), Hanitu (Bunun of Taiwan‘s term for spirit), Hyang (Kawi, Sundanese, Javanese, and Balinese Supreme Being, in ancient Java and Bali mythology and this spiritual entity, can be either divine or ancestral), Kaitiaki (New Zealand Māori term used for the concept of guardianship, for the sky, the sea, and the land), Kawas (mythology) (divided into 6 groups: gods, ancestors, souls of the living, spirits of living things, spirits of lifeless objects, and ghosts), Tiki (Māori mythology, Tiki is the first man created by either Tūmatauenga or Tāne and represents deified ancestors found in most Polynesian cultures). ” ref, ref, ref, ref, ref, ref, ref

Mesopotamian Tutelary Deities can be seen as ones related to City-States 

“Historical city-states included Sumerian cities such as Uruk and Ur; Ancient Egyptian city-states, such as Thebes and Memphis; the Phoenician cities (such as Tyre and Sidon); the five Philistine city-states; the Berber city-states of the Garamantes; the city-states of ancient Greece (the poleis such as Athens, Sparta, Thebes, and Corinth); the Roman Republic (which grew from a city-state into a vast empire); the Italian city-states from the Middle Ages to the early modern period, such as Florence, Siena, Ferrara, Milan (which as they grew in power began to dominate neighboring cities) and Genoa and Venice, which became powerful thalassocracies; the Mayan and other cultures of pre-Columbian Mesoamerica (including cities such as Chichen Itza, Tikal, Copán and Monte Albán); the central Asian cities along the Silk Road; the city-states of the Swahili coast; Ragusa; states of the medieval Russian lands such as Novgorod and Pskov; and many others.” ref

“The Uruk period (ca. 4000 to 3100 BCE; also known as Protoliterate period) of Mesopotamia, named after the Sumerian city of Uruk, this period saw the emergence of urban life in Mesopotamia and the Sumerian civilization. City-States like Uruk and others had a patron tutelary City Deity along with a Priest-King.” ref

“Chinese folk religion, both past, and present, includes myriad tutelary deities. Exceptional individuals, highly cultivated sages, and prominent ancestors can be deified and honored after death. Lord Guan is the patron of military personnel and police, while Mazu is the patron of fishermen and sailors. Such as Tu Di Gong (Earth Deity) is the tutelary deity of a locality, and each individual locality has its own Earth Deity and Cheng Huang Gong (City God) is the guardian deity of an individual city, worshipped by local officials and locals since imperial times.” ref

“A tutelary (also tutelar) in Hinduism, personal tutelary deities are known as ishta-devata, while family tutelary deities are known as Kuladevata. Gramadevata are guardian deities of villages. Devas can also be seen as tutelary. Shiva is the patron of yogis and renunciants. City goddesses include: Mumbadevi (Mumbai), Sachchika (Osian); Kuladevis include: Ambika (Porwad), and Mahalakshmi. In NorthEast India Meitei mythology and religion (Sanamahism) of Manipur, there are various types of tutelary deities, among which Lam Lais are the most predominant ones. Tibetan Buddhism has Yidam as a tutelary deity. Dakini is the patron of those who seek knowledge.” ref

“A tutelary (also tutelar) The Greeks also thought deities guarded specific places: for instance, Athena was the patron goddess of the city of Athens. Socrates spoke of hearing the voice of his personal spirit or daimonion:

You have often heard me speak of an oracle or sign which comes to me … . This sign I have had ever since I was a child. The sign is a voice which comes to me and always forbids me to do something which I am going to do, but never commands me to do anything, and this is what stands in the way of my being a politician.” ref

“Tutelary deities who guard and preserve a place or a person are fundamental to ancient Roman religion. The tutelary deity of a man was his Genius, that of a woman her Juno. In the Imperial era, the Genius of the Emperor was a focus of Imperial cult. An emperor might also adopt a major deity as his personal patron or tutelary, as Augustus did Apollo. Precedents for claiming the personal protection of a deity were established in the Republican era, when for instance the Roman dictator Sulla advertised the goddess Victory as his tutelary by holding public games (ludi) in her honor.” ref

“Each town or city had one or more tutelary deities, whose protection was considered particularly vital in time of war and siege. Rome itself was protected by a goddess whose name was to be kept ritually secret on pain of death (for a supposed case, see Quintus Valerius Soranus). The Capitoline Triad of Juno, Jupiter, and Minerva were also tutelaries of Rome. The Italic towns had their own tutelary deities. Juno often had this function, as at the Latin town of Lanuvium and the Etruscan city of Veii, and was often housed in an especially grand temple on the arx (citadel) or other prominent or central location. The tutelary deity of Praeneste was Fortuna, whose oracle was renowned.” ref

“The Roman ritual of evocatio was premised on the belief that a town could be made vulnerable to military defeat if the power of its tutelary deity were diverted outside the city, perhaps by the offer of superior cult at Rome. The depiction of some goddesses such as the Magna Mater (Great Mother, or Cybele) as “tower-crowned” represents their capacity to preserve the city. A town in the provinces might adopt a deity from within the Roman religious sphere to serve as its guardian, or syncretize its own tutelary with such; for instance, a community within the civitas of the Remi in Gaul adopted Apollo as its tutelary, and at the capital of the Remi (present-day Rheims), the tutelary was Mars Camulus.” ref 

