Damien Marie AtHope’s Art

Many people think they understand religions or mythology, but have a flat or limited concept, not grasping the true depth or evolution in the world of mythological beings labeled deities or gods and goddesses…

When many people think of Zeus (Chief deity/King of the gods/All-Father/Father of many gods) or even Odin (Chief deity/King of the gods/All-Father/Father of many gods) they think of father or the gods or king of the god/deity motifs. At the same time, there may be a connection to such thinking: in reality, these are actually younger gods in a mythological sense, part of a third generation in a larger genealogical god evolution mythology mindset. Religion and its gods are an evolved product, moved through cultural migrations, and are more related to a larger mythological dynamic that most grasp.

AI Overview: Zeus, Odin, and “All-Father”

Zeus, the supreme ruler of Greek gods on Mount Olympus, is often called the “All-Father” because he’s the father of gods, heroes, and humanity, chief of the Olympians, and controller of sky, thunder, and justice, even though his own father was Cronus. He’s known for his power, wisdom, and many divine and mortal offspring, earning him respect and fear as the ultimate patriarch, similar to Norse Odin’s “Allfather” title. In essence, Zeus embodies the ultimate father figure in Greek myth—powerful, authoritative, and the source of many divine and mortal lineages.

Zeus and Odin share common Proto-Indo-European (PIE) roots, stemming from a reconstructed Sky Father deity (Dyēws Ph₂tēr), leading to Zeus in Greek and Tiwaz/Tyr in Germanic, though Odin developed later with distinct shamanistic/warrior traits, representing a cultural evolution from the original Sky God, not a direct one-to-one match. Both are leaders in their pantheons, but their specific roles (Zeus as thunder/justice, Odin as wisdom/magic) diverged as cultures adapted PIE beliefs.

Origins of the Title

The concept of a “sky-father” or “all-father” is ancient, stemming from the Proto-Indo-European *Dyēus, meaning “shining sky” or “heavenly father”. In Greek, this became Zeus (or Dyeus), while the Norse god Odin also holds the similar title “Alföðr” (Allfather). The Proto-Indo-Europeans worshipped a “Sky Father,” Dyēws Ph₂tēr, meaning “Shining Father” or “Daylight Father”.

Linguistic Descendants:

    • Greek: Dyēws became Zeus (also Zeus Pater -> Jupiter).
    • Germanic: Dyēws evolved into Tiwaz (Norse Tyr).

How Odin Fits In

  • Later Development: Odin (Woden in Germanic) rose to prominence later, likely taking over the head role from the original sky god (Tyr) as Germanic cultures shifted focus.
  • Divergent Roles: While Zeus remained the powerful, kingly sky god, Odin developed complex characteristics: Wisdom, magic, poetry, and shamanism (seeking knowledge through altered states). Association with war, the gallows, and death.

Key Takeaway

Zeus and Odin aren’t identical twins; they’re like distant cousins from the same mythological family tree. They reflect how Proto-Indo-European/PIE beliefs were reinterpreted and evolved over millennia in different societies, with Zeus embodying the powerful king and Odin representing a more complex, esoteric leader.

“Proto-Indo-European mythology (PIE), “6,000 years old,” is the body of myths and deities associated with the Proto-Indo-Europeans, speakers of the hypothesized Proto-Indo-European language. Although the mythological motifs are not directly attested – since Proto-Indo-European speakers lived in preliterate societies – scholars of comparative mythology have reconstructed details from inherited similarities in mythological concepts found in Indo-European languages, based on the assumption that parts of the Proto-Indo-Europeans’ original belief systems survived in the daughter traditions.” ref

“The Proto-Indo-European pantheon includes a number of securely reconstructed deities, since they are both cognates—linguistic siblings from a common origin—and associated with similar attributes and body of myths: such as *Dyḗws Ph₂tḗr, the daylight-sky god; his consort *Dʰéǵʰōm, the earth mother; his daughter *H₂éwsōs, the dawn goddess; his sons the Divine Twins; and *Seh₂ul and *Meh₁not, a solar deity and moon deity, respectively. Some deities, like the weather god *Perkʷunos or the herding-god *Péh₂usōn, are only attested in a limited number of traditions—Western (i.e. European) and Graeco-Aryan, respectively—and could therefore represent late additions that did not spread throughout the various Indo-European dialects.” ref

“Some myths are also securely dated to Proto-Indo-European times, since they feature both linguistic and thematic evidence of an inherited motif: a story portraying a mythical figure associated with thunder and slaying a multi-headed serpent to release torrents of water that had previously been pent up; a creation myth involving two brothers, one of whom sacrifices the other in order to create the world; and probably the belief that the Otherworld was guarded by a watchdog and could only be reached by crossing a river.” ref

“Various schools of thought exist regarding possible interpretations of the reconstructed Proto-Indo-European mythology. The main mythologies used in comparative reconstruction are Indo-Iranian, Baltic, Roman, Norse, Celtic, Greek, Slavic, Hittite, Armenian, and Albanian.” ref

“One of the earliest attested and thus one of the most important of all Indo-European mythologies is Religion in India/Hindu/Vedic mythology, especially the mythology of the Rigveda, the oldest of the Vedas. Early scholars of comparative mythology such as Friedrich Max Müller stressed the importance of Vedic mythology to such an extent that they practically equated it with Proto-Indo-European myths. Modern researchers have been much more cautious, recognizing that, although Vedic mythology is still central, other mythologies must also be taken into account.” ref

“Another of the most important source mythologies for comparative research is Roman mythology. The Romans possessed a very complex mythological system, parts of which have been preserved through the characteristic Roman tendency to rationalize their myths into historical accounts. Despite its relatively late attestation, Norse mythology is still considered one of the three most important of the Indo-European mythologies for comparative research, due to the vast bulk of surviving Icelandic material.” ref

Baltic mythology has also received a great deal of scholarly attention, as it is linguistically the most conservative and archaic of all surviving branches, but has so far remained frustrating to researchers because the sources are so comparatively late. Nonetheless, Latvian folk songs are seen as a major source of information in the process of reconstructing Proto-Indo-European myth. Despite the popularity of Greek mythology in western culture, Greek mythology is generally seen as having little importance in comparative mythology due to the heavy influence of Pre-Greek and Near Eastern cultures, which overwhelms what little Indo-European material can be extracted from it. Consequently, Greek mythology received minimal scholarly attention until the first decade of the 21st century.” ref

Although Scythians are considered relatively conservative in regards to Proto-Indo-European cultures, retaining a similar lifestyle and culture, their mythology has very rarely been examined in an Indo-European context and infrequently discussed in regards to the nature of the ancestral Indo-European mythology. At least three deities, Tabiti, Papaios and Api, are generally interpreted as having Indo-European origins, while the remaining have seen more disparate interpretations. Influence from Siberian, Turkic and even Near Eastern beliefs, on the other hand, are more widely discussed in literature.” ref

“The archaic Proto-Indo-European language (4500–4000 BCE or around 6,500 to 6,000 years ago) had a two-gender system which originally distinguished words between animate and inanimate, a system used to separate a common term from its deified synonym. For instance, fire as an active principle was *h₁n̥gʷnis (Latin ignis; Sanskrit Agní), while the inanimate, physical entity was *péh₂ur (Greek pyr; English fire). During this period, Proto-Indo-European beliefs were still animistic and their language did not yet make formal distinctions between masculine and feminine, although it is likely that each deity was already conceived as either male or female. Most of the goddesses attested in later Indo-European mythologies come from pre-Indo-European deities eventually assimilated into the various pantheons following the migrations, like the Greek Athena, the Roman Juno, the Irish Medb, or the Iranian Anahita. Diversely personified, they were frequently seen as fulfilling multiple functions, while Proto-Indo-European goddesses shared a lack of personification and narrow functionalities as a general characteristic. The most well-attested female Indo-European deities include *H₂éwsōs, the Dawn, *Dʰéǵʰōm, the Earth, and *Seh₂ul, the Sun.” ref

“It is not probable that the Proto-Indo-Europeans had a fixed canon of deities or assigned a specific number to them. The term for “a god” was *deywós (“celestial”), derived from the root *dyew, which denoted the bright sky or the light of day. It has numerous reflexes in Latin deus, Old Norse Týr (< PGmc. *tīwaz), Sanskrit devá, Avestan daeva, Old Irish día, or Lithuanian Dievas. In contrast, human beings were synonymous of “mortals” and associated with the “earthly” (*dʰéǵʰōm), likewise the source of words for “man, human being” in various languages. Proto-Indo-Europeans believed the gods to be exempt from death and disease because they were nourished by special aliments, usually not available to mortals: in the Chāndogya Upaniṣad, “the gods, of course, neither eat nor drink. They become sated by just looking at this nectar”, while the Edda states that “on wine alone the weapon-lord Odin ever lives … he needs no food; wine is to him both drink and meat”. Sometimes concepts could also be deified, such as the Avestan mazdā (“wisdom”), worshipped as Ahura Mazdā (“Lord Wisdom”); the Greek god of war Ares (connected with ἀρή, “ruin, destruction”); or the Vedic protector of treaties Mitráh (from mitrám, “contract”).” ref

“Gods had several titles, typically “the celebrated”, “the highest”, “king”, or “shepherd”, with the notion that deities had their own idiom and true names which might be kept secret from mortals in some circumstances. In Indo-European traditions, gods were seen as the “dispensers” or the “givers of good things” (*déh₃tōr h₁uesuom). Although certain individual deities were charged with the supervision of justice or contracts, in general the Indo-European gods did not have an ethical character. Their immense power, which they could exercise at their pleasure, necessitated rituals, sacrifices and praise songs from worshipers to ensure they would in return bestow prosperity to the community. The idea that gods were in control of the nature was translated in the suffix *-nos (feminine *-nā), which signified “lord of”. According to West, it is attested in Greek Ouranos (“lord of rain”) and Helena (“mistress of sunlight”), Germanic *Wōðanaz (“lord of frenzy”), Gaulish Epona (“goddess of horses”), Lithuanian Perkūnas (“lord of oaks”), and in Roman Neptunus (“lord of waters”), Volcanus (“lord of fire-glare”) and Silvanus (“lord of woods”).” ref

AI Overview: Zeus was a third-generation god, the youngest son of the Titans Cronus and Rhea, leading the younger Olympians to overthrow the older generation (the Titans) and establish rule from Mount Olympus. Zeus was of the generation after the Primordials and the Titans.

His Place in the Generations
  • First Generation: Primordial deities like ChaosGaea (Earth), and Uranus (Sky).
  • Second Generation (Titans): Children of Gaea and Uranus, including Cronus and Rhea.
  • Third Generation (Olympians): Children of Cronus and Rhea, such as Zeus, Hera, Hades, Poseidon, Demeter, and Hestia.
  • Fourth Generation: Children of Zeus and other deities, like Athena and Ares.
Zeus’s Role
  • As the youngest of the Titans’ children, Zeus led his siblings to victory in the Titanomachy, a great war against their father and the Titans.
  • After their victory, Zeus became the king of the gods, ruling the sky, while his brothers Hades (ruler of the underworld) and Poseidon (ruler of the sea) ruled other realms. 
AI Overview: In Norse mythology, Odin is considered a third-generation god. The generations are generally traced as follows: Búri: The first god, who was licked from the ice by the primordial cow Auðumbla. Borr: Búri’s son, who married Bestla, a giantess. Odin, Vili, and Vé: The three sons of Borr and Bestla. Odin is part of this third generation of deities, who together slew the primordial giant Ymir to create the world and established Asgard as the home of the gods. Odin is known by the name “All-father” because he is the father of all the major Æsir gods, including Thor and Baldr, and is the ruler of the Norse pantheon.
First Generation: The first being to emerge was Búri, who was licked from the ice by the primordial cow Audhumla.
Second Generation: Búri had a son named Borr (or Bor), who married Bestla, a jötunn (a race of beings often translated as giants).
Third Generation: Odin was the son of Borr and Bestla. He and his brothers, Vili and Vé, are the ones who slew the primordial giant Ymir and created the world from his body.

Fourth Generation: Somewhat Odin’s lineage, or from the third generation, which includes Odin, Vili, Vé (sons of Borr & Bestla). Their children, like Thor, Baldr, Váli, Víðarr, and Týr, plus Odin’s wife Frigg and her attendants (Idunn, etc.), form a significant fourth wave or key figures, but many prominent gods (like Freyja, Freyr, Njörðr, Heimdallr) come from other branches, making the family tree more complex than a simple generation count, with Loki’s kids (Fenrir, Jörmungandr, Hel) also vital to the mythology. 

AI Overview: In Mesopotamian mythology, the “third generation” often refers to the powerful gods born from the primordial chaos (Apsu and Tiamat), leading to the great cosmic deities like An (Anu), Enlil, and Ea (Enki), who formed the core ruling pantheon, with Enlil and Ea as key sons of An, and their offspring including Inanna/Ishtar, Nanna (Sin), and Ninurta, establishing a complex family tree of rulers and shapers of the world, though specific generational numbering varies by text.
Before the First Generation (Before the Primordial Beings?)
“Asherah was a major goddess in ancient Northwest Semitic cultures, often associated with fertilitymotherhood, and sacred trees(Hebrew: ĂšērāUgaritic: AṯiratuAkkadian: AširatQatabanian: ṯrt; HittiteAšerdu(š), Ašertu(š), and as Athirat in Ugarit as the consort of ʾEl. In ancient Palestine, she may have been considered a consort of Yahweh. A variety of symbols have been associated with Asherah. The most common by far is a tree, an equivalence seen as early as the Neolithic (There is a motif of a wild goat or sheep with a tree at Körtik Tepe in Turkey, dated to around 12,000 years old, that could be related to Asherah. The remains of a juniper discovered in a 7500 year old gravesite in Eilat has been considered an Asherah tree by some. Asherah may also have been associated with the ancient pan-Near Eastern “Master of Animals” motif. According to Beaulieu, depictions of a divine “mistress of asiatic lions” Potnia Theron motif are “almost undoubtedly depictions of the goddess Asherah.” Attempts to identify Asherah within the pantheon of ancient Egypt have been met with both limited acceptance and controversy.” ref
“Potnia Theron (Ancient Greek: meaning The Lady of Animals) or Mistress of Animals is a widespread motif in ancient art from the Mediterranean world and the ancient Near East, showing a central human, or human-like, female figure who grasps two animals, one to each side. The oldest such depiction, the Seated Woman of Çatalhöyük, is a clay sculpture from Çatalhöyük in modern Turkey, dated to around 8,000 years ago. This motif is more common in later Near Eastern and Mesopotamian art, with a male figure, called the Master of Animals. An Artemis-type deity, a “Mistress of the Animals”, is often assumed to have existed in prehistoric religion and often referred to as Potnia Theron with some scholars positing a relationship between Artemis and goddesses depicted in Minoan art.” ref
“Inanna is the ancient Mesopotamian goddess of war, love, and fertility. She is also associated with political power, divine law, sensuality, procreation, and beauty. Originally worshipped in Sumer, she was known by the AkkadiansBabylonians, and Assyrians as Ishtar. Scholars believe that Inanna and Ishtar were originally separate, unrelated deities, but were conflated with one another during the reign of Sargon of Akkad and came to be regarded as effectively the same goddess under two different names. Her primary title is “the Queen of Heaven”. She was the patron goddess of the Eanna temple at the city of Uruk, her early main religious center. Her most prominent symbols include the lion and the eight-pointed star. Inanna was worshipped in Sumer as early as the Uruk period (c. 4000 – 3100 BCE or around 6,000 to 5,100 years ago), and her worship was relatively localized before the conquest of Sargon of Akkad. During the post-Sargonic era, she became one of the most widely venerated deities in the Sumerian pantheon, with temples across Mesopotamia. Adoration of Inanna/Ishtar was continued by the East Semitic-speaking peoples (AkkadiansAssyrians and Babylonians) who succeeded and absorbed the Sumerians in the region. The Assyrians elevated her to become the highest deity in their pantheon, ranking above their own national god Ashur. Inanna/Ishtar is alluded to in the Hebrew Bible and she greatly influenced the Ugaritic goddess Ashtart and later the Phoenician goddess Astarte, who in turn possibly influenced the development of the Greek goddess Aphrodite.” ref
Nammu? (inscription dated to around 2400-2250 BCE or around 4,400 to 4,250 years ago) ref 
“In some legends, Ki and An were brother and sister, being the offspring of Anshar (“Sky Pivot”) and Kishar (“Earth Pivot”), earlier personifications of the heavens and earth. Anshar (Whole sky) was a Mesopotamian god regarded as a primordial king of the gods. Though he was not actively worshiped. The goddess Kishar (“whole earth”) was regarded as Anshar’s spouse.” ref, ref
“Ninḫarsag, Akkadian cylinder seal impression possibly Ninhursag 2350–2150 BCE or around 4,350 to 4,150 years ago) also called Ninḫursaĝa, also known as Damgalnuna or Ninmah, was the ancient Sumerian mother goddess of the mountains, and one of the seven great deities of Sumer. She is known earliest as a nurturing or fertility goddess. She is the tutelary deity of several Sumerian leaders.Ninhursag means “lady of the sacred mountain” from Sumerian NIN “lady” and ḪAR.SAG̃ “sacred mountain, foothill”, possibly a reference to the site of her temple, the E-Kur (House of mountain deeps) at Eridu. She had many names including Ninmah (“Great Queen”); Nintu (“Lady of Birth”); Mamma or Mami (mother); Aruru and Belet-Ili (mistress of the gods, Akkadian). The mother goddess had many epithets including shassuru or ‘womb goddess’, tabsut ili ‘midwife of the gods’, ‘mother of all children’, and ‘mother of the gods’. In this role she is identified with Ki in the Enuma Elish.” ref
AI Overview: Sumerians called the deities of the Orion constellation Uru An-Na, meaning “the light of heaven” or “heavenly shepherd,” linking it to their epic hero. The Sumerians saw the Orion constellation as their legendary hero Gilgamesh, often depicted as a mighty warrior fighting the Bull of Heaven (the constellation Taurus) and sometimes the Scorpion Men, representing an ancient celestial narrative of heroism and struggle that predates the Greek myth of Orion, their “Light of Heaven” (Uru An-Na) immortalized in the stars. The Sumerian myth of Gilgamesh battling the Bull of Heaven is considered the earliest known story associated with the constellation. Orion’s Belt stars (Alnitak, Alnilam, Mintaka) form the warrior’s body, while the surrounding stars show him locked in combat, most famously with the constellation Taurus (the Bull of Heaven) as described in the Epic of Gilgamesh. Significance: This ancient Mesopotamian myth places the hero in the sky, a tradition that influenced later cultures, showing a long-standing celestial story. The Sumerian deity known as the “heavenly shepherd” or “shepherd god” is Dumuzid, also famously called Tammuz in Akkadian and later traditions, a fertility god representing seasonal cycles, the consort of the goddess Inanna (Ishtar), and a dying-and-rising figure associated with vegetation, shepherds, and the underworld. He provided milk and ensured fertile lands but faced annual descent into the underworld, prompting mourning rites until his return in spring, symbolizing life’s rebirth. 
Dumuzid or Dumuzi or Tammuz (Sumerian: DumuzidAkkadianDuʾūzu, DûzuHebrew: Tammūz), known to the Sumerians as Dumuzid the Shepherd (Sumerian: Dumuzid sipad) and to the Canaanites as Adon (Phoenician𐤀𐤃𐤍Proto-Hebrew: 𐤀𐤃𐤍), is an ancient Mesopotamian and Levantine deity associated with agriculture and shepherds, who was also the first and primary consort of the goddess Inanna (later known as Ishtar). In Sumerian mythology, Dumuzid’s sister was Geshtinanna, the goddess of agriculture, fertility, and dream interpretation. In the Sumerian King List, Dumuzid is listed as an antediluvian king of the city of Bad-tibira and also an early king of the city of Uruk. The myth of Inanna and Dumuzid later became the basis for the Greek myth of Aphrodite and Adonis. The Greek name Ἄδωνις (Adōnis) is derived from the Canaanite word ʼadōn, meaning “lord”. Tammuz was just one example of the archetype of a “dying-and-rising god” found throughout all cultures.” ref
The Babylonian star catalogues of the Late Bronze Age name Orion MULSIPA.ZI.AN.NA, “The Heavenly Shepherd” or “True Shepherd of Anu” – Anu being the chief god of the heavenly realms. The Babylonian constellation is sacred to Papshukal and Ninshubur, both minor gods fulfilling the role of “messenger to the gods”. Papshukal is closely associated with the figure of a walking bird on Babylonian boundary stones, and on the star map, the figure of the Rooster is located below and behind the figure of the True Shepherd—both constellations represent the herald of the gods, in his bird and human forms, respectively. In ancient Egypt, the stars of Orion were regarded as a god, called Sah. Because Orion rises before Sirius, the star whose heliacal rising was the basis for the Solar Egyptian calendar, Sah was closely linked with Sopdet, the goddess who personified Sirius. The god Sopdu is said to be the son of Sah and Sopdet. Sah is syncretized with Osiris, while Sopdet is syncretized with Osiris’ mythological wife, Isis. In the Pyramid Texts, from the 24th and 23rd centuries BCE or around 4,400 to 4,300 years ago, Sah is one of many gods whose form the dead pharaoh is said to take in the afterlife.” ref
The First Generation (Primordial Beings)
Apsu (Abzu): The freshwater abyss, source of all waters.
Nammu/Tiamat: The saltwater sea, embodiment of chaos.
“Nammu (Namma) was a Mesopotamian goddess regarded as a creator deity in the local theology of Eridu. In the local tradition of Eridu, Nammu was regarded as a creator deity. There is no indication in known texts that she had a spouse when portrayed as such. Eridu (7,300/7,000 to 2,600 years ago) is traditionally considered the earliest city in southern Mesopotamia based on the Sumerian King List. It is assumed that she was associated with water. She was regarded as the mother of Enki, and in a single inscription, she appears as the wife of Anu, but it is assumed that she usually was not believed to have a spouse. From the Old Babylonian period onwards, she was considered to be the mother of An (Heaven) and Ki (Earth), as well as a representation of the primeval sea/ocean, an association that may have come from influence from the goddess Tiamat. Nammu could be referred to with epithets such as “lady who is great and high in the sea”, “mother who gave birth to heaven and earth”, or “first mother who gave birth to all (or senior) gods”. The motherhood of Nammu to heaven and earth is attested in texts like the god-list TCL XV 10 and is related to the status attained from the Old Babylonian period onwards as the mother of An (Heaven) and Ki (Earth).” ref, ref
The Second Generation (Cosmic Deities)
Their union produced the first stars and later gods.
An (Anu): The sky god, chief of the heavens, and “father of the gods”.
Enlil: God of wind, air, and storms, rising to supreme power in Nippur.
Ea (Enki): God of sweet waters, wisdom, and crafts, associated with Eridu.
The Third Generation (Key Offspring & Rulers)
Nanna (Sin): Moon god, son of Enlil.
Inanna (Ishtar): Goddess of love, war, and fertility, daughter of Nanna (or An, depending on tradition).
Ninurta: God of thunderstorms, agriculture, and war, son of Enlil.
Marduk: Son of Enki/Ea, later became Babylon’s supreme god.

“The beliefs and rituals surrounding these gods formed the core of ancient Egyptian religion, which emerged sometime in prehistory. Deities represented natural forces and phenomena, and the Egyptians supported and appeased them through offerings and rituals so that these forces would continue to function according to maat, or divine order. After the founding of the Egyptian state around 3100 BCE, the authority to perform these tasks was controlled by the pharaoh, who claimed to be the gods’ representative and managed the temples where the rituals were carried out. The gods’ complex characteristics were expressed in myths and in intricate relationships between deities: family ties, loose groups and hierarchies, and combinations of separate gods into one. Deities’ diverse appearances in art—as animals, humans, objects, and combinations of different forms—also alluded, through symbolism, to their essential features.” ref

The first written evidence of deities in Egypt comes from the Early Dynastic Period (c. 3100–2686 BCE). Deities must have emerged sometime in the preceding Predynastic Period (before 3100 BC) and grown out of prehistoric religious beliefs. Predynastic artwork depicts a variety of animal and human figures. Some of these images, such as stars and cattle, are reminiscent of important features of Egyptian religion in later times, but in most cases, there is not enough evidence to say whether the images are connected with deities. As Egyptian society grew more sophisticated, clearer signs of religious activity appeared. The earliest known temples appeared in the last centuries of the predynastic era, along with images that resemble the iconographies of known deities: the falcon that represents Horus and several other gods, the crossed arrows that stand for Neith, and the enigmatic “Set animal” that represents Set.” ref

New deities continued to emerge after this transformation. Some important deities such as Isis and Amun are not known to have appeared until the Old Kingdom (c. 2686–2181 BCE). Places and concepts could inspire the creation of a deity to represent them, and deities were sometimes created to serve as opposite-sex counterparts to established gods or goddesses. Kings were said to be divine, although only a few continued to be worshipped long after their deaths. Some non-royal humans were said to have the favor of the gods and were venerated accordingly. This veneration was usually short-lived, but the court architects Imhotep and Amenhotep son of Hapu were regarded as gods centuries after their lifetimes, as were some other officials.” ref

“Through contact with neighboring civilizations, the Egyptians also adopted foreign deities. The goddess Miket, who occasionally appeared in Egyptian texts beginning in the Middle Kingdom (c. 2055–1650 BCE), may have been adopted from the religion of Nubia to the south, and a Nubian ram deity may have influenced the iconography of Amun. During the New Kingdom (c. 1550–1070 BCE), several deities from Canaanite religion were incorporated into that of Egypt, including Baal, Resheph, and Anat. In Greek and Roman times, from 332 BCE to the early centuries CE, deities from across the Mediterranean world were revered in Egypt, but the native gods remained, and they often absorbed the cults of these newcomers into their own worship.” ref

Before the First Generation:
“Min (Ancient Egyptianmnw) is an ancient Egyptian god whose cult originated in the predynastic period (4th millennium BCE or around 6,000 years ago). He was represented in many different forms, but was most often represented in male human form, shown with an erect penis, which he holds in his left hand and an upheld right arm holding a flail. On the Koptos monumental statues of Min, generally dated to circa 3300 BCE or around 5,300 years ago, “pre-dynastic period” during the late Naqada II– early Naqada III periods, the Min symbol is inscribed, together with marine objects: the “sword” of a sawfish and two shells of the Pterocera species. Min’s cult began and was centered around Coptos (Koptos, modern day Qift) and Akhmim (Panopolis) of Upper Egypt, where in his honor, great festivals were held celebrating his “coming forth” with a public procession and presentation of offerings. His other associations include the eastern desert and links to the god Horus. His importance grew in the Middle Kingdom when he became even more closely linked with Horus as the deity Min-Horus. By the New Kingdom he was also fused with Amun in the form of Min-Amun, who was also the serpent Irta, a kamutef (the “bull of his mother” – a god who fathers himself with his own mother. The kamutf name is also used in reference to Horus-Min). Min as an independent deity was also a kamutef of Isis. One of Isis’s many places of cult throughout the valley was at Min’s temple in Koptos as his divine wife. Min’s shrine was crowned with a pair of bull horns. As the central deity of fertility and possibly orgiastic rites, Min became identified by the Greeks with the god Pan.” ref
Min (Menew, Menu, Amsu) was an ancient Egyptian god whose worship dates back to the predynastic times. His early images are the oldest examples of large scale statuary found in Egypt so far. He was worshipped by King Scorpion of the Early Dynastic Period and his symbol appears on the El Amrah palette (which is also known as the min palette). As time progressed, he was given a human form and represented by the Min standard which resembles a double-headed arrow on a hook. Alternatively, Min initially represented the constellation Orion and was thought to control thunder and rain (linking him to Set). This connection with Orion also connected Min with Horus because the three were depicted with their arms raised above their head (a pose linked to the “smiting” pose of the pharaoh) and later provided a connection with Osiris.” ref
Sah (sꜣḥ) was a god in Ancient Egyptian religion, representing a constellation that encompassed the stars in Orion and Lepus, as well as stars found in some neighbouring modern constellations. His consort was Sopdet known by the ancient Greek name as Sothis, the goddess of the star Sirius. Sah came to be associated with a more important deity, Osiris, and Sopdet with Osiris’s consort Isis. Sah was frequently mentioned as “the Father of Gods” in the Old Kingdom Pyramid Texts. The pharaoh was thought to travel to Orion after his death.” ref
Bat is a cow goddess in Egyptian mythology who was depicted as a human face with cow ears and horns or as a woman. Evidence of the worship of Bat exists from the earliest records of the religious practices in ancient Egypt. A painted terracotta Naqada figure of a woman is interpreted as representing Bat, c. 3500–3400 BCE or around 5,500 to 5,4,00 years ago. The worship of Bat dates to the earliest times in ancient Egypt and may have its origins in Late Paleolithic cattle herding cultures. By the time of the Middle Kingdom, after the unification of Lower Egypt and Upper Egypt, her identity and attributes were subsumed within that of the goddess Hathor, a similar goddess worshipped in another nome. The imagery of Bat persisted throughout the history of ancient Egypt on the sistrum, a sacred instrument that remained associated with religious practices.” ref
AI Overview: The four generations in ancient Egyptian mythology’s Heliopolitan tradition
 
First Generation: Atum (or Ra) – The self-created creator god.
 
Second Generation: Shu (Air) & Tefnut (Moisture) – Born from Atum.
 
Third Generation: Geb (Earth) & Nut (Sky) – Born from Shu and Tefnut, they are the Earth and Sky.
 
Fourth Generation (The Siblings):
Osiris: God of the afterlife, the underworld, and rebirth.
Isis: Goddess of magic, motherhood, and healing, wife of Osiris.
Set (Seth): God of deserts, storms, and chaos, husband of Nephthys.
Nephthys: Goddess of mourning and protection, wife of Set, who often aided Isis.

“Hunting Cult” (Cosmic Hunt) becomes “Herding Cult” Paganism in the Middle East 12,000 to 11,000 years ago

I think #1 was likely related to the Orion constellation as a shamanic figure holding a snake, referencing the use of the Milky Way to communicate with the gods and ancestors, as well as soul travel via the Milky Way. The big snake to me would reference the Milky Way itself and the two birds, either the star Venus and the moon, or some aspect of the sun, and the moon, but the sun aspect was likely not the noon sun by itself, as I see that as gaining prominence at a later date. And I think the other figures, also related to the Orion constellation, either as a deity or a deity of the stars, put Orion there. I assume, as seen in #7, two standing figures on “step stools of power” that by 11,000 years ago were at least two sky deities, such as something similar to both a sky father and a sky mother deity, at this time, related to the stars, or planets (also seen as stars or star-like). But we must remember that planets were seen as star-related in mythology.

AI Overview: In mythology, planets were seen as divine “wandering stars,” distinct from fixed stars, with ancient civilizations linking the five visible planets (Mercury, Venus, Mars, Jupiter, Saturn) to major gods, embodying their traits, with Greeks and Romans naming them after deities like Hermes/Mercury (messenger), Aphrodite/Venus (love), Ares/Mars (war), Zeus/Jupiter (king), and Cronus/Saturn (agriculture). Their unique paths were interpreted as signs of divine will, influencing fate and nature.

Some think the Sun was the first god…

To Damien, the first god was related to stars, not the sun. From the 8-pointed Star of Ishtar, to the Dingir symbol in Sumerian cuneiform representing an 8-pointed star, not the sun, meaning “god.” Or in Egypt, an eight-pointed star symbolized the Ogdoad, eight primordial deities. I do think the sun god is very old, at least 6,000 to 7,000 years ago, and maybe older, but not the first. Certainly, the Sky father/sun god/sky god (“blue sky” thus “daytime sky” with the Sun at its most represented) is a universal archetype seen around the World in many different cultural mythologies and shares relatedness. Also commonly paired with an Earth mother goddess archetype.

Sun as three gods and goddesses?
The three parts/beings of the sun in a mythological perspective?
Many cultures, unaware that the morning, noon, and evening sun appearances were the same object, gave them distinct names and associations. Was the Sun seen as a star sometimes or all the time? Well, a common belief held that Venus was both a morning and an evening star related to the morning and/or evening sun. But sometimes Venus was seen as only one, and sometimes related to male rather than female deities/divine beings. Unlike the morning and evening sun expressions, the noon sun isn’t typically seen as a star but rather as a powerful deity or celestial being. When I talk about the stars being related to the first deities but not the sun, I am referring to the noon sun/blue sky-related gods. The noon sun was sometimes depicted as a powerful, radiant star pattern, like the eight-pointed Star of Ishtar (linked to the planet Venus) or the sun-disc with rays.
And the noon Sun disc in art may be depicted as a radiant orb, a winged disk, or a star-like disc with rays. But all a symbol used does make the noon Sun a star god, even though we today understand the sun in all its expressions is one thing and is a star like other stars. It could be said a star symbolized all Sumerian gods, yet all gods were not star deities. The Dingir symbol in ancient Sumerian cuneiform was a sign shaped like an eight-pointed star, signifying “deity,” and was used before divine names of different deities to establish them as deities, but not specifically as star gods.

ref, ref, ref, ref, ref, ref

“The Heavenly Shepherd” or “Giant Great Hunter”

“Depictions of the consistently phallic Egyptian god, Min, show the deity in a standing position in a stance that closely follows the Orion constellation. In Egyptian mythology, the god Min, associated with fertility, harvest, and male virility, was linked to the constellation Orion. Depictions of Min, often with an erect phallus, visually resemble the Orion constellation, particularly the alignment of stars in Orion’s belt.” refref

“In ancient Egypt, the stars of Orion were regarded as a god, called Sah, representing a constellation that encompassed the stars in Orion and Lepus, as well as stars found in some neighboring modern constellations.” refref

“The Babylonian star constellations of the Late Bronze Age named Orion meant, “The Heavenly Shepherd” or “True Shepherd of Anu,” Anu being the chief god of the heavenly realms. The True Shepherd of Anu (i.e., Orion) … is a human figure, clothed, bearded, and the Twins (i.e., Gemini), who stand in front of the True Shepherd of Anu…, are two human figures, clothed. The celestial body that stands below the True Shepherd of Anu is the Rooster (Lepus). Orion served several roles in ancient Greek culture. The story of the adventures of Orion, the hunter, is the one for which there is the most evidence (and even for that, not very much); he is also the personification of the constellation of the same name; he was venerated as a hero, in the Greek sense. The Seri people of northwestern Mexico call the three stars in the belt of Orion Hapj (a name denoting a hunter), which consists of three stars, and in China, Orion is related to Sieu, which, literally meaning “three,” refers to the stars of Orion’s Belt. In Siberia, the Chukchi people see Orion as a hunter, and in old Hungarian tradition, Orion is called Nimrod (Hungarian: Nimród), the greatest hunter, father of the twins Hunor and Magor.” refref 

“In Greek mythology, Orion is a hunter, with hunting dogs (Canis Major and Minor) that mirror the Wild Hunt’s entourage. And whenever Scorpius appears, Orion hides away, for the two are never to be seen together. The Wild Hunt is a folklore motif occurring across various northern, western, and eastern European societies. The Wild Hunt typically involves a chase led by a mythological figure, escorted by ghostly or supernatural hunters engaged in pursuit.” ref

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Male statues and male power: from Nevalı Çori, Turkey, to other areas, Egypt, Sumerian, Europe, and then Siberia.

I think emerging herding paganism was male-focused at the beginning, around 12,000/13,000 years ago, it was a shift from the older, more female shaman-focused tradition that had been the norm from 25,000 to 12,000 years ago, respectively, from Central Europe to the Middle East. After 12,000 years, the process in northern Mesopotamia of shamanism evolving into or emerging to become herding paganism with its Master of Animals. I believe it had at least three animals as deities: the bird, the bull, and the snake, and at least two deities in anthropomorphic form as the sky father/sun/day sky and the sky mother/moon/night sky.

“The Master of AnimalsLord of Animals, at least 12,000/11,000 years old, or Mistress of the Animals, at 8,000 years ago, is a motif in ancient art showing a human between and grasping two confronted animals. The motif is very widespread in the art of Mesopotamia.” ref 

AI Overview: (Three parts/beings/aspects of the Sun as Deities)
 
The rising sun (dawn), the midday sun (zenith), and the setting sun (evening). This tripartite division symbolizes the eternal cycle of life, death, and rebirth. In a mythological perspective, sun deities may have three aspects/parts, or, more commonly, are one of the three parts/aspects, each part/deity representing a stage of the sun’s daily cycle and associated concepts.
 
The Three Parts of Sun Deities
 
The Rising Sun (Dawn) This aspect symbolizes creation, new beginnings, and the renewal of life. The deity associated with this phase is often depicted as young or emerging from the underworld or primordial waters. In Egyptian mythology, Khepri, the god of the rising sun, was depicted as a scarab beetle pushing the sun over the horizon, mirroring the beetle’s habit of pushing balls of dung. In Hindu mythology, Aruna is the charioteer of the sun god Surya, representing the reddish light of the morning sun.
 
The Midday Sun (Zenith) This aspect represents the sun at its peak power, embodying strength, justice, and sovereignty. The midday sun is often the most dominant and powerful form of the deity. In ancient Egypt, Ra (or Re) was the powerful midday sun god who sailed across the sky in his solar boat, maintaining cosmic order (Maat) and battling chaos. In Hindu texts, Aryaman is the god of the midday sun.
 
The Setting Sun (Evening) This aspect signifies the end of the day, old age, and the journey into the underworld or the west, often representing death or the transition to the night. In Egyptian mythology, Atum represented the sun as it set on the western horizon and was considered the “finisher of the world”. This phase prepares the way for the sun’s nightly journey and subsequent rebirth at dawn.
AI Overview: In many major mythologies, the sun was typically personified as a distinct deity who drove a chariot or sailed a boat across the sky each day, rather than being simply identified as a star among others. The understanding that the sun is a star is a scientific concept developed much later than ancient mythologies. To ancient observers, the sun’s unique daily movement and life-giving heat set it apart from the fixed, twinkling stars, which were often associated with different gods, heroes, or celestial objects. Many sun gods are associated with the noon sun, representing its peak power and brilliance, with Aryaman in Hinduism specifically known as the god of the midday sun, while the Hindu god Surya (also with three faces for dawn, noon, dusk) and the Roman Sol Invictus (Unconquered Sun) embodied the sun’s full might at its zenith. In essence, the noon sun, representing ultimate power and clarity, is a frequent manifestation of major solar deities across different mythologies, often depicted as a distinct deity or an aspect of the main sun god.
 