Household deity (a kind of or related to a Tutelary deity)

“A household deity is a deity or spirit that protects the home, looking after the entire household or certain key members. It has been a common belief in paganism as well as in folklore across many parts of the world. Household deities fit into two types; firstly, a specific deity – typically a goddess – often referred to as a hearth goddess or domestic goddess who is associated with the home and hearth, such as the ancient Greek Hestia.” ref

“The second type of household deities are those that are not one singular deity, but a type, or species of animistic deity, who usually have lesser powers than major deities. This type was common in the religions of antiquity, such as the Lares of ancient Roman religion, the Gashin of Korean shamanism, and Cofgodas of Anglo-Saxon paganism. These survived Christianisation as fairy-like creatures existing in folklore, such as the Anglo-Scottish Brownie and Slavic Domovoy.” ref

“Household deities were usually worshipped not in temples but in the home, where they would be represented by small idols (such as the teraphim of the Bible, often translated as “household gods” in Genesis 31:19 for example), amulets, paintings, or reliefs. They could also be found on domestic objects, such as cosmetic articles in the case of Tawaret. The more prosperous houses might have a small shrine to the household god(s); the lararium served this purpose in the case of the Romans. The gods would be treated as members of the family and invited to join in meals, or be given offerings of food and drink.” ref

“In many religions, both ancient and modern, a god would preside over the home. Certain species, or types, of household deities, existed. An example of this was the Roman Lares. Many European cultures retained house spirits into the modern period. Some examples of these include:

• Brownie (Scotland and England) or Hob (England) / Kobold (Germany) / Goblin / Hobgoblin
• Domovoy (Slavic)
• Nisse (Norwegian or Danish) / Tomte (Swedish) / Tonttu (Finnish)
• Húsvættir (Norse)” ref

“Although the cosmic status of household deities was not as lofty as that of the Twelve Olympians or the Aesir, they were also jealous of their dignity and also had to be appeased with shrines and offerings, however humble. Because of their immediacy they had arguably more influence on the day-to-day affairs of men than the remote gods did. Vestiges of their worship persisted long after Christianity and other major religions extirpated nearly every trace of the major pagan pantheons. Elements of the practice can be seen even today, with Christian accretions, where statues to various saints (such as St. Francis) protect gardens and grottos. Even the gargoyles found on older churches, could be viewed as guardians partitioning a sacred space.” ref

“For centuries, Christianity fought a mop-up war against these lingering minor pagan deities, but they proved tenacious. For example, Martin Luther‘s Tischreden have numerous – quite serious – references to dealing with kobolds. Eventually, rationalism and the Industrial Revolution threatened to erase most of these minor deities, until the advent of romantic nationalism rehabilitated them and embellished them into objects of literary curiosity in the 19th century. Since the 20th century this literature has been mined for characters for role-playing games, video games, and other fantasy personae, not infrequently invested with invented traits and hierarchies somewhat different from their mythological and folkloric roots.” ref

“In contradistinction to both Herbert Spencer and Edward Burnett Tylor, who defended theories of animistic origins of ancestor worship, Émile Durkheim saw its origin in totemism. In reality, this distinction is somewhat academic, since totemism may be regarded as a particularized manifestation of animism, and something of a synthesis of the two positions was attempted by Sigmund Freud. In Freud’s Totem and Taboo, both totem and taboo are outward expressions or manifestations of the same psychological tendency, a concept which is complementary to, or which rather reconciles, the apparent conflict. Freud preferred to emphasize the psychoanalytic implications of the reification of metaphysical forces, but with particular emphasis on its familial nature. This emphasis underscores, rather than weakens, the ancestral component.” ref

“William Edward Hearn, a noted classicist, and jurist, traced the origin of domestic deities from the earliest stages as an expression of animism, a belief system thought to have existed also in the neolithic, and the forerunner of Indo-European religion. In his analysis of the Indo-European household, in Chapter II “The House Spirit”, Section 1, he states:

The belief which guided the conduct of our forefathers was … the spirit rule of dead ancestors.” ref

“In Section 2 he proceeds to elaborate:

It is thus certain that the worship of deceased ancestors is a vera causa, and not a mere hypothesis. …

In the other European nations, the Slavs, the Teutons, and the Kelts, the House Spirit appears with no less distinctness. … [T]he existence of that worship does not admit of doubt. … The House Spirits had a multitude of other names which it is needless here to enumerate, but all of which are more or less expressive of their friendly relations with man. … In [England] … [h]e is the Brownie. … In Scotland this same Brownie is well known. He is usually described as attached to particular families, with whom he has been known to reside for centuries, threshing the corn, cleaning the house, and performing similar household tasks. His favorite gratification was milk and honey.” ref

Damien Marie AtHope’s Art

Damien Marie AtHope’s Art

Damien Marie AtHope’s Art

The “Atheist-Humanist-Leftist Revolutionaries”

Cory Johnston ☭ Ⓐ Atheist Leftist @Skepticallefty & I (Damien Marie AtHope) @AthopeMarie (my YouTube & related blog) are working jointly in atheist, antitheist, antireligionist, antifascist, anarchist, socialist, and humanist endeavors in our videos together, generally, every other Saturday.