Examples of distinct sun deity personifications include:
  • Ra, in Egyptian mythology, who sailed his sun barge across the sky.
  • Celtic depictions of solar boats on ancient artifacts, possibly Lugh (or Lugus), journey for the sun god. Another prominent Celtic solar deity was Belenus, “the Fair Shining One,” linked to Beltane, fire, and horse-drawn chariots.
  • In Hindu Mythology, the sun god Surya travels in a chariot pulled by seven horses, guided by the charioteer Aruna.
  • Helios, later Apollo, in Greek mythology, drove a horse-drawn chariot across the heavens.
  • Sol in Roman mythology, moving across the sky, often in a fiery chariot pulled by horses.
  • Norse Mythology (Sól/Sunna), the sun goddess, drives a horse-drawn chariot across the sky daily.
AI Overview: (Sun Gods related to Sky Father Gods)
 
Sun gods are often deeply related to sky father gods, either as aspects of the same deity (like Ra in Egypt), as children/manifestations (like Surya from Dyaus Pita in Vedic myth), or as closely associated figures, with the sky father representing the overarching celestial power and the sun god embodying its most visible, life-giving force, a connection rooted in the Proto-Indo-European “*Dyēus Ph₂tḗr” (Father Sky) concept.
 
Key Connections
  • Dyaus Pita (Proto-Indo-European): The original sky father concept (*Dyēus Ph₂tḗr) directly links to the sun, with the sun often seen as the “eye” of this supreme sky deity, as seen with Vedic Dyaus Pita and his son Surya (the sun god).
  • Vedic Mythology: Dyaus Pita (sky father) is the progenitor of deities including Agni (fire) and Surya (sun), showing a direct lineage.
  • Greek Mythology: While Zeus (the sky father) became supreme, he absorbed powers, and ancient traditions sometimes connected him to solar aspects or figures like Helios (the sun god).
  • Egyptian Mythology: Ra, the sun god, is also a supreme creator and sky deity, often depicted rising from the primordial waters, fitting the sky father archetype.
  • Germanic/Norse: The sky father figure (like Odin/Tiwaz) could also embody solar traits, though sometimes distinct solar deities like Sol existed, or the sky god’s role shifted (e.g., Tyr).
 
How Sun Gods and Sky Father Gods Relate
  • Patriarchal Structure: Sky fathers are often the “King of Gods,” and the sun god, representing day, light, and energy, fits naturally as a powerful son or primary manifestation of this supreme celestial ruler.
  • Cosmic Eye/Light: The sun’s omnipresence and light make it a perfect symbol for the all-seeing sky father, blurring the lines between the abstract sky and its most potent visual form.
  • Evolution of Deities: Over time, some sky fathers absorbed solar traits, while some solar deities took on broader kingly or creator roles, unifying the sky and sun concepts.
AI Overview: (Sun Deities related to Eyes of Sky)
 
In many mythologies, the Sun was seen as the “eye of the sky” or “eye of the gods,” directly related to stars, often as a supreme celestial watcher. And in many cultures link sun gods to the “eyes of the sky,” most notably the Egyptian Horus (right eye = sun, left = moon) and Ra (Eye of Ra as the sun’s power), but also Hindu Surya (eye of Varuna), Persian Mithras (eye of Ahura Mazda), and Greek Helios, all embodying divine sight and power within the heavens. These myths portray the sun as a watchful, all-seeing organ of the sky or creator god, representing illumination, protection, and divine judgment.
 
Some myths even merge the Sun’s identity with that of stars or see stars as its divine retinue, as with some Vedic gods or Greek Titans, highlighting a shared divine presence in the heavens. In some Siberian and Mongolian mythologies, the sun and the moon are indeed described as the eyes of the sky god, Tengri. In a general sense across Indo-European and some related mythologies (which have some cultural exchange with southern Siberian traditions), the sun is a common motif for the “eye of the world” or “eye of the gods”.
likely date back 6,000 to 7,000 years or more, reflecting a Bronze Age (Copper Age) culture on the Eurasian Steppe (around 4500-2500 BCE), with themes like sky fathers, divine twins, dragon-slaying heroes (Trito), and cosmic creation myths involving primordial beings (Manu/Yimmo/cow) existing during that period. While no direct PIE texts exist, linguistic and archaeological evidence links these myths to the hypothesized homeland and culture of the PIE speakers, suggesting deep roots. 

Körtik Tepe

“Körtiktepe or Körtik Tepe is the oldest known Neolithic archaeological site in Turkey. Together with Tell Mureybet and Tell Abu Hureyra in northern Syria, Körtiktepe is one of the only three securely dated Younger Dryas sedentary sites in Upper Mesopotamia. The habitation of the site began in the first half of the 11th millennium BCE, approximately 10700 BCE (12,700 years ago), and persisted with consistent density until approximately 10400 BCE. Analyses of human tooth enamel indicate that the inhabitants of the Younger Dryas occupations at Körtiktepe were born and grew up in or near the site. Although a potential minor flooding event transpired during the transition from the Younger Dryas to the Early Holocene, the site endured without evident abandonment, at least not for a prolonged interval. Occupation continued and thrived during the Early Holocene. The architectural tradition of constructing round plans established around 10400 BCE and continued without any fundamental alterations until the eventual desertion of the site. The site reached its peak in terms of occupation density around 9300 BCE. Subsequently, it experienced an unexplained abandonment, possibly attributed to natural disturbances such as flooding induced by the Holocene climate changes. Incised bone pendants and stone vessels with art somewhat similar to Iran with curved horned animals that may represent wild Goat or Sheep.” ref

ref

The Ibex as an Iconographic Symbol in the Ancient Near East

“The study of pottery design on hundreds of extant examples from the ancient Near East reveals the early popularity of one particular animal—the ibex. The treatment that this animal received on pottery from a wide number of Near Eastern sites, over a span of a thousand years, gives a clear picture of its reverential status, as well as providing us with possible clues toward a cosmology for the people of the ancient Near East. A brief review of the ibex’s appearance on Palaeolithic bone carvings demonstrates the longevity of this animal’s role as a cultural symbol, and, finally, the ibex’s demise in the fourth millennium B.C. marks a turning point in the cultural life of Near Eastern society.” ref

“Almost 90 percent of Iran’s rock art consists of the ibex motif. The ibex for the prehistoric inhabitants of what is now known as Iran appears to have received the same apotheosis as the eland for the San in what is now known as South Africa. Rock art is one of the oldest legacies of humankind. One could argue that rock art is the basis of a writing system, conveying cultural messages, beliefs and myths.  The ibex would have been a source of meat and secondary products such as horn and hide. Archaeological evidence shows that it was hunted in Iran from the Middle Paleolithic period onwards, at the Warwasi and Yāfte Cave (38,000-29,000 BCE) sites where it was the dominant species represented. Studies of horn cores from the early Neolithic sites of Tappe ʿAli Koš and Tappe Sabz indicate that ibex were being hunted in the late 8th and 7th millennia BCE. The ibex motif went on to be incorporated into decorative friezes on painted pottery in pre-Islamic Iran. The elegantly stylized ibex appears as a decorative motif on Chalcolithic pottery – in Luristan at Čeḡā Sabz, Se Gābi and Tappe Giān – with long, curving horns and a characteristic beard. Long-horned caprids, many of whom may be ibex, appear on pre-Islamic stamp and cylinder seals all over Iran. An ibex-headed figure – possibly a human wearing the horns of an ibex – appears in the guise of the ‘master of animals’ on stamp seal impressions from Susa dating to ca. 4000 B.C.E. Middle Elamite, Neo-Assyrian, provincial Neo-Assyrian, and Neo-Elamite cylinder seals from Čeḡā Sabz and Sorḵ Dom-e Lori in Luristan illustrate hunters with bow and arrow shooting leaping caprids. The symbolic and/or religious significance of the ibex in pre-Islamic Iran is unclear, although some argue that it was integral to a pre-Islamic creation narrative. According to the Zoroastrian – ‘Zarathusti’ in Persian – cosmogony, ‘Mashya and Mashyana’, or ‘mašyā and mašyānē’, were the first man and woman whose procreation gave rise to the human race. According to Mohammad Naserifard [pictured], it was the ibex that was chosen as the symbol of divine assistance. With the ibex carvings in the rock art sites of ancient Persia, this may have represented an over-riding belief in, and request for, the provision of water, the guarantee of fertility and birth, and a Divine – ‘hu’ – blessing and protection.” ref

Damien Marie AtHope’s Art

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The tree of life is closely related to the concept of “sacred trees” and a widespread myth or archetype in many of the world’s mythologies, religions, or traditions. Here are some sacred trees explained. The “sacred” tree of knowledge thought to connect heaven/Upper world and the underworld. The “sacred” tree of life, thought to connect all forms of creation, are both forms of the world tree or cosmic tree, and are portrayed in various religions and philosophies seemly as the same tree. ref

“Various trees of life are recounted in folklore, culture, and fiction, often relating to immortality or fertility. They had their origin in religious symbolism. Trees are significant in many of the world’s mythologies, and have been given deep and sacred meanings throughout the ages. Human beings, observing the growth and death of trees, and the annual death and revival of their foliage, have often seen them as powerful symbols of growth, death, and rebirth. Evergreen trees, which largely stay green throughout these cycles, are sometimes considered symbols of the eternal, immortality, or fertility. The image of the Tree of life or world tree occurs in many mythologies. Examples include the banyan and the sacred fig (Ficus religiosa) in Hinduism, Buddhism, and Jainism, the tree of the knowledge of good and evil of Judaism and Christianity. In folk religion and folklore, trees are often said to be the homes of tree spirits. Germanic mythology as well as Celtic polytheism both appear to have involved cultic practice in sacred groves, especially grove of oak. The term druid itself possibly derives from the Celtic word for oak. The Egyptian Book of the Dead mentions sycamores as part of the scenery where the soul of the deceased finds blissful repose. The presence of trees in myth sometimes occurs in connection to the concept of the sacred tree and the sacred grove. Trees are an attribute of the archetypical locus amoenus.” ref, ref

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Asherah is related to the “Tree of Life” (Axis mundi: Snake/pole/piller/stele/world Tree/World Mountain/World Turtle/Mound of Creation: also related to the Milky Way: path/river/milk/smoke-fire/blood; all going to heaven/ancestors, “who are stars”).

Tree of Life/World Tree

“The world tree is a motif present in several religions and mythologies, particularly Indo-European, Siberian, and Native American religions. The world tree is represented as a colossal tree that supports the heavens, thereby connecting the heavens, the terrestrial world, and, through its roots, the underworldIt may also be strongly connected to the motif of the tree of life, or axis mundi, but is also believed to be a source of wisdom of the ages. Scholarship states that many Eurasian mythologies share the motif of the “world tree”, “cosmic tree”, or “Eagle and Serpent Tree”. More specifically, it shows up in “Haitian, Finnish, Lithuanian, Hungarian, Indian, Chinese, Japanese, Norse, Siberian and northern Asian Shamanic folklore”. Specific world trees include Égig érő fa in Hungarian mythologyAğaç Ana in Turkic mythologyKenac’ Car in Armenian mythologyModun in Mongol mythologyYggdrasil in Norse mythologyIrminsul in Germanic mythology, the oak in SlavicFinnish, and BalticJianmu (Chinese建木pinyinjiànmù) in Chinese mythology, and in Hindu mythology the Ashvattha (a Ficus religiosa).” ref

“In 20th-century comparative mythology, the term axis mundi – also called the cosmic axis, world axis, world pillar, center of the world, or world tree – has been greatly extended to refer to any mythological concept representing “the connection between Heaven and Earth” or the “higher and lower realms”. Axis mundi closely relates to the mythological concept of the omphalos (navel) of the world or cosmos. Items adduced as examples of the axis mundi by comparative mythologists include plants (notably a tree but also other types of plants such as a vine or stalk), a mountain, a column of smoke or fire, or a product of human manufacture (such as a staff, a tower, a ladder, a staircase, a maypole, a cross, a steeple, a rope, a totem pole, a pillar, a spire). Its proximity to heaven may carry implications that are chiefly religious (pagoda, temple mount, minaret, church) or secular (obelisk, lighthouse, rocket, skyscraper). The image appears in religious and secular contexts. The axis mundi symbol may be found in cultures utilizing shamanic practices or animist belief systems, in major world religions, and in technologically advanced “urban centers.” ref

“Specific examples of cosmic mountains or centers include one from Egyptian texts described as providing support for the sky, Mount Mashu from the Epic of Gilgamesh, Adam’s Peak, which is a sacred mountain in Sri Lanka associated with Adam or Buddha in Islamic and Buddhist traditions respectively, Mount Qaf in other Islamic and Arabic cosmologies, the mountain Harā Bərəz in Zoroastrian cosmology, Mount Meru in Hindu, Jain, and Buddhist cosmologies, Mecca as a cosmic center in Sufi cosmology (with minority traditions placing it as Medina or Jerusalem), and, in Tenrikyo, the Jiba at the Tenrikyo Church Headquarters in Tenri, Nara, Japan. In pre-Islamic Arabia, some central temples, including the Temple of Awwam, were cosmic centers.” ref

“The World Tree is often identified with the Tree of Life, and also fulfills the role of an axis mundi, that is, a centre or axis of the world. It is also located at the center of the world and represents order and harmony of the cosmos. According to Loreta Senkute, each part of the tree corresponds to one of the three spheres of the world (treetops – heavens; trunk – middle world or earth; roots – underworld) and is also associated with a classical element (top part – fire; middle part – earth, soil, ground; bottom part – water). The imagery of the World Tree is sometimes associated with conferring immortality, either by a fruit that grows on it or by a springsource located nearby. As George Lechler also pointed out, in some descriptions this “water of life” may also flow from the roots of the tree.” ref

“Its branches are said to reach the skies and its roots to connect the human or earthly world with an underworld or subterranean realm. Because of this, the tree was worshipped as a mediator between Heavens and Earth. On the treetops are located the luminaries (stars) and heavenly bodies, along with an eagle’s nest; several species of birds perch among its branches; humans and animals of every kind live under its branches, and near the root is the dwelling place of snakes and every sort of reptiles. According to Vladimir Toporov, animal species are commonly distributed along the parts of the tree: between its roots, figure “chthonic animals”, such as snakes and frogs, but he also mentions aquatic animals such as otters, beavers, and fishes, as well as dragons; the middle part of the tree is reserved for hoofed animals such as deer or elk (sometimes bees), and on the topmost part perches the “principal” bird, or a pair of birds sat on either side of the tree crown. A bird perches atop its foliage, “often …. a winged mythical creature” that represents a heavenly realm. The eagle seems to be the most frequent bird, fulfilling the role of a creator or weather deity. Its antipode is a snake or serpentine creature that crawls between the tree roots, being a “symbol of the underworld.” ref

“The World Tree has also been compared to a World Pillar that appears in other traditions and functions as separator between the earth and the skies, upholding the latter. Another representation akin to the World Tree is a separate World Mountain. However, in some stories, the world tree is located atop the world mountain, in a combination of both motifs. A conflict between a serpentine creature and a giant bird (an eagle) occurs in Eurasian mythologies: a hero kills the serpent that menaces a nest of little birds, and their mother repays the favor – a motif comparativist Julien d’Huy dates to the Paleolithic. A parallel story is attested in the traditions of the indigenous peoples of the Americas, where the thunderbird is slotted into the role of the giant bird whose nest is menaced by a “snake-like water monster. Many other Indo-European cultures, one tree species was considered the World Tree in some cosmogonical accounts.” ref

“Romanian historian of religion, Mircea Eliade, in his monumental work Shamanism: Archaic Techniques of Ecstasy, suggested that the world tree was an important element in shamanistic worldview. Also, according to him, “the giant bird … hatches shamans in the branches of the World Tree”. Likewise, Roald Knutsen indicates the presence of the motif in Altaic shamanism. Representations of the world tree are reported to be portrayed in drums used in Siberian shamanistic practices. Some species of birds (eagle, raven, crane, loon, and lark) are revered as mediators between worlds and also connected to the imagery of the world tree. Another line of scholarship points to a “recurring theme” of the owl as the mediator to the upper realm, and its counterpart, the snake, as the mediator to the lower regions of the cosmos. Researcher Kristen Pearson mentions Northern Eurasian and Central Asian traditions wherein the World Tree is also associated with the horse and with deer antlers (which might resemble tree branches).” ref

“The sacred tree of Zeus is the oak, and the one at Dodona (famous for the cultic worship of Zeus and the oak) was said by later tradition to have its roots furrow so deep as to reach the confines of Tartarus. In a different cosmogonic account presented by Pherecydes of Syros, male deity Zas (identified as Zeus) marries female divinity Chthonie (associated with the earth and later called Gê/Gaia), and from their marriage sprouts an oak tree. This oak tree connects the heavens above and its roots grew into the Earth, to reach the depths of Tartarus. This oak tree is considered by scholarship to symbolize a cosmic tree, uniting three spheres: underworld, terrestrial, and celestial. Besides the oak, several other sacred trees existed in Greek mythology. For instance, the olive, named Moriai, was the world tree and associated with the Olympian goddess Athena. In a separate Greek myth, the Hesperides live beneath an apple tree with golden apples that was given to the highest Olympian goddess Hera by the primal Mother goddess Gaia at Hera’s marriage to Zeus. The tree stands in the Garden of the Hesperides and is guarded by Ladon, a dragon. Heracles defeats Ladon and snatches the golden apples.” ref

“In the epic quest for the Golden Fleece of Argonautica, the object of the quest is found in the realm of Colchis, hanging on a tree guarded by a never-sleeping dragon (the Colchian dragon). In a version of the story provided by Pseudo-Apollodorus in Bibliotheca, the Golden Fleece was affixed by King Aeetes to an oak tree in a grove dedicated to war god Ares. This information is repeated in Valerius Flaccus‘s Argonautica. In the same passage of Valerius Flaccus’ work, King Aeetes prays to Ares for a sign, and suddenly a “serpent gliding from the Caucasus mountains” appears and coils around the grove to protect it. Scholarship recognizes that Baltic beliefs about a World Tree, located at the central part of the Earth, follow a tripartite division of the cosmos (underworld, earth, sky), each part corresponding to a part of the tree (root, trunk, branches). It has been suggested that the word for “tree” in Baltic languages (Lithuanian medis; in Latvian “tree” is koks, but “forest” is mežs), both derived from Proto-Indo-European *medh- ‘middle’, operated a semantic shift from “middle” possibly due to the belief of the Arbor Mundi.” ref

In BalticSlavic, and Finnish mythology, the world tree is usually an oak. Most of the images of the world tree are preserved on ancient ornaments. Often on the Baltic and Slavic patterns, there was an image of an inverted tree, “growing with its roots up, and branches going into the ground”. In Norse mythologyYggdrasil is the world tree. Yggdrasil is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. In both sources, Yggdrasil is an immense ash tree that is central and considered very holy. The Æsir go to Yggdrasil daily to hold their courts. The branches of Yggdrasil extend far into the heavens, and the tree is supported by three roots that extend far away into other locations: one to the well Urðarbrunnr in the heavens, one to the spring Hvergelmir, and another to the well Mímisbrunnr. Creatures live within Yggdrasil, including the harts Dáinn, Dvalinn, Duneyrr and Duraþrór, the giant in eagle-shape Hræsvelgr, the squirrel Ratatoskr, and the wyrm Níðhöggr. Scholarly theories have been proposed about the etymology of the name Yggdrasil, the potential relation to the trees Mímameiðr and Læraðr, and the sacred tree at Uppsala.” ref

“The tree of life is a fundamental archetype in many of the world’s mythologicalreligious, and philosophical traditions. It is closely related to the concept of the sacred tree. The tree of the knowledge of good and evil and the tree of life which appear in Genesis‘ Garden of Eden as part of the Jewish cosmology of creation, and the tree of knowledge connecting to heaven and the underworld such as Yggdrasil, are forms of the world tree or cosmic tree, and are portrayed in various religions and philosophies as the same tree. Various trees of life are recounted in folkloreculture and fiction, often relating to immortality or fertility. They had their origin in religious symbolism. According to Professor Elvyra Usačiovaitė, a “typical” imagery preserved in ancient iconography is that of two symmetrical figures facing each other, with a tree standing in the middle. The two characters may variously represent rulers, gods, and even a deity and a human follower.” ref

Ancient Mesopotamia

“The Assyrian tree of life was represented by a series of nodes and crisscrossing lines. It was apparently an important religious symbol, often attended to in Assyrian palace reliefs by human or eagle-headed winged genies, or the King, and blessed or fertilized with bucket and cone. Assyriologists have not reached consensus as to the meaning of this symbol. The name “Tree of Life” has been attributed to it by modern scholarship; it is not used in the Assyrian sources. In fact, no textual evidence pertaining to the symbol is known to exist. The Epic of Gilgamesh is a similar quest for immortality. In Babylonian religionEtana, the King of Kish, searched for a ‘plant of birth’ to provide him with a son. This has a solid provenance of antiquity, being found in cylinder seals from the Akkadian Empire (2390–2249 BCE). The tree of life appears in Asherah iconography, particularly on the Lachish ewer and Pithos A from Kuntillet Ajrud, where it is flanked by ibexes. The tree’s design, with buds, flowers, and possibly almond drupes, resembles the menorah, which is thought to represent a stylized almond tree in Exodus 25:31-36  This suggests a continuation of Asherah’s cultic representation in the temple. Scholars have explored these connections, noting parallels between sacred trees, Asherah, and the menorah.” ref

Ancient Iran

“In the Avestan literature and Iranian mythology, there are several sacred vegetal icons related to life, eternality and cure, such as Amesha SpentaAmeretat, the guardian of plants and goddess of trees and immortality; Gaokerena or white haoma, a tree that its vivacity would certify continuance of life in the universe; the bas tokhmak, a tree with remedial attribute, retentive of all herbal seeds, and destroyer of sorrow; Mashya and Mashyana, the parents of the human race; barsom, copped offshoots of pomegranate, gaz (Tamarix gallica), or haoma that Zoroastrians use in their rituals; and haoma, a plant, unknown today, that was the source of sacred potable. The Gaokerena is a large, sacred haoma planted by Ahura MazdaAhriman created a frog to invade and destroy the tree, aiming to prevent all trees from growing on the earth. As a reaction, Ahura Mazda created two kar-fish staring at the frog to guard the tree. The two fish always stare at the frog and stay ready to react to it. Ahriman is responsible for all evil, including death; Ahura Mazda is responsible for all good (including life). Haoma is another sacred plant because of the drink made from it. Preparing the drink by pounding and drinking it is a central feature of Zoroastrian ritual. Haoma is also personified as a divinity. It bestows essential qualities—health, fertility, husbands for maidens, and even immortality. The source of the earthly haoma plant is a shining white tree that grows on a paradisiacal mountain. Sprigs of this white haoma were brought to earth by divine birds. The tree is considerably diverse. Haoma is the Avestan form of the Sanskrit soma. The identity of the two in ritual significance is considered by scholars to point to a salient feature of an Indo-Iranian religion antedating Zoroastrianism. Another related issue in Persian mythology is Mashya and Mashyana, two trees that were the ancestors of all living beings. This myth is a prototype for the creation myth, in which gods create living beings. In Urartu in the Armenian highlands, the tree of life was a religious symbol and was drawn on walls of fortresses and carved on the armor of warriors. The branches of the tree were equally divided on the right and left sides of the stem, with each branch having one leaf, and one leaf on the apex of the tree. Servants stood on each side of the tree with one of their hands up as if they are taking care of the tree. The Borjgali (Georgian: ბორჯღალი) is an ancient Georgian tree of life symbol.” ref

Hinduism

“A genre of the sacred books of Hinduism, the Puranas, mention a divine tree called the Kalpavriksha. This divine tree is guarded by gandharvas in the garden of the mythological city of Amaravati under the control of Indra, the king of the devas (‘shiny’, ‘exalted’, ‘heavenly being’, ‘divine being’, ‘anything of excellence’, and a deity). Likewise, gandharvas are celestial beings in Indian religions, such as HinduismBuddhism, and Jainism, whose males are divine performers such as musicians and singers, and the females are divine dancers. In Hinduism, they are regarded to be the celestial demigods who serve as the musicians of the devas. In one story, for a very long time, the devas and the asuras decided to churn the milky ocean to obtain amrita, the nectar of immortality, and share it equally. During the churning, along with many other mythical items, emerged the Kalpavriksha. It is described to be gold in color and bear a mesmerising aura. It is said to be pleased with chanting and offers: when it is pleased, it grants every wish. Hindu tradition holds that there are five separate kalpavrikshas, and each of them grants different types of wishes. These trees also appear in the beliefs of Jainism.” ref

Chinese mythology

“Fusang is a mythical world tree or place located far east of China. In the Classic of Mountains and Seas and several contemporary texts, the term refers to a mythological tree of life, alternatively identified as a mulberry or a hibiscus, allegedly growing far to the east of China, and perhaps to various more concrete territories which are located to the east of the mainland. A country which was named Fusang was described by the native Buddhist missionary Huishen (慧深, Huìshēn), also variously romanized as Hui Shen, Hoei-sin, and Hwai Shan. In his record dated to CE 499 during China’s Northern and Southern dynastic period, he describes Fusang as a place which is located 20,000 Chinese li to the east of Dahan, and it is also located to the east of China (according to Joseph Needham, Dahan corresponds to the Buriat region of Siberia). An earlier account claims that in 219 BCE or 2,219 years ago, emperor Shi Huang sent an expedition of some 3,000 convicts to a place which was located far off to the east, across the ocean, a place which was called Fusang, where they were required to make a sacrifice to a volcano god who held the elixir of life. Apparently, two expeditions were undertaken by Xu Fu, the court sorcerer, in order to seek the elixir of life. The first expedition returned c. 210 BCE because Xu Fu claimed that a giant sea creature was blocking his men’s path. Archers were then sent to kill this monster when the expedition set out a second time, but it was never heard from again. However, “… asides in the Record of the Historian imply that its leader Xu Fu had returned to China long ago and was lurking somewhere near Langya, frittering away the expedition’s impressive budget.” ref

“In Chinese mythology, Fusang refers to a divine tree and an island which are both located in the East, from where the sun rises. A similar tree, known as the Ruomu (若木) exists in the west, and each morning, the sun was said to rise in Fusang and fall on Ruomu. According to Chinese legends, ten birds (typically ravens) lived in the tree, and because nine of the birds rested, the tenth bird would carry the Sun on its journey. This legend has similarities with the Chinese tale of the fictional hero Houyi, sometimes referred to as the Archer, who is credited with saving the world by shooting down nine of the suns when all ten suns simultaneously took to the air one day. Some scholars have identified the bronze trees which were found at the archaeological site Sanxingdui as these Fusang trees. In Chinese mythology, a carving of a tree of life depicts a phoenix and a dragon; the dragon often represents immortality. A Taoist story tells of a tree that produces a peach of immortality every three thousand years, and anyone who eats the fruit receives immortality. A sacrificial pit at Sanxingdui in SichuanChina. Dating from about 1200 BCE or 3,200 years ago, it contained three bronze trees, one of them 4 meters high. At the base was a dragon, and fruit hanging from the lower branches. At the top is a bird-like (Phoenix) creature with claws. Also found in Sichuan, from the late Han dynasty (c. 25–220 CE), is another tree of life. The ceramic base is guarded by a horned beast with wings. It is a sacred beech tree planted by Kayra Han. Sometimes, it is considered axis mundi. The leaves of the tree represent coins and people. At the apex is a bird with coins and the Sun. The world tree or tree of life is an important symbol in Turkic mythology. It is a common motif in carpets. It is used in the logo of the Ministry of Culture and Tourism (Turkey) and the main design of the common Turkish lira sub-unit 5 kuruş. Tree of life is known as Ulukayın or Baiterek in Turkic communities. The tree of life connects the upper world, middle world and underworld. It is also imagined as the “white creator lord” (yryn-al-tojon), thus synonymous with the creator deity, giving rise to different worlds.” ref

Europe

“In Greek mythology, Hera is gifted a branch growing golden apples by her grandmother Gaia, which are then planted in Hera’s Garden of the Hesperides. The dragon Ladon guards the tree(s) from all who would take the apples. The three golden apples that Aphrodite gave to Hippomenes to distract Atalanta three times during their footrace allowed him to win Atalanta’s hand in marriage. Though it is not specified in ancient myth, many assume that Aphrodite gathered those apples from Hera’s tree(s). Eris stole one of these apples and carved the words ΤΗΙ ΚΑΛΛΙΣΤΗΙ, “to the fairest”, upon it to create the Apple of DiscordHeracles retrieved three of the apples as the eleventh of his Twelve Labors. The Garden of the Hesperides is often compared to Eden, the golden apples are compared to the forbidden fruit of the tree in Genesis, and Ladon is often compared to the snake in Eden, all of which is part of why the forbidden fruit of Eden is usually represented as an apple in European art, even though Genesis does not specifically name nor describe any characteristics of the fruit. In Dictionnaire Mytho-Hermetique (Paris, 1737), Antoine-Joseph Pernety, a famous alchemist, identified the tree of life with the Elixir of life and the Philosopher’s Stone. In Eden in the East (1998), Stephen Oppenheimer suggests that a tree-worshipping culture arose in Indonesia and was diffused by the so-called “Younger Dryas” event of c. 10,900 BCE or 12,900 years ago, after which the sea level rose. This culture reached China (Sichuan), then India and the Middle East. Finally the Finno-Ugric strand of this diffusion spread through Russia to Finland where the Norse myth of Yggdrasil took root. In Germanic paganism, trees played (and, in the form of reconstructive Heathenry and Germanic Neopaganism, continue to play) a prominent role, appearing in various aspects of surviving texts and possibly in the name of gods. The tree of life appears in Norse religion as Yggdrasil, the world tree, a massive tree (sometimes considered a yew or ash tree) with extensive lore surrounding it. Perhaps related to Yggdrasil, accounts have survived of Germanic Tribes honouring sacred trees within their societies. Examples include Thor’s Oaksacred groves, the Sacred tree at Uppsala, and the wooden Irminsul pillar. In Norse Mythology, the apples from Iðunn‘s ash box provide immortality for the gods.” ref

ref, ref, ref, ref, ref, ref

Menorah “Tree of Life” (Asherah goddess related) symbol with 7 or 9 branches?

Jewish sourcesEtz Chaim and Biblical tree of life

Etz Chaim (Hebrew: עץ חיים), Hebrew for “tree of life,” appears in the Book of Genesis and is part of the story of the creation of Adam and Eve in the Garden of Eden. Thus the term is a common term used in Judaism. The expression, found in the Book of Proverbs, is figuratively applied to the Torah itself. Etz Chaim is also a common name for yeshivas and synagogues as well as for works of Rabbinic literature. It is also used to describe each of the wooden poles to which the parchment of a Sefer Torah is attached. The tree of life is mentioned in the Book of Genesis; it is distinct from the tree of the knowledge of good and evil. After Adam and Eve disobeyed God by eating fruit from the tree of the knowledge of good and evil, they were driven out of the Garden of Eden. Remaining in the garden, however, was the tree of life. To prevent their access to this tree in the future, Cherubim with a flaming sword were placed at the east of the garden. In the Book of Proverbs, the tree of life is associated with wisdom: “[Wisdom] is a tree of life to them that lay hold upon her, and happy [is every one] that retaineth her.” In Proverbs 15:4, the tree of life is associated with calmness: “A soothing tongue is a tree of life; but perverseness therein is a wound to the spirit.” In the Ashkenazic liturgy, the Eitz Chayim is a piyyut commonly sung as the Sefer Torah is returned to the Torah ark. The Book of Enoch, generally considered non-canonical, states that in the time of the great judgment, God will give all those whose names are in the Book of Life fruit to eat from the tree of life.” ref

The menorah is a prominent symbol in the Jewish faith and plays a central role in the celebration of Hanukkah. Likewise, the “Tree of Life” carries different meanings across faiths but holds special meaning in Judaism for its connection to the Torah, the Jewish people’s most sacred textGenesis, the first book of the Torah, locates the “Tree of Life” at the heart of the Garden of Eden (2.4–3:24), and Proverbs 3:18 teaches: “[The Torah] is a tree of life to those who hold her close.” For many, the tree represents growth, stability, and fertility as well as hope for and connection to future generations. The extensive roots and intertwined branches illustrate family connections.” ref

KabbalahTree of life (Kabbalah)

Jewish mysticism depicts the tree of life in the form of ten interconnected nodes, as the central symbol of the Kabbalah. It comprises the ten Sefirot powers in the divine realm. The panentheistic and anthropomorphic emphasis of this emanationist theology interpreted the Torah, Jewish observance, and the purpose of Creation as the symbolic esoteric drama of unification in the sefirotrestoring harmony to Creation. From the Renaissance onwards, Kabbalah became incorporated as tradition in Christian Western esotericism as Hermetic Qabalah.

Northern America

“In a myth passed down among the IroquoisThe World on the Turtle’s Back, explains the origin of the land in which a tree of life is described. According to the myth, it is found in the heavens, where the first humans lived, until a pregnant woman fell and landed in an endless sea. Saved by a giant turtle from drowning, she formed the world on its back by planting bark taken from the tree. The tree of life motif is present in the traditional Ojibwe cosmology and traditions. It is sometimes described as Grandmother Cedar, or Nookomis Giizhig in Anishinaabemowin. In the book Black Elk SpeaksBlack Elk, an Oglala Lakota (Sioux) wičháša wakȟáŋ (medicine man and holy man), describes his vision in which after dancing around a dying tree that has never bloomed he is transported to the other world (spirit world) where he meets wise elders, 12 men and 12 women. The elders tell Black Elk that they will bring him to meet “Our Father, the two-legged chief” and bring him to the center of a hoop where he sees the tree in full leaf and bloom and the “chief” standing against the tree. Coming out of his trance he hopes to see that the earthly tree has bloomed, but it is dead. The Oneidas tell that supernatural beings lived in the Skyworld above the waters which covered the earth. This tree was covered with fruits which gave them their light, and they were instructed that no one should cut into the tree otherwise a great punishment would be given. As the woman had pregnancy cravings, she sent her husband to get bark, but he accidentally dug a hole to the other world. After falling through, she came to rest on the turtle’s back, and four animals were sent out to find land, which the muskrat finally did.” ref

MesoamericaMesoamerican world tree

The concept of world trees is a prevalent motif in the Mesoamerican cosmovision and iconography, appearing in the pre-Columbian era. World trees embody the four cardinal directions, which represented also the fourfold nature of a central world tree, a symbolic axis mundi connecting the planes of the Underworld and the sky with that of the terrestrial world. Depictions of world trees, both in their directional and central aspects, are found in the art and mythological traditions of cultures such as the MayaAztecIzapanMixtecOlmec, and others, dating to at least the Mid/Late Formative periods of the Mesoamerican chronology. The tomb of Kʼinich Janaabʼ Pakal of the Maya city-state of Palenque, who became its ajaw or leader when he was twelve years old, has tree of life inscriptions within the walls of his burial place, showing just how important it was. Among the Maya, the central world tree was conceived as or represented by a Ceiba pentandra and is known variously as a wacah chan or yax imix che in different Mayan languages. The trunk of the tree could also be represented by an upright caiman, whose skin evokes the tree’s spiny trunk. Directional world trees are also associated with the four Year Bearers in Mesoamerican calendars and associated with the directional colors and deities. Mesoamerican codices which have this association outlined include the DresdenBorgia and Fejérváry-Mayer codices. It is supposed that Mesoamerican sites and ceremonial centers frequently had actual trees planted at each of the four cardinal directions, representing the quadripartite concept. World trees are frequently depicted with birds in their branches, and their roots extending into earth or water, sometimes atop a “water-monster,” symbolic of the underworld. The central world tree has also been interpreted as a representation of the band of the Milky Way.” ref

Egypt

“In Egyptian mythology, the Tree of Life is said to have been kept in an open courtyard on full display in the Sun temple of Ra in Heliopolis. It is believed to have been kept with the Ben-Ben Stone, which was a capstone in the shape of a pyramid that sat atop a sacred Obelisk. The Great Cat was a personification of the deity Ra, which is believed to have guarded the Tree of Life. In Egyptian mythology, the secretary of the sun god Ra and scribe of the underworld, Thoth, inscribed Ra’s name and the length of his reign on the leaves and fruit of the Tree of Life. The purpose of this was to protect Ra and preserve his name. Ancient Egyptians believed that eating the fruit of the sacred Ished Tree of Life that had been offered by the gods was a guarantee of eternal life. In Egyptian mythology, the Tree of Life was thought to have held the Knowledge of the Divine Plan. This was essentially a plan or timeline of all creation, starting at the very beginning of time. The Tree of Life in Ancient Egypt was home to the Phoenix, also known as the Bennu Bird. As such, it held strong links with resurrection and represented the rising sun. Egyptian mythology details instances in which the Sun god, Ra, would split the Ished Tree of Life in the morning after he was victorious over his enemies. The Tree of Life plays a key role in the creation story in Ancient Egyptian mythology. The myth goes that the Tree of Life rose from the Sacred Mound. Once it had risen, the tree’s branches reached up and out into the sky and supported the various stars and planets. Its branches also reached down into the watery abyss of the underworld. The trunk of the Tree of Life is also of individual significance. The trunk is believed to have represented the World Pillar around which the heavens would revolve. The World Pillar was the centre of the entire universe. At the foot of the Tree of Life were four river sources. The sources of these rivers would provide water to the world. The orientation of these four rivers was important, as they all correlated with a cardinal point of the compass. Each point of the compass, and its corresponding river, was associated with a specific element. For example, water was associated with the North Point, fire was associated with the South Point, air was associated with the East Point, and earth was associated with the West Point.” ref

The Baobab Tree: Africa’s Iconic “Tree of Life”

“Adansonia trees are known as baobabs. The eight species of Adansonia are native to AfricaAustralia, and Madagascar, but have also been introduced to other regions of the world, including Barbados, where several of the baobabs there are suspected to have originated from Africa. Baobab trees hold cultural and spiritual significance in many African societies. They are often the sites of communal gatherings, storytelling, and rituals. An unusual baobab was the namesake of Kukawa, formerly the capital of the Bornu Empire, southwest of Lake Chad in Central Africa. In West Africa, the South Asian Moringa oleifera tree is regarded as a “tree of life” or “miracle tree” by some because it is arguably the most nutritious source of plant-derived food discovered on the planet.” ref, ref

“Native to the African savannah, where the climate is extremely dry and arid, it is a symbol of life and positivity in a landscape where little else can thrive. Over time, the Baobab has adapted to its environment. It is a succulent, which means that during the rainy season it absorbs and stores water in its vast trunk, enabling it to produce a nutrient-dense fruit in the dry season when all around is dry and arid. This is how it became known as “The Tree of Life”. Baobab trees grow in 32 African countries. They can live for up to 5,000 years, reach up to 30 metres high, and up to an enormous 50 metres in circumference. Baobab trees can provide shelter, food, and water for animals and humans, which is why many savannah communities have made their homes near Baobab trees. Every part of the baobab tree is valuable – the bark can be turned into rope and clothing, the seeds can be used to make cosmetic oils, the leaves are edible, the trunks can store water, and the fruit is extraordinarily rich in nutrients and antioxidants. Women in Africa have turned to the baobab fruit as a natural source of health and beauty for centuries. Baobab is the only fruit in the world that dries naturally on its branch. Instead of dropping and spoiling, it stays on the branch and bakes in the sun for 6 months, transforming its green velvety coating into a hard coconut-like shell.” ref

 

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World Tree

“The world tree is a motif present in several religions and mythologies, particularly Indo-European, Siberian, and Native American religions. The central world tree has also been interpreted as a representation of the band of the Milky Way.” ref

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A 2,700-year-old Israelite fortress at Tel Arad had Cannabis as part of religious rituals in the ancient kingdom of Judah.