Why Does Power Bring Responsibility?

Think, how often is it the powerless that start wars, oppress others, or commit genocide? So, I guess the question is to us all, to ask, how can power not carry responsibility in a humanity concept? I know I see the deep ethical responsibility that if there is power their must be a humanistic responsibility of ethical and empathic stewardship of that power. Will I be brave enough to be kind? Will I possess enough courage to be compassionate? Will my valor reach its height of empathy? I as everyone, earns our justified respect by our actions, that are good, ethical, just, protecting, and kind. Do I have enough self-respect to put my love for humanity’s flushing, over being brought down by some of its bad actors? May we all be the ones doing good actions in the world, to help human flourishing.

I create the world I want to live in, striving for flourishing. Which is not a place but a positive potential involvement and promotion; a life of humanist goal precision. To master oneself, also means mastering positive prosocial behaviors needed for human flourishing. I may have lost a god myth as an atheist, but I am happy to tell you, my friend, it is exactly because of that, leaving the mental terrorizer, god belief, that I truly regained my connected ethical as well as kind humanity.

Cory and I will talk about prehistory and theism, addressing the relevance to atheism, anarchism, and socialism.

At the same time as the rise of the male god, 7,000 years ago, there was also the very time there was the rise of violence, war, and clans to kingdoms, then empires, then states. It is all connected back to 7,000 years ago, and it moved across the world.

Cory Johnston: https://damienmarieathope.com/2021/04/cory-johnston-mind-of-a-skeptical-leftist/?v=32aec8db952d  

The Mind of a Skeptical Leftist (YouTube)

Cory Johnston: Mind of a Skeptical Leftist @Skepticallefty

The Mind of a Skeptical Leftist By Cory Johnston: “Promoting critical thinking, social justice, and left-wing politics by covering current events and talking to a variety of people. Cory Johnston has been thoughtfully talking to people and attempting to promote critical thinking, social justice, and left-wing politics.” http://anchor.fm/skepticalleft

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Cory Johnston ☭ Ⓐ @Skepticallefty Evidence-based atheist leftist (he/him) Producer, host, and co-host of 4 podcasts @skeptarchy @skpoliticspod and @AthopeMarie

Damien Marie AtHope (“At Hope”) Axiological Atheist, Anti-theist, Anti-religionist, Secular Humanist. Rationalist, Writer, Artist, Poet, Philosopher, Advocate, Activist, Psychology, and Armchair Archaeology/Anthropology/Historian.

Damien is interested in: Freedom, Liberty, Justice, Equality, Ethics, Humanism, Science, Atheism, Antiteism, Antireligionism, Ignosticism, Left-Libertarianism, Anarchism, Socialism, Mutualism, Axiology, Metaphysics, LGBTQI, Philosophy, Advocacy, Activism, Mental Health, Psychology, Archaeology, Social Work, Sexual Rights, Marriage Rights, Woman’s Rights, Gender Rights, Child Rights, Secular Rights, Race Equality, Ageism/Disability Equality, Etc. And a far-leftist, “Anarcho-Humanist.”

I am not a good fit in the atheist movement that is mostly pro-capitalist, I am anti-capitalist. Mostly pro-skeptic, I am a rationalist not valuing skepticism. Mostly pro-agnostic, I am anti-agnostic. Mostly limited to anti-Abrahamic religions, I am an anti-religionist. 

To me, the “male god” seems to have either emerged or become prominent around 7,000 years ago, whereas the now favored monotheism “male god” is more like 4,000 years ago or so. To me, the “female goddess” seems to have either emerged or become prominent around 11,000-10,000 years ago or so, losing the majority of its once prominence around 2,000 years ago due largely to the now favored monotheism “male god” that grow in prominence after 4,000 years ago or so. 

My Thought on the Evolution of Gods?

Animal protector deities from old totems/spirit animal beliefs come first to me, 13,000/12,000 years ago, then women as deities 11,000/10,000 years ago, then male gods around 7,000/8,000 years ago. Moralistic gods around 5,000/4,000 years ago, and monotheistic gods around 4,000/3,000 years ago. 

Damien Marie AtHope’s Art

Damien Marie AtHope’s Art

Damien Marie AtHope (Said as “At” “Hope”)/(Autodidact Polymath but not good at math):

Axiological Atheist, Anti-theist, Anti-religionist, Secular Humanist, Rationalist, Writer, Artist, Jeweler, Poet, “autodidact” Philosopher, schooled in Psychology, and “autodidact” Armchair Archaeology/Anthropology/Pre-Historian (Knowledgeable in the range of: 1 million to 5,000/4,000 years ago). I am an anarchist socialist politically. Reasons for or Types of Atheism

My Website, My Blog, & Short-writing or Quotes, My YouTube, Twitter: @AthopeMarie, and My Email: damien.marie.athope@gmail.com