“Evidence shows that the mind-altering substance Cannabis was part of religious life in the ancient kingdom of Judah. Tel Arad contains the remains of a Canaanite city from the third millennium BCE, as well as Israelite fortresses from between the 10th and 6th centuries BCE. Excavations in the 1960s identified a pair of citadels that guarded the southern border of the kingdom of Judah during that time, as well as a well-preserved shrine dated to roughly 760-715 BCE. It was within this shrine that the two stone altars were discovered with the remains of what appeared to be burnt plant material. The stone altars were found at the entrance of the shrine’s inner sanctum, known as the “holy of holies.” The chemical analysis conducted by researchers helps provide a window into the rituals and spiritual life of the Judahites. This is the first time that cannabis has been identified in Israel; its use in the shrine must have played a central role in the cultic rituals performed there,” says Eran Arie, an archaeologist with the Israel Museum in Jerusalem.” ref

“Scientists discover 2,700-year-old remains of cannabis on a Tel Arad incense altar, paralleling details of the reign of King Ahaz. But does the ritual cannabis use reflect standard worship practices at Jerusalem’s temple, as the researchers suggest?” ref

Asherah

Asherah was a goddess in ancient Semitic religions. She also appears in Hittite writings as Ašerdu(š) or Ašertu(š) and as Athirat in Ugarit. Some scholars hold that Asherah was venerated as Yahweh‘s consort in ancient Israel and Judah, while other scholars oppose this. Asherah was an important Goddess recognized across Northwest Semitic cultures. However, particularly in the Hebrew Bible, the term asherah and sometimes asherot, came to be identified with cultic wooden objects, sometimes referred to as asherah poles. In this context, in regard to certain attestations of Asherah, there is controversy about whether the inscriptions referring to Asherah indicate the deity, a “cultic object“, or both (de Vaux). Winter says the goddess and her symbol should not be distinguished.” ref

“A variety of symbols have been associated with Asherah. The most common by far is that of the tree, an equivalence seen as early as Neolithic times. Cultic objects dedicated to Asherah frequently depict trees, and the terms asherim and asheroth, regularly invoked by the Hebrew Bible in the context of Asherah worship, are traditionally understood to refer to sacred trees called “Asherah poles“. An especially common Asherah tree in visual art is the date palm, a reliable producer of nutrition throughout the year. Some expect living trees, but Olyan sees a stylized, non-living palm or pole. The remains of a juniper tree discovered in a 7,500-year-old gravesite in Eilat have been considered an Asherah tree by some.” ref

“Asherah’s association with fertility was not limited to her association with trees; she was often depicted with pronounced sexual features. Idols of Asherah, often called ’Astarte figurines’, are representative of Asherah as a tree in that they have bodies which resemble tree trunks, while also further extenuating the goddess’ connection to fertility in line with her status as a “mother goddess”. The “Judean pillar figures” universally depict Asherah with protruding breasts. Likewise, the so-called Revadim Asherah is rife with potent, striking sexual imagery, depicting Asherah suckling two smaller figures and using both of her hands to fully expose her vagina. Many times, Asherah’s pubis area was marked by a concentration of dots, indicating pubic hair, though this figure is sometimes polysemically understood as a grape cluster. The womb was also sometimes used as a nutrix symbol, as animals are often shown feeding directly (if a bit abstractly) from the pubic triangle.” ref

“Remarking on the Lachish ewer, Hestrin noted that in a group of other pottery vessels found in situ, the usual depiction of the sacred tree flanked by ibexes or birds is in one goblet replaced by a pubic triangle flanked by ibexes. The interchange between the tree and the pubic triangle proves, according to Hestrin, that the tree symbolizes the fertility goddess Asherah. Hestrin draws parallels between this and representations of Hathor as the sycamore tree goddess in Egypt, and suggests that during the period of Egyptian rule in Palestine, the Hathor cult penetrated the region so extensively that Hathor became identified with Asherah. Other motifs in the ewer, such as a lion, fallow deer, and ibexes, seem to have a close relationship with the iconography associated with her. Asherah may also have been associated with the ancient pan-Near Eastern Master of animals” motif, which depicted a person or deity betwixt two confronted animals.” ref

“According to Beaulieu, depictions of a divine “mistress of lions” motif are “almost undoubtedly depictions of the goddess Asherah.” The lioness made a ubiquitous symbol for goddesses of the ancient Middle East that was similar to the dove and the tree. Lionesses figure prominently in Asherah’s iconography, including the tenth-century BCE Ta’anach cult stand, which also includes the tree motif. A Hebrew arrowhead from the eleventh century BCE bears the inscription “Servant of the Lion Lady”. The symbols around Asherah are so many (8+ pointed star, caprids and the like, along with lunisolar, arboreal, florid, serpentine) that a listing would approach meaninglessness as it neared exhaustiveness. Frevel’s 1000-page dissertation ends enigmatically with the pronouncement “There is no genuine Asherah iconography”. There is significant debate on whether Asherah was worshipped in ancient Israelite religion. Some scholars argue that Asherah was venerated as Yahweh‘s consort, while others oppose this arguing that the relevant Hebrew epigraphic evidence actually refers to some cultic place or object rather than a goddess.” ref

“Possible evidence for her worship includes an iconography and inscriptions at two locations in use circa the 9th century. The first was in a cave at Khirbet el-QomThe second was at Kuntillet Ajrud. In the latter, a jar shows bovid-anthropomorphic figures and several inscriptions that refer to “Yahweh of Samaria and his Asherah” and “Yahweh of Teman and his Asherah.” However, a number of scholars hold that the “asherah” mentioned in the inscriptions refers to some kind of cultic object or symbol, rather than a goddess. Some scholars have argued that since cognate forms of “asherah” are used with the meaning of “sanctuary” in Phoenician and Aramaic inscriptions from the same period, this may also be the meaning of the term in the two Hebrew inscriptions. Others argue that the term “asherah” may refer to a sacred tree used for the worship of Yahweh as this is the meaning that the Hebrew term has in the Hebrew Bible and in the Mishnah. In one potsherd there appear a large and small bovine. This “oral fixation” motif has diverse examples, see figs 413–419 in Winter. In fact, already Flinders Petrie in the 1930s was referring to Davies on the memorable stereotype. It’s such a common motif in Syrian and Phoenician ivories that the Arslan Tash horde had at least four.” ref

“There are references to the worship of numerous deities throughout the Books of Kings: Solomon builds temples to many deities and Josiah is reported as cutting down the statues of Asherah in the temple Solomon built for Yahweh (2 Kings 23:14). Josiah’s grandfather Manasseh had erected one such statue (2 Kings 21:7). The name Asherah appears forty times in the Hebrew Bible, but it is much reduced in English translations. The word ʾăšērâ is translated in Greek as Greek: ἄλσος (grove; plural: ἄλση) in every instance apart from Isaiah 17:8; 27:9 and 2 Chronicles 15:16; 24:18, with Greek: δένδρα (trees) being used for the former, and, peculiarly, Ἀστάρτη (Astarte) for the latter.” ref

“The Vulgate in Latin provided lucus or nemus, a grove or a wood. From the Vulgate, the King James translation of the Bible uses grove or groves instead of Asherah’s name. Non-scholarly English language readers of the Bible would not have read her name for more than 400 years afterward. The association of Asherah with trees in the Hebrew Bible is very strong. For example, she is found under trees (1 Kings 14:23; 2 Kings 17:10) and is made of wood by human beings (1 Kings 14:15, 2 Kings 16:3–4). The farther from the time of Josiah’s reforms, the broader the perception of an Asherah became. Trees described in later Jewish texts as being an asherah or part of an asherah include grapevines, pomegranates, walnuts, myrtles, and willows.” ref

“Eventually, monotheistic leaders would suppress the tree due to its association with Asherah. Deuteronomy 12 has Yahweh commanding the destruction of her shrines so as to maintain purity of his worship. Jezebel brought hundreds of prophets for Baal and Asherah with her into the Israelite court. William Dever’s book discusses female pillar figurines, the queen of heaven name, and the cakes. Dever also points to the temple at Tel Arad, the famous archaeological site with cannabinoids and massebot. Dever notes: “The only goddess whose name is well attested in the Hebrew Bible (or in ancient Israel generally) is Asherah.” ref

“Some scholars have found an early link between Asherah and Eve, based upon the coincidence of their common title as “the mother of all living” in Genesis 3:20 through the identification with the Hurrian mother goddess, Hebat. Olyan notes that Eve’s original Hebrew name, ḥawwāh, is cognate to ḥawwat, an attested epithet of Tanit in the first millennium BCE, though other scholars dispute a connection between Tanit and Asherah, and between Asherah and Eve. A Phoenician deity, Ḥawwat, is attested in the Punica tabella defixionis. There is further speculation that the Shekhinah, as a feminine aspect of Yahweh, may be a cultural memory or devolution of Asherah. Another such aspect is seen in the feminine treatment (grammatically or otherwise) of the Holy Spirit or Sophia. This transference of feminine aspects and attributes, some argue, can also be seen to be applied to male figures like Jacob or Jesus.” ref

The Asherah Altar

“Asherah, untangling the threads of her complex story. We’ll explore her roles as mother goddess, fierce protector, and consort to the sky, revealing the fascinating world of Canaanite religion and its contribution to our understanding of the divine feminine.” ref

Her Epithets: Queenly Titles:

  • Qrt hšmym: Queen of Heaven
  • Elath: Goddess (feminine form of El, the chief god, and Yahweh god of the bible)
  • Gbtrt tbnwt ʼlm: Mistress of All Lands
  • **Gbtrt kl tpt: ** Mistress of All Ends (possibly referring to her influence over all aspects of life) ref

Motherly and Fertility Titles:

  • **ʼm ʼlm: ** Mother of Gods
  • **ʼmt špš: ** Mother of the Sun
  • **ʼmt yrm: ** Mother of the Sea (connected to her association with Yam, the god of the sea)
  • **qny t ilm: ** Creatress of Gods ref

Protective and Warrior Titles:

  • **gbtrt hlmh: ** Mistress of War
  • **ʼaṯirat gpn: ** Asherah of the Vine (representing both fertility and potential wrath)
  • **ʼaṯirat yam: ** Asherah of the Sea (possibly highlighting her association with storms and power) ref

Other Interesting Titles:

  • **qdš: ** Holiness (linking her to sacredness and purity)
  • **rbt ʼṯrt ym: ** Lady Asherah of the Sea (a particularly potent epithet showcasing her dominion over the sea) ref

“Who was King Hezekiah? What was he cleaning up? When looking into the several passages of II Kings and II Chronicles, we find a young king who was ready to work to eradicate the changes his father had made in worship in the cities of Judah. King Ahaz, his father, had brought Baal and Asherah worship to the streets of Jerusalem, which included child sacrifice. From II Kings chapter 16— A sketch of the Baal and Asherah Altar was taken during a visit to the King of Damascus in the eighth century BCE by King Ahaz of Judah. Ahaz was the twelfth king of Judah, and fell into jealousy after seeing how well his neighbors were doing. He sent his sketch of the altar to his priest Uriah, with the command to create these new altars and install them on the street corners of Jerusalem. They would serve the people as the new form of worship, borrowed from the Canaanite religion of Baal worship, with his consort Asherah as the focus of praise, the burning of incense, and the sacrifice of children. Author Ronald Hendel argues the Asherah pole is a symbol of the goddess and is believed to be the mediator between the worshipper and Yahweh, where she becomes the “effective bestower of blessing.”

Canaanite Culture and Its Pantheon of Gods:

In the land of ancient Canaan between the Bronze and Iron Age, where the Canaanites and Israelites both worshiped a pantheon of gods and goddesses. The land of Canaan is an ancient designation for that area in the Levant that is currently occupied by: Lebanon, Israel, Syria, and Jordan. Despite what many people have assumed, the Israelites, too, worshiped many gods outright until Yahweh was transitioned into the role of “head” god in charge.” ref

“The Canaanites and Israelites believed the universe was ruled by gods and goddesses, and they worshiped them. The popular gods Baal, El, and Asherah, and a couple of other female goddesses. Baal was an important Canaanite god. We find him mentioned in the Old Testament. In Canaanite mythology, he is the son of the chief god El and his consort Asherah and the ruler of Heaven as well as a god of the sun, rain, thunder, fertility, and agriculture. Baal’s worship was prevalent in Canaan even prior to the Israelite exodus from Egypt. The God El was the name of the chief deity of the West Semites, including the Canaanites. In the ancient texts from ancient Ugarit (or now Ras Shamra) in Syria, El was described as the “titular head” of the pantheon, husband of Asherah, and father of all the other gods. The god El was viewed as the elder with gray hair and a gray beard. Despite his status as the supreme deity, he was not nearly as popular as the god, Baal. There is a figurine of a Canaanite fertility goddess that depicts the goddess from both the interior and the exterior perspectives, as she prepares herself for the delivery of twins. The twins, seen within her womb, clutch at her breasts. The figurine may represent Asherah, called the “sacred prostitute” or the “one of the womb.” According to myth, Asherah gave birth to the twin gods Shahar and Shalem. Symbols of Asherah, the sacred tree and ibex, appear on the goddess’s thighs. The figurine was probably an amulet for women in childbirth.” ref

“In the bible, scriptures provide a clear example of the believed result of worshiping other gods in II Chronicles 28:22:

In his time of trouble King Ahaz became even more unfaithful to the LORD. He offered sacrifices to the gods of Damascus, who had defeated him; for he thought, “Since the gods of the kings of Aram have helped them, I will sacrifice to them so they will help me,” But they were his downfall and the downfall of all Israel.” ref

“And Israel and Judah’s downfall did come through conquering armies that took over two hundred thousand into captivity, for seventy years, until Darius, King of Persia, was moved by God to release the people and rebuild God’s Temple in Jerusalem.” ref

“The goddess Asherah is a primordial mother goddess or creatress of the gods, and mother of 70 gods. She is considered the matriarch (Creatress), and El was the Patriarch (Creator). She was the female consort to the Hebrew God Yahweh and was widely worshiped by Israelites, Canaanites, and many others. There is archaeological and textual evidence that in the early history of Israel, she may have been seen not only as the consort of El but also as the wife of the Israelite God Yahweh. El was recognized by the Canaanites as the supreme deity and by the Israelites as synonymous with Yahweh. Asherah was mentioned as a wet nurse in the Ugaritic myth. She is also associated with serpents (representing healing), lions (representing power), and trees (representing fertility). The goddess Asherah is further mentioned in Hittite mythology, where she has 77 and 88 children. The goddesses Astarte and Anath were also great goddesses of the Canaanite pantheon, but they are considered separate goddesses.” ref

The Challenges in Reconstructing Asherah’s History

“Exactly how do we actually know about the goddess Asherah? We know this from not only the Old Testament, where Asherah is mentioned 40 times, and we will get to that shortly, but she is also mentioned in ancient Ugaritic texts (before 1200 BCE.. Let’s talk about the Ugaritic texts/tablets first, which she’s mentioned, given that they predate the Bible (Old Testament). In northwest Syria, an ancient tomb was accidentally discovered. The tomb was part of a cemetery located in the area of the ancient city of Ugarit. French excavators discovered the remains of two libraries of ancient clay tablets written mainly in alphabetic Ugaritic. Ugarit was a port at the entrance of the inland trade route to the Euphrates and Tigris lands. Ugarit is now known as Ras Sharma. It is near modern-day Cyprus, and it was the capital of a prominent city-state in modern-day Syria. Several texts were discovered once it was excavated, and these include the “Legend of Keret,” the “Aqhat Epic” (or “Legend of Danel”), the “Myth of Baal-Aliyan,” and the “Death of Baal”. Among the Ugaritic texts is a tablet that names the Ugaritic pantheon with Babylonian equivalents; El, Asherah of the Sea, and Baal were the main deities. In these texts, she is referenced as “ATRT” or “Athirat,” and “Ilit,” which simply means goddess. She is also referenced as the consort of the god, “El.” In Sumerian documents dating to 1750 BCE, she is referred to as Ashratum and the bride of Anu (Martin- Gardner 2020:9). In the Ugaritic texts, Asherah is known as the “creator of all the deities.” ref

A number of potsherds that contained the following inscriptions: “I bless you to Yahweh of Samaria and to his Asherah,” and “I bless you to Yaweh of Teman and to his Asheah.” This does indicate that she was a partner to Yahweh. From another excavated site of Khirbet El-Qom, dating to the 700s BCE, reveals similar inscriptions “Uriyahu the Rich wrote it., Blessed be Uriyahu by Yahweh, for from his enemies by his Asherah he has saved him by Oniyahu, by his asherah and by his a[she]rah.” ref

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Asherah, at least a 7,500-year-old goddess?

THE FIRE SHALL BURN CONTINUALLY AT THE ALTAR

Leviticus 6:12-13: 12 And the fire on the altar shall be kept burning on it; it shall not be put out. And the priest shall burn wood on it every morning, and lay the burnt offering in order on it; and he shall burn on it the fat of the peace offerings. 13 A fire shall always be burning on the altar; it shall never go out.

Why is it so important that we keep this fire burning?

An altar represents a place of consecration, a place of sacrifice, a place upon which an offering is made. The instructions to the priest were – And the priest shall burn wood on it every morning. This was meant to be every morning stoking of the fire; the fire was to burn 365 days a year.” ref

Hebrews 1:7:  7 And of the angels He says: “Who makes His angels spirits, And His ministers a flame of fire.”

Leviticus 9:24: “Fire came out from the presence of the LORD and consumed the burnt offering and the fat portions on the altar. And when all the people saw it, they shouted for joy and fell facedown.”

Exodus 24:17: And the sight of the glory of the LORD was like a consuming fire on the mountaintop in the eyes of the Israelites.

“An Asherah pole is a sacred tree (stone pillar, ceramic altar) or pole that stood near Canaanite religious locations to honor the goddess Asherah. The relation of the literary references to an asherah and archaeological finds of Judaean pillar-figurines has engendered a literature of debate. The asherim were also cult objects related to the worship of Asherah, the consort of either Ba’al or, as inscriptions from Kuntillet ‘Ajrud and Khirbet el-Qom attest, Yahweh, and thus objects of contention among competing cults. Most English translations of the Hebrew Bible translate the Hebrew words asherim (אֲשֵׁרִים ’ăšērīm) or asheroth (אֲשֵׁרוֹת ’ăšērōṯ) to “Asherah poles.” ref

“Asherim are mentioned in the Hebrew Bible in the books of Exodus, Deuteronomy, Judges, the Books of Kings, the second Book of Chronicles, and the books of Isaiah, Jeremiah, and Micah. The term often appears as merely אשרה, (Asherah) referred to as “groves” in the King James Version, which follows the Septuagint rendering as ἄλσος (alsos), pl. ἄλση (alsē) and the Vulgate lucus, and “poles” in the New Revised Standard Version; no word that may be translated as “poles” appears in the text. Scholars have indicated, however, that the plural use of the term (English “Asherahs”, translating Hebrew Asherim or Asherot) provides ample evidence that reference is being made to objects of worship rather than a transcendent figure. Asherah’s association with fertility was not limited to her association with trees; she was often depicted with pronounced sexual features. Idols of Asherah, often called ’Astarte figurines’, are representative of Asherah as a tree in that they have bodies which resemble tree trunks, while also further extenuating the goddess’ connection to fertility in line with her status as a “mother goddess”. The “Judean pillar figures” universally depict Asherah with protruding breasts. Likewise, the so-called Revadim Asherah is rife with potent, striking sexual imagery, depicting Asherah suckling two smaller figures and using both of her hands to fully expose her vagina. Many times, Asherah’s pubis area was marked by a concentration of dots, indicating pubic hair, though this figure is sometimes polysemically understood as a grape cluster. The womb was also sometimes used as a nutrix symbol, as animals are often shown feeding directly (if a bit abstractly) from the pubic triangle.” refref

“The Hebrew Bible suggests that the poles were made of wood. In the sixth chapter of the Book of Judges, God is recorded as instructing the Israelite judge Gideon to cut down an Asherah pole that was next to an altar to Baal. The wood was to be used for a burnt offering. Deuteronomy 16:21 states that YHWH (rendered as “the LORD“) hated Asherim whether rendered as poles: “Do not set up any [wooden] Asherah [pole] beside the altar you build to the LORD your God” or as living trees: “You shall not plant any tree as an Asherah beside the altar of the Lord your God which you shall make”. That Asherahs were not always living trees is shown in 1 Kings 14:23: “their asherim, beside every luxuriant tree”. However, the record indicates that the Jewish people often departed from this ideal. For example, King Manasseh placed an Asherah pole in the Holy Temple (2 Kings 21:7). King Josiah’s reforms in the late 7th century BC included the destruction of many Asherah poles (2 Kings 23:14). Exodus 34:13 states: “Break down their altars, smash their sacred stones and cut down their Asherim [Asherah poles].” ref

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The Mountain Goat; Symbol of Rain In Iranian Pottery

“The designs drawn by the Iranians, especially drawings of Iran’s national animal, the mountain goat, have been infused with the spirit of simplicity and precision. These designs are unique in all of Asia. The prehistoric man lived in constant fear and anxiety. He feared the satanic force, and needed a stimulant to help him defend himself from this wicked force. That is the reason why he resorted to talismans, charms, and totems to the point of worshipping them. Studying prehistoric man’s creations, helps us discover his interest in exhibiting what they considered as the manifestations of the gods that they worshipped. For example, drawings of the sun, and the animals related to the sun, such as the eagle, lion, cow, deer, and the mountain goat, can be seen on pottery dating back to the 4th millennium BCE People wore necklaces with pendants of mountain goats, especially among Cassy tribes in Lorestan. These people needed a defender because they believed that, since time immemorial, hurricanes, floods, wild animals, etc. had threatened man, his home, livestock, and crops. Because they wanted to be safe, they began worshipping the gods and goddesses, or objects and animals which they presumed the gods and goddesses liked. Sometimes only one of the animal’s limbs or organs was drawn on pottery. For example, in the pottery made during the period between 3,000 to 4,000 BCE, there are drawings of the horns of cows, deer, and mountain goats, or the wings and claws of birds, together with geometrical designs. Each ancient tribe considered the mountain goat to be the symbol of one of the natural, beneficial elements. For example, in Lorestan, it symbolized the sun. Sometimes it symbolized the rain because in ancient times the moon was related to the rain, and the sun was related to the heat and dryness. There was also a relationship between the mountain goat’s twisted horns and the crescent – shaped moon.” ref

“That is why it was believed that the mountain goat’s twisted horns could bring about rainfall. In ancient Susa and Elam, the mountain goat was the symbol of prosperity and the god of vegetation. In Mesopotamia, the mountain goat symbolized the “Great god’s” bestial nature (The Great god appeared in the role of the god of plants, holding a tee branch in his hand, while the mountain goat ate its leaves). Prehistoric men had an astonishing skill in making pottery. They made the best types of pottery by hand, and by using the potter’s wheel. In these artifacts, they have demonstrated all aspects of their lives, such as their religion, mores and art. By studying these creations, we come to know the relationship between different civilizations. These ancient people, had great skill in depicting horned animals. Maybe the transformation of gods into different drawings of animals, is one of the reasons why animals were considered sacred, and why they became an interesting topic for the works of ancient artists and potters. Most of the prehistoric pottery were first designed with geometrical and decorative designs. Drawings of animals became common after some time, and after that, geometric shapes became widespread once again. This transformation is seen in most of the prehistoric Persian civilizations. The mountain goat motif emerges in different historical periods. In excavations of many hills, archeologists have discovered vessels bearing the same motif. Here, we shall refer to some of these instances: The Sialk Hill Civilization, in Kashan, lasted from the fifth millennium to the first millennium BCE The hill has six ancient layers, each layer containing distinct types of pottery and other artifacts. Flowers and trees such as the sunflower, and the ‘Tree of Life’ (The Sacred Tree), drawn in between the goat’s horns, are very interesting. The sunflower symbolized the sun, and was considered to be sacred.” ref

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Rain Bull

“Capturing the Rain Animal: an important mythological and symbolic aspect of the rock art of the San in the Drakensberg Mountains in southern Africa. With more than 500,000 rock art sites, Africa is the world’s greatest repository of ancient rock art. Of Africa’s many rock art traditions, the San – or Bushman – rock art of the Drakensberg Mountains in southern Africa is one of the finest. Some of its images have details only the width of a hair, and its delicately shaded colours fade seamlessly from white through pink to dark red. For decades, researchers believed that San rock paintings were simply a record of daily life or a primitive form of hunting magic. But by linking specific San beliefs to recurrent features in the art, researchers such as Patricia Vinnicombe and David Lewis-Williams managed to crack the fundamental codes underlying San rock art, revealing a complex and sophisticated form of symbolic art. One aspect of this is capturing the rain animal.” ref 

Rain-making was one of the San shamans’ most important tasks. The southern San thought of the rain as an animal. A male rain-animal, or rain-bull, was associated with the frightening thunderstorm that bellowed, stirred up the dust, and sometimes killed people with its lightning. The female rain animal was associated with soft, soaking rains. For the San, rain was life. When it fell, tubers that had lain hidden beneath the parched land sprang up, and the veld was renewed. Then antelopes were attracted to the new grass and bushes. Columns of falling rain were called the rain’s legs, while wisps of cloud were known as the rain’s hair; mist was said to be rain’s breath. When the San did a rain dance, they would go into a trance to capture one of these animals. In their trance, they would kill it, and its blood and milk became the rain.” ref  

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Mehet-Weret or Mehturt (Ancient Egyptian: mḥt-wrt) is an ancient Egyptian deity of the sky in ancient Egyptian religion. Her name means “Great Flood”. She was mentioned in the Pyramid Texts. In ancient Egyptian creation myths, she gives birth to the sun at the beginning of time. In spell 17 of the Book of the Dead, the god Ra is born from her buttocks. In art, she is portrayed as a cow with a sun disk between her horns. She is associated with the goddesses Neith, Hathor, and Isis, all of whom have similar characteristics, and like them, she could be called the “Eye of Ra”. In some instances, she is simply an epithet for those goddesses. Her own titles included ‘mound’ and ‘island’ (mound of creation). Geraldine Pinch suggests that Mehet-Weret was also ‘probably’ the Milky Way in the night sky, to correspond with her identification as the celestial waters travelled by the solar barque.” ref

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Pastoralists’ indigenous religious practices: capturing the “rain-bull”

“Ritual Cemeteries—For Cows and Then Humans—Plot Pastoralist Expansion Across Africa. As early herders spread across northern and then eastern Africa, the communities erected monumental graves which may have served as social gathering points. Testing religious beliefs Pastoralists’ indigenous religious practices: found that appeasing spirits (82%), sacrifice (89%), divination (76%), and communal ceremonies (94%) were practiced in the study areas. These systems have highly contributed to personal reproduction (55%), farming practices (45%), conflict resolution (60%), forecasting events (48%), healing (60%), social cohesion (70%), and local governing (50%) among the pastoralists.” ref

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Mesopotamian Gods and the Bull

“In Mesopotamia, gods were associated with the bull from at least the Early Dynastic Period until the Neo-Babylonian or Chaldean Period. This relationship took on many forms; the bull could serve as the god’s divine animal, the god could be likened to the bull, or he could actually take on the form of the beast. In this paper, the various gods identified with or related to the bull will be identified and studied in order to identify which specific types of gods were most commonly and especially associated with the bull. The relationships between the gods and the bull are evident in textual as well as iconographic sources, although fewer instances of this connection are found in iconography. Examples of the portrayal of the association between the various gods and the bull in texts and iconography can be compared and contrasted in order to reveal differences and similarities in these portrayals.” ref

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Sacred Cattle in Egyptian Mythology

“Bat is a cow goddess in Egyptian mythology who was depicted as a human face with cow ears and horns or as a woman. Other feminine bovine deities include Sekhat-Hor, Mehet-Weryt, Shedyt, Hathor, Hesat, and Celestial Cow “Sky goddess” Nut. Their masculine counterparts include Apis, Mnevis, Buchis, Sema-wer, Ageb-wer. Cattle are prominent in some religions and mythologies. As such, numerous people throughout the world have at one point in time honored bulls as sacred. In the Sumerian religion, Marduk is the “bull of Utu”. In Hinduism, Shiva’s steed is Nandi, the Bull. The sacred bull survives in the constellation Taurus. The bull, whether lunar as in Mesopotamia or solar as in India, is the subject of various other cultural and religious incarnations.” ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref

 Sumerian religionMarduk is the “Bull of Utu” 

“Taurus (Latin, ‘Bull‘) is one of the constellations of the zodiac and is located in the northern celestial hemisphere. Taurus is a large and prominent constellation in the Northern Hemisphere‘s winter sky. It is one of the oldest constellations, dating back to the Early Bronze Age at least, when it marked the location of the Sun during the spring equinox. Its importance to the agricultural calendar influenced various bull figures in the mythologies of Ancient SumerAkkadAssyriaBabylonEgyptGreece, and Rome. Its old astronomical symbol is  (♉︎), which resembles a bull’s head. We cannot recreate a specific context for the bull skulls with horns (bucrania) preserved in an 8th millennium BCE sanctuary at Çatalhöyük in Central Anatolia. The sacred bull of the Hattians, whose elaborate standards were found at Alaca Höyük alongside those of the sacred stag, survived in Hurrian and Hittite mythology as Seri and Hurri (“Day” and “Night”), the bulls who carried the weather god Teshub on their backs or in his chariot and grazed on the ruins of cities.” ref

“The identification of the constellation of Taurus with a bull is very old, certainly dating to the Chalcolithic, and perhaps even to the Upper Paleolithic. Michael Rappenglück of the University of Munich believes that Taurus is represented in a cave painting at the Hall of the Bulls in the caves at Lascaux (dated to roughly 15,000 BCE), which he believes is accompanied by a depiction of the Pleiades. The name “seven sisters” has been used for the Pleiades in the languages of many cultures, including indigenous groups of AustraliaNorth America and Siberia. This suggests that the name may have a common ancient origin. Taurus marked the point of vernal (spring) equinox in the Chalcolithic and the Early Bronze Age, from about 4000 to 1700 BCE, after which it moved into the neighboring constellation Aries. The Pleiades were closest to the Sun at vernal equinox around the 23rd century BCE. In Babylonian astronomy, the constellation was listed in the MUL.APIN as GU4.AN.NA, “The Bull of Heaven“. Although it has been claimed that “when the Babylonians first set up their zodiac, the vernal equinox lay in Taurus,” there is a claim that the MUL.APIN tablets indicate that the vernal equinox was marked by the Babylonian constellation known as “the hired man” (the modern Aries).” ref

“In the Old Babylonian Epic of Gilgamesh, the goddess Ishtar sends Taurus, the Bull of Heaven, to kill Gilgamesh for spurning her advances. Enkidu tears off the bull’s hind part and hurls the quarters into the sky where they become the stars we know as Ursa Major and Ursa Minor. Some locate Gilgamesh as the neighboring constellation of Orion, facing Taurus as if in combat, while others identify him with the sun whose rising on the equinox vanquishes the constellation. In early Mesopotamian art, the Bull of Heaven was closely associated with Inanna, the Sumerian goddess of sexual love, fertility, and warfare. One of the oldest depictions shows the bull standing before the goddess’ standard; since it has 3 stars depicted on its back (the cuneiform sign for “star-constellation”), there is good reason to regard this as the constellation later known as Taurus. The same iconic representation of the Heavenly Bull was depicted in the Dendera zodiac, an Egyptian bas-relief carving in a ceiling that depicted the celestial hemisphere using a planisphere. In these ancient cultures, the orientation of the horns was portrayed as upward or backward. This differed from the later Greek depiction where the horns pointed forward. To the Egyptians, the constellation Taurus was a sacred bull that was associated with the renewal of life in spring. When the spring equinox entered Taurus, the constellation would become covered by the Sun in the western sky as spring began. This “sacrifice” led to the renewal of the land. To the early Hebrews, Taurus was the first constellation in their zodiac and consequently it was represented by the first letter in their alphabet, Aleph.” ref

“In Greek mythology, Taurus was identified with Zeus, who assumed the form of a magnificent white bull to abduct Europa, a legendary Phoenician princess. In illustrations of Greek mythology, only the front portion of this constellation is depicted; this was sometimes explained as Taurus being partly submerged as he carried Europa out to sea. A second Greek myth portrays Taurus as Io, a mistress of Zeus. To hide his lover from his wife Hera, Zeus changed Io into the form of a heifer. Greek mythographer Acusilaus marks the bull Taurus as the same that formed the myth of the Cretan Bull, one of The Twelve Labors of Heracles. Taurus became an important object of worship among the Druids. Their Tauric religious festival was held while the Sun passed through the constellation. Among the arctic people known as the Inuit, the constellation is called Sakiattiat and the Hyades is Nanurjuk, with the latter representing the spirit of the polar bear. Aldebaran represents the bear, with the remainder of the stars in the Hyades being dogs that are holding the beast at bay.” ref

“In Buddhism, legends hold that Gautama Buddha was born when the full moon was in Vaisakha, or Taurus. Buddha’s birthday is celebrated with the Wesak Festival, or Vesākha, which occurs on the first or second full moon when the Sun is in Taurus. In 1990, due to the precession of the equinoxes, the position of the Sun on the first day of summer (June 21) crossed the IAU boundary of Gemini into Taurus. The Sun will slowly move through Taurus at a rate of 1° east every 72 years until approximately 2600, at which point it will be in Aries on the first day of summer.” ref

“The Sumerian guardian deity called lamassu was depicted as hybrids with bodies of either winged bulls or lions and heads of human males. The motif of a winged animal with a human head is common to the Near East, first recorded in Ebla around 3000 BCE. The first distinct lamassu motif appeared in Assyria during the reign of Tiglath-Pileser II as a symbol of power. “The human-headed winged bulls protective genies called shedu or lamassu, … were placed as guardians at certain gates or doorways of the city and the palace. Symbols combining man, bull, and bird, they offered protection against enemies. ref

“The bull was also associated with the storm and rain god Adad, Hadad or Iškur. The bull was his symbolic animal. He appeared bearded, often holding a club and thunderbolt while wearing a bull-horned headdress. Hadad was equated with the Greek god Zeus; the Roman god Jupiter, as Jupiter Dolichenus; the Indo-European Nasite Hittite storm-god Teshub; the Egyptian god Amun. When Enki distributed the destinies, he made Iškur inspector of the cosmos. In one litany, Iškur is proclaimed again and again as “great radiant bull, your name is heaven” and also called son of Anu, lord of Karkara; twin-brother of Enki, lord of abundance, lord who rides the storm, lion of heaven.” ref

“The Sumerian Epic of Gilgamesh depicts the horrors of the rage-fueled deployment of the Bull of Heaven by Ishtar and its slaughter by Gilgamesh and Enkidu as an act of defiance that seals their fates:

Ishtar opened her mouth and said again, “My father, give me the Bull of Heaven to destroy Gilgamesh. Fill Gilgamesh, I say, with arrogance to his destruction; but if you refuse to give me the Bull of Heaven I will break in the doors of hell and smash the bolts; there will be a confusion of people, those above with those from the lower depths. I shall bring up the dead to eat food like the living; and the hosts of the dead will outnumber the living.” Anu said to great Ishtar, “If I do what you desire there will be seven years of drought throughout Uruk when corn will be seedless husks. Have you saved grain enough for the people and grass for the cattle?” Ishtar replied “I have saved grain for the people, grass for the cattle.”…When Anu heard what Ishtar had said he gave her the Bull of Heaven to lead by the halter down to Uruk. When they reached the gates of Uruk the Bull of Heaven went to the river; with his first snort cracks opened in the earth and a hundred young men fell down to death.” ref

“With his second snort cracks opened and two hundred fell down to death. With his third snort cracks opened, Enkidu doubled over but instantly recovered, he dodged aside and leapt onto the Bull and seized it by the horns. The Bull of Heaven foamed in his face, it brushed him with the thick of its tail. Enkidu cried to Gilgamesh, “My friend we boasted that we would leave enduring names behind us. Now thrust your sword between the nape and the horns.” So Gilgamesh followed the Bull, he seized the thick of its tail, he thrust the sword between the nape and the horns and slew the Bull. When they had killed the Bull of Heaven they cut out its heart and gave it to Shamash, and the brothers rested.” ref

“In Ancient Egypt multiple sacred bulls were worshiped. A long succession of ritually perfect bulls were identified by the god’s priests, housed in the temple for their lifetime, then embalmed and buried. The mother-cows of these animals were also revered, and buried in separate locations.

  • In the Memphite region, the Apis was seen as the embodiment of Ptah and later of Osiris. Some of the Apis bulls were buried in large sarcophagi in the underground vaults of the Serapeum of Saqqara, which was rediscovered by Auguste Mariette in 1851.
  • Mnevis of Heliopolis was the embodiment of AtumRa.
  • Buchis of Hermonthis was linked with the gods Ra and Montu. The catacombs for these bulls are now known as the Bucheum. Multiple Buchis mummies were found in situ during excavations in the 1930s. Some of their sarcophagi are similar to those in the Serapeum, others are polylithic (made from multiple stones).” ref

Ka, in Egyptian, is both a religious concept of life-force/power and the word for bull. Andrew Gordon, an Egyptologist, and Calvin Schwabe, a veterinarian, argue that the origin of the ankh is related to two other signs of uncertain origin that often appear alongside it: the was-sceptre, representing “power” or “dominion”, and the djed pillar, representing “stability”. According to this hypothesis, the form of each sign is drawn from a part of the anatomy of a bull, like some other hieroglyphic signs that are known to be based on body parts of animals. In Egyptian belief semen was connected with life and, to some extent, with “power” or “dominion”, and some texts indicate the Egyptians believed semen originated in the bones. Therefore, Calvin and Schwabe suggest the signs are based on parts of the bull’s anatomy through which semen was thought to pass: the ankh is a thoracic vertebra, the djed is the sacrum and lumbar vertebrae, and the was is the dried penis of the bull.” ref

“In Cyprus, bull masks made from real skulls were worn in rites. Bull-masked terracotta figurines and Neolithic bull-horned stone altars have been found in Cyprus. Bulls were a central theme in the Minoan civilization, with bull heads and bull horns used as symbols in the Knossos palace. Minoan frescos and ceramics depict bull-leaping, in which participants of both sexes vaulted over bulls by grasping their horns.” ref

“The Iranian language texts and traditions of Zoroastrianism have several different mythological bovine creatures. One of these is Gavaevodata, which is the Avestan name of a hermaphroditic “uniquely created (-aevo.data) cow (gav-)”, one of Ahura Mazda‘s six primordial material creations that becomes the mythological progenitor of all beneficent animal life. Another Zoroastrian mythological bovine is Hadhayans, a gigantic bull so large that it could straddle the mountains and seas that divide the seven regions of the earth, and on whose back men could travel from one region to another.” ref

“In medieval times, Hadhayans also came to be known as Srīsōk (Avestan *Thrisaok, “three burning places”), which derives from a legend in which three “Great Fires” were collected on the creature’s back. Yet another mythological bovine is that of the unnamed creature in the Cow’s Lament, an allegorical hymn attributed to Zoroaster himself, in which the soul of a bovine (geush urvan) despairs over her lack of protection from an adequate herdsman. In the allegory, the cow represents humanity’s lack of moral guidance, but in later Zoroastrianism, Geush Urvan became a yazata representing cattle. The 14th day of the month is named after her and is under her protection.” ref

“Bulls appear on seals from the Indus Valley civilisation. In The Rig Veda, the earliest collection of Vedic hymns (c. 1500-1000 BCE), Indra is often praised as a Bull (Vṛṣabha – vrsa (he) plus bha (being) or as uksan, a bull aged five to nine years, which is still growing or just reached its full growth). The bull is an icon of power and virile strength in Aryan literature and other Indo-European traditions. Vrsha means “to shower or to spray”, in this context Indra showers strength and virility. Vṛṣabha is also an astrological sign in Indian horoscope systems, corresponding to Taurus.” ref

“The storm god Rudra is called a bull as are the Maruts or storm deities referred to as bulls under the command of Indra, thus Indra is called “bull with bulls.” The following excerpts from The Rig Veda demonstrate these attributes:

“As a bull I call to you, the bull with the thunderbolt, with various aids, O Indra, bull with bulls, greatest killer of Vrtra.” — Atri and the Last Sun” ref

“He the mighty bull who with his seven reins let loose the seven rivers to flow, who with his thunderbolt in his hand hurled down Ruhina as he was climbing up to the sky, he my people is Indra.” — Who is Indra?

“I send praise to the high bull, tawny and white. I bow low to the radiant one. We praise the dreaded name of Rudra.” — Rudra, father of the Maruts” ref.

Nandi later appears in the Puranas as the primary vahana (mount) and the principal gana (follower) of Shiva. Nandi figures depicted as a seated bull are present at Shiva temples throughout the world. Kao (bull), a supernatural divine bull, appears in ancient Meitei mythology and folklore of Ancient Manipur (Kangleipak). In the legend of the Khamba Thoibi epic, Nongban Kongyamba, a nobleman of ancient Moirang realm, pretended to be an oracle and falsely prophesied that the people of Moirang would lead to miserable lives, if the powerful Kao (bull) roaming freely in the Khuman kingdom, wasn’t offered to the god Thangjing (Old ManipuriThangching), the presiding deity of Moirang. Orphan Khuman prince Khamba was chosen to capture the bull, as he was known for his valor and faithfulness.” ref

“Since to capture the bull without killing it was not an easy task, Khamba’s motherly sister Khamnu disclosed to Khamba the secrets of the bull, by means of which the animal could be captured. Bull figurines are common finds on archaeological sites across the Levant; two examples are the 16th century BCE (Middle Bronze Age) bull calf from Ashkelon, and the 12th century BCE (Iron Age I) bull found at the so-called Bull Site in Samaria on the West Bank. Both Baʿal and El were associated with the bull in Ugaritic texts, as it symbolized both strength and fertility.” ref

Exodus 32:4 reads “He took this from their hand, and fashioned it with a graving tool and made it into a molten calf; and they said, ‘This is your god, O Israel, who brought you up from the land of Egypt’.” ref

Nehemiah 9:18 reads “even when they made an idol shaped like a calf and said, ‘This is your god who brought you out of Egypt!’ They committed terrible blasphemies.” ref

“Calf-idols are referred to later in the Tanakh, such as in the Book of Hosea, which would seem accurate as they were a fixture of near-eastern cultures. Solomon‘s “Molten Sea” basin stood on twelve brazen bulls. Young bulls were set as frontier markers at Dan and Bethel, the frontiers of the Kingdom of Israel. Much later, in Abrahamic religions, the bull motif became a bull demon or the “horned devil” in contrast and conflict to earlier traditions. The bull is familiar in Judeo-Christian cultures from the Biblical episode wherein an idol of the golden calf (Hebrew: עֵגֶּל הַזָהָב) is made by Aaron and worshipped by the Hebrews in the wilderness of the Sinai Peninsula (Book of Exodus). The text of the Hebrew Bible can be understood to refer to the idol as representing a separate god, or as representing Yahweh himself, perhaps through an association or religious syncretism with Egyptian or Levantine bull gods, rather than a new deity in itself.” ref

“Among the Twelve OlympiansHera‘s epithet Bo-opis is usually translated “ox-eyed” Hera, but the term could just as well apply if the goddess had the head of a cow, and thus the epithet reveals the presence of an earlier, though not necessarily more primitive, iconic view. (Heinrich Schlieman, 1976) Classical Greeks never otherwise referred to Hera simply as the cow, though her priestess Io was so literally a heifer that she was stung by a gadfly, and it was in the form of a heifer that Zeus coupled with her. Zeus took over the earlier roles, and, in the form of a bull that came forth from the sea, abducted the high-born Phoenician Europa and brought her, significantly, to Crete.” ref

Dionysus was another god of resurrection who was strongly linked to the bull. In a worship hymn from Olympia, at a festival for Hera, Dionysus is also invited to come as a bull, “with bull-foot raging.” “Quite frequently he is portrayed with bull horns, and in Kyzikos he has a tauromorphic image,” Walter Burkert relates, and refers also to an archaic myth in which Dionysus is slaughtered as a bull calf and impiously eaten by the Titans.” ref

“For the Greeks, the bull was strongly linked to the Cretan BullTheseus of Athens had to capture the ancient sacred bull of Marathon (the “Marathonian bull”) before he faced the Minotaur (Greek for “Bull of Minos”), who the Greeks imagined as a man with the head of a bull at the center of the labyrinth. Minotaur was fabled to be born of the Queen and a bull, bringing the king to build the labyrinth to hide his family’s shame. Living in solitude made the boy wild and ferocious, unable to be tamed or beaten. Yet Walter Burkert‘s constant warning is, “It is hazardous to project Greek tradition directly into the Bronze Age.” Only one Minoan image of a bull-headed man has been found, a tiny Minoan sealstone currently held in the Archaeological Museum of Chania.” ref

“In the Classical period of Greece, the bull and other animals identified with deities were separated as their agalma, a kind of heraldic show-piece that concretely signified their numinous presence. The religious practices of the Roman Empire of the 2nd to 4th centuries included the taurobolium, in which a bull was sacrificed for the well-being of the people and the state. Around the mid-2nd century, the practice became identified with the worship of Magna Mater, but was not previously associated only with that cult (cultus). Public taurobolia, enlisting the benevolence of Magna Mater on behalf of the emperor, became common in Italy and Gaul, Hispania and Africa. The last public taurobolium for which there is an inscription was carried out at Mactar in Numidia at the close of the 3rd century. It was performed in honor of the emperors Diocletian and Maximian.” ref

“Another Roman mystery cult in which a sacrificial bull played a role was that of the 1st–4th century Mithraic Mysteries. In the so-called “tauroctony” artwork of that cult (cultus), and which appears in all its temples, the god Mithras is seen to slay a sacrificial bull. Although there has been a great deal of speculation on the subject, the myth (i.e. the “mystery”, the understanding of which was the basis of the cult) that the scene was intended to represent remains unknown. Because the scene is accompanied by a great number of astrological allusions, the bull is generally assumed to represent the constellation of Taurus. The basic elements of the tauroctony scene were originally associated with Nike, the Greek goddess of victory. Macrobius lists the bull as an animal sacred to the god Neto/Neito, possibly being sacrifices to the deity.” ref

Tarvos Trigaranus (the “bull with three cranes”) is pictured on ancient Gaulish reliefs alongside images of gods, such as in the cathedrals at Trier and at Notre Dame de Paris. In Irish mythology, the Donn Cuailnge and the Finnbhennach are prized bulls that play a central role in the epic Táin Bó Cúailnge (“The Cattle Raid of Cooley”). Early medieval Irish texts also mention the tarbfeis (bull feast), a shamanistic ritual in which a bull would be sacrificed and a seer would sleep in the bull’s hide to have a vision of the future king. Pliny the Elder, writing in the first century CE, describes a religious ceremony in Gaul in which white-clad druids climbed a sacred oak, cut down the mistletoe growing on it, sacrificed two white bulls and used the mistletoe to cure infertility.” ref

“The druids—that is what they call their magicians—hold nothing more sacred than the mistletoe and a tree on which it is growing, provided it is Valonia oak. … Mistletoe is rare and when found it is gathered with great ceremony, and particularly on the sixth day of the moon….Hailing the moon in a native word that means ‘healing all things,’ they prepare a ritual sacrifice and banquet beneath a tree and bring up two white bulls, whose horns are bound for the first time on this occasion. A priest arrayed in white vestments climbs the tree and, with a golden sickle, cuts down the mistletoe, which is caught in a white cloak. Then finally they kill the victims, praying to a god to render his gift propitious to those on whom he has bestowed it. They believe that mistletoe given in drink will impart fertility to any animal that is barren and that it is an antidote to all poisons. Bull sacrifices at the time of the Lughnasa festival were recorded as late as the 18th century at Cois Fharraige in Ireland (where they were offered to Crom Dubh) and at Loch Maree in Scotland (where they were offered to Saint Máel Ruba).” ref

 

Cattle in religion and mythology

There are varying beliefs about cattle in societies and religions.

“Cattle are considered sacred in the Indian religions of HinduismJainism and Buddhism, as well as in some Chinese folk religion and in African paganism. Cattle played other major roles in many religions, including those of ancient Egyptancient Greeceancient Israel, and ancient Rome. In some regions, especially most states of India, the slaughter of cattle is prohibited and their meat (beef) may be taboo.” ref

“In ancient Egyptian religion, bulls symbolized strength and male sexuality and were linked with aggressive deities such as Montu and virile deities such as Min. Some Egyptian cities kept sacred bulls that were said to be incarnations of divine powers, including the Mnevis bullBuchis bull, and the Apis bull, which was regarded as a manifestation of the god Ptah and was the most important sacred animal in Egypt. Cows were connected with fertility and motherhood. One of several ancient Egyptian creation myths said that a cow goddess, Mehet-Weret, who represented the primeval waters that existed before creation, gave birth to the sun at the beginning of time. The sky was sometimes envisioned as a goddess in the form of a cow, and several goddesses, including HathorNut, and Neith, were equated with this celestial cow. The Egyptians did not regard cattle as uniformly positive. Wild bulls, regarded as symbols of the forces of chaos, could be hunted and ritually killed.” ref

“As cattle were a central part of the pastoralist economy of Ancient Nubia, Africa, they also played a prominent role in their culture and mythology, as evidenced by their inclusion in burials and rock art. Starting in the Neolithic period, cattle skulls, also known as bucrania, were often placed alongside human burials. Bucrania were a status symbol, and they were used frequently in adult male burials, occasionally in adult female burials, and rarely in child burials. In cemeteries at Kerma, there is a strong correlation between the number of bucrania and the quantity and lavishness of other grave goods. Dozens if not hundreds of cattle were often slaughtered as tribute for the burial of one individual; 400 bucrania were found at one tumulus alone at Kerma. The use of cattle skulls rather than those of sheep or goats reveals the importance of cattle in their pastoral economy, as well as the cultural associations of cattle with wealth, prosperity, and passage into the afterlife. Sometimes complete cattle were buried alongside their owner, symbolic of their relationship continuing into the afterlife.” ref

“Beginning in the third millennium BCE, cattle became the most popular motif in Nubian rock art. The bodies are usually depicted in profile, while the horns are facing forward. The length and shape of the horns and the pattern on the hide varied widely. Human silhouettes are often drawn alongside the cattle, symbolic of the important symbiotic relationship between cattle and humans. For pastoralists, drawing cattle may have also been a way to ensure the health of their herd. The role of cattle in Nubian mythology is more covert than in Egypt to the north, where several gods are often depicted as cattle; however, the significance of cattle in Nubian culture is evident in burial practices, understandings of the afterlife, and rock art.” ref

Hinduism specifically considers the zebu (Bos indicus) to be sacred. Respect for the lives of animals including cattle, diet in Hinduism and vegetarianism in India are based on the Hindu ethics. The Hindu ethics are driven by the core concept of Ahimsa, i.e. non-violence towards all beings, as mentioned in the Chandogya Upanishad (~ 800 BCE). By mid 1st millennium BCE, all three major religions – Buddhism, Hinduism, and Jainism – were championing non-violence as an ethical value, and something that impacted one’s rebirth. By about 200 CE, food and feasting on animal slaughter were widely considered as a form of violence against life forms, and became a religious and social taboo. India, which has 79.80% Hindu population as of (2011 census), had the lowest rate of meat consumption in the world according to the 2007 UN FAO statistics, and India has more vegetarians than the rest of the world put together.” ref

“According to Ludwig Alsdorf, “Indian vegetarianism is unequivocally based on ahimsa (non-violence)” as evidenced by ancient smritis and other ancient texts of Hinduism.” He adds that the endearment and respect for cattle in Hinduism is more than a commitment to vegetarianism and has become integral to its theology. The respect for cattle is widespread but not universal. Animal sacrifices have been rare among the Hindus outside a few eastern states. To the majority of modern Indians, states Alsdorf, respect for cattle and disrespect for slaughter is a part of their ethos, and there is “no ahimsa without renunciation of meat consumption”. The cow in Hindu society is traditionally identified as a caretaker and a maternal figure, and Hindu society honors the cow as a symbol of unselfish giving, selfless sacrifice, gentleness, and tolerance.” ref

“Several scholars explain the veneration for cows among Hindus in economic terms, including the importance of dairy in the diet, the use of cow dung as fuel and fertilizer, and the importance that cattle have historically played in agriculture. Ancient texts such as Rig VedaPuranas highlight the importance of cattle. The scope, extent, and status of cows throughout ancient India is a subject of debate. Cattle, including cows, were neither inviolable nor as revered in ancient times as they were later. A Gryhasutra recommends that beef be eaten by the mourners after a funeral ceremony as a ritual rite of passage. In contrast, the Vedic literature is contradictory, with some suggesting ritual slaughter and meat consumption, while others suggesting a taboo on meat eating. Many ancient and medieval Hindu texts debate the rationale for a voluntary stop to cow slaughter and the pursuit of vegetarianism as a part of a general abstention from violence against others and all killing of animals.” ref

“The interdiction of the meat of the bounteous cow as food was regarded as the first step to total vegetarianism. Dairy cows are called aghnya “that which may not be slaughtered” in the RigvedaYaska, the early commentator of the Rigveda, gives nine names for cow, the first being “aghnya”. The literature relating to cow veneration became common in 1st millennium CE, and by about 1000 CE vegetarianism, along with a taboo against beef, became a well accepted mainstream Hindu tradition. This practice was inspired by the beliefs in Hinduism that a soul is present in all living beings, life in all its forms is interconnected, and non-violence towards all creatures is the highest ethical value. The god Krishna and his Yadava kinsmen are associated with cows, adding to its endearment.” ref

“The cow veneration in ancient India during the Vedic era, the religious texts written during this period called for non-violence towards all bipeds and quadrupeds, and often equated killing of a cow with the killing of a human being specifically a Brahmin. The hymn 8.3.25 of the Hindu scripture Atharvaveda (~1200–1500 BCE) condemns all killings of men, cattle, and horses, and prays to god Agni to punish those who kill.” ref

“In the Puranas, which are part of the Hindu texts, the earth-goddess Prithvi was in the form of a cow, successively milked of beneficent substances for the benefit of humans, by deities starting with the first sovereign: Prithu milked the cow to generate crops for humans to end a famine. Kamadhenu, the miraculous “cow of plenty” and the “mother of cows” in certain versions of the Hindu mythology, is believed to represent the generic sacred cow, regarded as the source of all prosperity. In the 19th century, a form of Kamadhenu was depicted in poster-art that depicted all major gods and goddesses in it. Govatsa Dwadashi, which marks the first day of Diwali celebrations, is the main festival connected to the veneration and worship of cows as chief source of livelihood and religious sanctity in India, wherein the symbolism of motherhood is most apparent with the sacred cows Kamadhenu and her daughter Nandini.” ref

Jainism is against violence to all living beings, including cattle. According to the Jaina sutras, humans must avoid all killing and slaughter because all living beings are fond of life, they suffer, they feel pain, they like to live, and long to live. All beings should help each other live and prosper, according to Jainism, not kill and slaughter each other. In the Jain religious tradition, neither monks nor laypersons should cause others or allow others to work in a slaughterhouse. Jains believe that vegetarian sources can provide adequate nutrition, without creating suffering for animals such as cattle. According to some Jain scholars, slaughtering cattle increases ecological burden from human food demands since the production of meat entails intensified grain demands, and reducing cattle slaughter by 50 percent would free up enough land and ecological resources to solve all malnutrition and hunger worldwide. The Jain community leaders, states Christopher Chapple, has actively campaigned to stop all forms of animal slaughter including cattle.” ref

“The texts of Buddhism state ahimsa to be one of five ethical precepts, which requires a practicing Buddhist to “refrain from killing living beings”. Slaughtering cow has been a taboo, with some texts suggesting that taking care of a cow is a means of taking care of “all living beings”. Cattle are seen in some Buddhist sects as a form of reborn human beings in the endless rebirth cycles in samsara, protecting animal life and being kind to cattle and other animals is good karma. Not only do some, mainly Mahayana, Buddhist texts state that killing or eating meat is wrong, it urges Buddhist laypersons to not operate slaughterhouses, nor trade in meat. Indian Buddhist texts encourage a plant-based diet.” ref

“According to Saddhatissa, in the Brahmanadhammika Sutta, the Buddha “describes the ideal mode of life of Brahmins in the Golden Age” before him as follows: Like mother (they thought), father, brother or any other kind of kin, cows are our kin most excellent from whom come many remedies. Givers of good and strength, of good complexion and the happiness of health, having seen the truth of this cattle, they never killed. Those Brahmins, then by Dharma, did what should be done, not what should not, and so aware they graceful were, well-built, fair-skinned, of high renown. While in the world, this lore was found, these people happily prospered. — Buddha, Brahmanadhammika Sutta 13.24, Sutta Nipāta” ref

“Saving animals from slaughter for meat, is believed in Buddhism to be a way to acquire merit for better rebirth. According to Richard Gombrich, there has been a gap between Buddhist precepts and practice. Vegetarianism is admired, states Gombrich, but often it is not practiced. Nevertheless, adds Gombrich, there is a general belief among Theravada Buddhists that eating beef is worse than other meat and the ownership of cattle slaughterhouses by Buddhists is relatively rare. Meat eating remains controversial within Buddhism, with most Theravada sects allowing it, reflecting early Buddhist practice, and most Mahayana sects forbidding it. Early suttas indicate that the Buddha himself ate meat and was clear that no rule should be introduced to forbid meat eating to monks. The consumption, however, appears to have been limited to pork, chicken and fish and may well have excluded cattle.” ref

“The term geush urva means “the spirit of the cow” and is interpreted as the soul of the earth. In the Ahunavaiti GathaZoroaster accuses some of his co-religionists of abusing the cow while Ahura Mazda tells him to protect them. After fleeing to India, many Zoroastrians stopped eating beef out of respect for Hindus living there. The lands of Zoroaster and the Vedic priests were those of cattle breeders. The 9th chapter of the Vendidad of the Avesta expounds the purificatory power of cow urine. It is declared to be a panacea for all bodily and moral evils and features prominently in the 9-night purification ritual Barashnûm.” ref

“According to the Bible, the Israelites worshipped a cult image of a golden calf when the prophet Moses went up to Mount Sinai. Moses considered this a great sin against God. As a result of their abstention from the act, the Levite tribe attained a priestly role. A cult of golden calves appears later during the rule of Jeroboam. According to the Hebrew Bible, an unblemished red cow was an important part of ancient Jewish rituals. The cow was sacrificed and burned in a precise ritual, and the ashes were added to water used in the ritual purification of a person who had come in to contact with a human corpse. The ritual is described in the Book of Numbers in Chapter 19, verses 1–14.” ref

“Observant Jews study this passage every year as part of the weekly Torah portion called Chukat. A contemporary Jewish organization called the Temple Institute is trying to revive this ancient religious observance. Traditional Judaism considers beef kosher and permissible as food, as long as the cow is slaughtered in a religious ritual called shechita, and the meat is not served in a meal that includes any dairy foods. Some Jews committed to Jewish vegetarianism believe that Jews should refrain from slaughtering animals altogether and have condemned widespread cruelty towards cattle on factory farms. The red heifer or red cow is a particular kind of cow brought to priests for sacrifice in the Hebrew BibleJews and some Christian fundamentalists believe that once a red heifer is born they will be able to rebuild the Third Temple on the Temple Mount in Jerusalem.” ref

Oxen are one of the animals sacrificed by Greek Orthodox believers in some villages of Greece. It is especially associated with the feast of Saint Charalambos. This practice of kourbania has been repeatedly criticized by church authorities. The ox is the symbol of Luke the Evangelist. Among the Visigoths, the oxen pulling the wagon with the corpse of Saint Emilian lead to the correct burial site (San Millán de la Cogolla, La Rioja). In Greek mythologythe Cattle of Helios pastured on the island of Thrinacia, which is believed to be modern SicilyHelios, the sun god, is said to have had seven herds of oxen and seven flocks of sheep, each numbering fifty head. A hecatomb was a sacrifice to the gods Apollo, Athena, and Hera, of 100 cattle (hekaton = one hundred).” ref

“The Greek gods also transformed themselves or others into cattle as a form of deception or punishment, such as in the myths of Io and Europa. In the myth of Pasiphaë, she falls in love with a bull as punishment by Poseidon. She gives birth to the Minotaur, a human-bull hybrid. In the ancient Anatolian civilization Hatti, the storm god was closely linked to a bull. Tarvos Trigaranus (the “bull with three cranes”) is pictured on ancient Gaulish reliefs alongside images of gods. There is evidence that ancient Celtic peoples sacrificed animals, which were almost always cattle or other livestock. Early medieval Irish texts mention the tarbfeis (bull feast), a shamanistic ritual in which a bull would be sacrificed and a seer would sleep in the bull’s hide to have a vision of the future king.” ref

“Cattle appear often in Irish mythology. The Glas Gaibhnenn is a mythical prized cow that could produce plentiful supplies of milk, while Donn Cuailnge and Finnbhennach are prized bulls that play a central role in the epic Táin Bó Cúailnge (“The Cattle Raid of Cooley”). The mythical lady Flidais, the main figure in the Táin Bó Flidhais, owns a herd of magical cattle.The name of the goddess of the River BoyneBóinn, comes from Archaic Irish *Bóu-vinda meaning the “bright or white cow”; while the name of the Corcu Loígde means “tribe of the calf goddess”. In Norse mythology, the primeval cow Auðumbla suckled Ymir, the ancestor of the frost giants, and licked BúriOdin‘s grandfather and ancestor of the gods, out of the ice.” ref

“A beef taboo in ancient China was historically a dietary restriction, particularly among the Han Chinese, as oxen and buffalo (bovines) are useful in farming and are respected. During the Zhou dynasty, they were not often eaten, even by emperors. Some emperors banned killing cows. Beef is not recommended in Chinese medicine, as it is considered a hot food and is thought to disrupt the body’s internal balance. In written sources (including anecdotes and Daoist liturgical texts), this taboo first appeared in the 9th to 12th centuries (TangSong transition, with the advent of pork meat.)” ref

“By the 16th to 17th centuries, the beef taboo had become well accepted in the framework of Chinese morality and was found in morality books (善書), with several books dedicated exclusively to this taboo. The beef taboo came from a Chinese perspective that relates the respect for animal life and vegetarianism (ideas shared by BuddhismConfucianism, and Daoism, and state protection for draught animals.) In Chinese society, only ethnic and religious groups not fully assimilated (such as the Muslim Huis and the Miao) and foreigners consumed this meat. This taboo, among Han Chinese, led Chinese Muslims to create a niche for themselves as butchers who specialized in slaughtering oxen and buffalo. Occasionally, some cows seen weeping before slaughter are often released to temples nearby.” ref 

Islam allows the slaughter of cows and consumption of beef, as long as the cow is slaughtered in a religious ritual called dhabīḥah or zabiha similar to the Jewish shechita. Although slaughter of cattle plays a role in a major Muslim holiday, Eid al-Adha, many rulers of the Mughal Empire had imposed a ban on the slaughter of cows owing to the large Hindu and Jain populations living under their rule. The second and longest surah of the Quran is named Al-Baqara (“The Cow”). Out of the 286 verses of the surah, 7 mention cows (Al Baqarah 67–73). The name of the surah derives from this passage in which Moses orders his people to sacrifice a cow in order to resurrect a man murdered by an unknown person. Per the passage, the “Children of Israel” quibbled over what kind of cow was meant when the sacrifice was ordered.” ref

“While addressing to children of Israel, it was said:

And when We did appoint for Moses forty nights (of solitude), and then ye chose the calf, when he had gone from you, and were wrong-doers. Then, even after that, We pardoned you in order that ye might give thanks. And when We gave unto Moses the Scripture and the criterion (of right and wrong), that ye might be led aright. And when Moses said unto his people: O my people! Ye have wronged yourselves by your choosing of the calf (for worship) so turn in penitence to your Creator, and kill (the guilty) yourselves. That will be best for you with your Creator, and He will relent toward you. Lo! He is the Relenting, the Merciful. (Al-Quran 2:51–54)” ref

“And when Moses said unto his people: Lo! God commandeth you that ye sacrifice a cow, they said: Dost thou make game of us ? He answered: God forbid that I should be among the foolish! They said: Pray for us unto thy Lord that He make clear to us what (cow) she is. (Moses) answered: Lo! He saith, Verily she is a cow neither with calf nor immature; (she is) between the two conditions; so do that which ye are commanded. They said: Pray for us unto thy Lord that He make clear to us of what colour she is. (Moses) answered: Lo! He saith: Verily she is a yellow cow. Bright is her colour, gladdening beholders. They said: Pray for us unto thy Lord that He make clear to us what (cow) she is. Lo! cows are much alike to us; and Lo! if God wills, we may be led aright. (Moses) answered: Lo! He saith: Verily she is a cow unyoked; she plougheth not the soil nor watereth the tilth; whole and without mark. They said: Now thou bringest the truth. So they sacrificed her, though almost they did not. And (remember) when ye slew a man and disagreed concerning it, and God brought forth that which ye were hiding. And We said: Smite him with some of it. Thus God bringeth the dead to life and showeth you His portents so that ye may understand. (Al-Quran 2:67–73)” ref

“Classical Sunni and Shia commentators recount several variants of this tale. Per some of the commentators, though any cow would have been acceptable, but after they “created hardships for themselves” and the cow was finally specified, it was necessary to obtain it at any cost. Historically, there was a beef taboo in ancient Japan, as a means of protecting the livestock population and due to Buddhist influence. Meat-eating had long been taboo in Japan, beginning with a decree in 675 that banned the consumption of cattle, horses, dogs, monkeys, and chickens, influenced by the Buddhist prohibition of killing. In 1612, the shōgun declared a decree that specifically banned the killing of cattle.” ref

“This official prohibition was in place until 1872, when it was officially proclaimed that Emperor Meiji consumed beef and mutton, which transformed the country’s dietary considerations as a means of modernizing the country, particularly with regard to consumption of beef. With contact from Europeans, beef increasingly became popular, even though it had previously been considered barbaric. Several shrines and temples are decorated with cow figurines, which are believed to cure illnesses when stroked.” ref

May Reason Set You Free

There are a lot of truly great things said by anarchists in history, and also some deeply vile things, too, from not supporting Women’s rights to Anti-Semitism. There are those who also reject those supporting women’s rights as well as fight anti-Semitism. This is why I push reason as my only master, not anarchist thinking, though anarchism, to me, should see all humans everywhere as equal in dignity and rights.

We—Cory and Damien—are following the greatness that can be found in anarchist thinking.

As an Anarchist Educator, Damien strives to teach the plain truth. Damien does not support violence as my method to change. Rather, I choose education that builds Enlightenment and Empowerment. I champion Dignity and Equality. We rise by helping each other. What is the price of a tear? What is the cost of a smile? How can we see clearly when others pay the cost of our indifference and fear? We should help people in need. Why is that so hard for some people? Rich Ghouls must End. Damien wants “billionaires” to stop being a thing. Tax then into equality. To Damien, there is no debate, Capitalism is unethical. Moreover, as an Anarchist Educator, Damien knows violence is not the way to inspire lasting positive change. But we are not limited to violence, we have education, one of the most lasting and powerful ways to improve the world. We empower the world by championing Truth and its supporters.

Anarchism and Education

“Various alternatives to education and their problems have been proposed by anarchists which have gone from alternative education systems and environments, self-education, advocacy of youth and children rights, and freethought activism.” ref

“Historical accounts of anarchist educational experiments to explore how their pedagogical practices, organization, and content constituted a radical alternative to mainstream forms of educational provision in different historical periods.” ref

“The Ferrer school was an early 20th century libertarian school inspired by the anarchist pedagogy of Francisco Ferrer. He was a proponent of rationalist, secular education that emphasized reason, dignity, self-reliance, and scientific observation. The Ferrer movement’s philosophy had two distinct tendencies: non-didactic freedom from dogma and the more didactic fostering of counter-hegemonic beliefs. Towards non-didactic freedom from dogma, and fulfilled the child-centered tradition.” ref

Teach Real History: all our lives depend on it.

#SupportRealArchaeology

#RejectPseudoarchaeology

Damien sees lies about history as crimes against humanity. And we all must help humanity by addressing “any and all” who make harmful lies about history.

Damien Marie AtHope’s Art

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My favorite “Graham Hancock” Quote?

“In what archaeologists have studied, yes, we can say there is NO Evidence of an advanced civilization.” – (Time 1:27) Joe Rogan Experience #2136 – Graham Hancock & Flint Dibble

Help the Valentine fight against pseudoarchaeology!!!
 
In a world of “Hancocks” supporting evidence lacking claims, be a “John Hoopes” supporting what evidence explains.
 
#SupportEvidenceNotWishfullThinking
 
Graham Hancock: @Graham__Hancock
John Hoopes: @KUHoopes

Damien Marie AtHope’s Art

People don’t commonly teach religious history, even that of their own claimed religion. No, rather they teach a limited “pro their religion” history of their religion from a religious perspective favorable to the religion of choice. 

Damien Marie AtHope’s Art

Do you truly think “Religious Belief” is only a matter of some personal choice?

Do you not see how coercive one’s world of choice is limited to the obvious hereditary belief, in most religious choices available to the child of religious parents or caregivers? Religion is more commonly like a family, culture, society, etc. available belief that limits the belief choices of the child and that is when “Religious Belief” is not only a matter of some personal choice and when it becomes hereditary faith, not because of the quality of its alleged facts or proposed truths but because everyone else important to the child believes similarly so they do as well simply mimicking authority beliefs handed to them. Because children are raised in religion rather than being presented all possible choices but rather one limited dogmatic brand of “Religious Belief” where children only have a choice of following the belief as instructed, and then personally claim the faith hereditary belief seen in the confirming to the belief they have held themselves all their lives. This is obvious in statements asked and answered by children claiming a faith they barely understand but they do understand that their family believes “this or that” faith, so they feel obligated to believe it too. While I do agree that “Religious Belief” should only be a matter of some personal choice, it rarely is… End Hereditary Religion!

Opposition to Imposed Hereditary Religion

Damien Marie AtHope’s Art

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Animism: Respecting the Living World by Graham Harvey 

“How have human cultures engaged with and thought about animals, plants, rocks, clouds, and other elements in their natural surroundings? Do animals and other natural objects have a spirit or soul? What is their relationship to humans? In this new study, Graham Harvey explores current and past animistic beliefs and practices of Native Americans, Maori, Aboriginal Australians, and eco-pagans. He considers the varieties of animism found in these cultures as well as their shared desire to live respectfully within larger natural communities. Drawing on his extensive casework, Harvey also considers the linguistic, performative, ecological, and activist implications of these different animisms.” ref

Damien Marie AtHope’s Art

We are like believing machines we vacuum up ideas, like Velcro sticks to almost everything. We accumulate beliefs that we allow to negatively influence our lives, often without realizing it. Our willingness must be to alter skewed beliefs that impend our balance or reason, which allows us to achieve new positive thinking and accurate outcomes.

My thoughts on Religion Evolution with external links for more info:

“Religion is an Evolved Product” and Yes, Religion is Like Fear Given Wings…

Atheists talk about gods and religions for the same reason doctors talk about cancer, they are looking for a cure, or a firefighter talks about fires because they burn people and they care to stop them. We atheists too often feel a need to help the victims of mental slavery, held in the bondage that is the false beliefs of gods and the conspiracy theories of reality found in religions.

“Understanding Religion Evolution: Animism, Totemism, Shamanism, Paganism & Progressed organized religion”

Understanding Religion Evolution:

“An Archaeological/Anthropological Understanding of Religion Evolution”

It seems ancient peoples had to survived amazing threats in a “dangerous universe (by superstition perceived as good and evil),” and human “immorality or imperfection of the soul” which was thought to affect the still living, leading to ancestor worship. This ancestor worship presumably led to the belief in supernatural beings, and then some of these were turned into the belief in gods. This feeble myth called gods were just a human conceived “made from nothing into something over and over, changing, again and again, taking on more as they evolve, all the while they are thought to be special,” but it is just supernatural animistic spirit-belief perceived as sacred.

 

Quick Evolution of Religion?

Pre-Animism (at least 300,000 years ago) pre-religion is a beginning that evolves into later Animism. So, Religion as we think of it, to me, all starts in a general way with Animism (Africa: 100,000 years ago) (theoretical belief in supernatural powers/spirits), then this is physically expressed in or with Totemism (Europe: 50,000 years ago) (theoretical belief in mythical relationship with powers/spirits through a totem item), which then enlists a full-time specific person to do this worship and believed interacting Shamanism (Siberia/Russia: 30,000 years ago) (theoretical belief in access and influence with spirits through ritual), and then there is the further employment of myths and gods added to all the above giving you Paganism (Turkey: 12,000 years ago) (often a lot more nature-based than most current top world religions, thus hinting to their close link to more ancient religious thinking it stems from). My hypothesis is expressed with an explanation of the building of a theatrical house (modern religions development). Progressed organized religion (Egypt: 5,000 years ago)  with CURRENT “World” RELIGIONS (after 4,000 years ago).

Historically, in large city-state societies (such as Egypt or Iraq) starting around 5,000 years ago culminated to make religion something kind of new, a sociocultural-governmental-religious monarchy, where all or at least many of the people of such large city-state societies seem familiar with and committed to the existence of “religion” as the integrated life identity package of control dynamics with a fixed closed magical doctrine, but this juggernaut integrated religion identity package of Dogmatic-Propaganda certainly did not exist or if developed to an extent it was highly limited in most smaller prehistoric societies as they seem to lack most of the strong control dynamics with a fixed closed magical doctrine (magical beliefs could be at times be added or removed). Many people just want to see developed religious dynamics everywhere even if it is not. Instead, all that is found is largely fragments until the domestication of religion.

Religions, as we think of them today, are a new fad, even if they go back to around 6,000 years in the timeline of human existence, this amounts to almost nothing when seen in the long slow evolution of religion at least around 70,000 years ago with one of the oldest ritual worship. Stone Snake of South Africa: “first human worship” 70,000 years ago. This message of how religion and gods among them are clearly a man-made thing that was developed slowly as it was invented and then implemented peace by peace discrediting them all. Which seems to be a simple point some are just not grasping how devastating to any claims of truth when we can see the lie clearly in the archeological sites.

I wish people fought as hard for the actual values as they fight for the group/clan names political or otherwise they think support values. Every amount spent on war is theft to children in need of food or the homeless kept from shelter.

Here are several of my blog posts on history:

I am not an academic. I am a revolutionary that teaches in public, in places like social media, and in the streets. I am not a leader by some title given but from my commanding leadership style of simply to start teaching everywhere to everyone, all manner of positive education. 

Damien Marie AtHope’s Art

To me, Animism starts in Southern Africa, then to West Europe, and becomes Totemism. Another split goes near the Russia and Siberia border becoming Shamanism, which heads into Central Europe meeting up with Totemism, which also had moved there, mixing the two which then heads to Lake Baikal in Siberia. From there this Shamanism-Totemism heads to Turkey where it becomes Paganism.

Damien Marie AtHope’s Art

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Not all “Religions” or “Religious Persuasions” have a god(s) but

All can be said to believe in some imaginary beings or imaginary things like spirits, afterlives, etc.

Damien Marie AtHope’s Art

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Damien Marie AtHope’s Art

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Low Gods “Earth” or Tutelary deity and High Gods “Sky” or Supreme deity

“An Earth goddess is a deification of the Earth. Earth goddesses are often associated with the “chthonic” deities of the underworldKi and Ninhursag are Mesopotamian earth goddesses. In Greek mythology, the Earth is personified as Gaia, corresponding to Roman Terra, Indic Prithvi/Bhūmi, etc. traced to an “Earth Mother” complementary to the “Sky Father” in Proto-Indo-European religionEgyptian mythology exceptionally has a sky goddess and an Earth god.” ref

“A mother goddess is a goddess who represents or is a personification of naturemotherhoodfertilitycreationdestruction or who embodies the bounty of the Earth. When equated with the Earth or the natural world, such goddesses are sometimes referred to as Mother Earth or as the Earth Mother. In some religious traditions or movements, Heavenly Mother (also referred to as Mother in Heaven or Sky Mother) is the wife or feminine counterpart of the Sky father or God the Father.” ref

Any masculine sky god is often also king of the gods, taking the position of patriarch within a pantheon. Such king gods are collectively categorized as “sky father” deities, with a polarity between sky and earth often being expressed by pairing a “sky father” god with an “earth mother” goddess (pairings of a sky mother with an earth father are less frequent). A main sky goddess is often the queen of the gods and may be an air/sky goddess in her own right, though she usually has other functions as well with “sky” not being her main. In antiquity, several sky goddesses in ancient Egypt, Mesopotamia, and the Near East were called Queen of Heaven. Neopagans often apply it with impunity to sky goddesses from other regions who were never associated with the term historically. The sky often has important religious significance. Many religions, both polytheistic and monotheistic, have deities associated with the sky.” ref

“In comparative mythology, sky father is a term for a recurring concept in polytheistic religions of a sky god who is addressed as a “father”, often the father of a pantheon and is often either a reigning or former King of the Gods. The concept of “sky father” may also be taken to include Sun gods with similar characteristics, such as Ra. The concept is complementary to an “earth mother“. “Sky Father” is a direct translation of the Vedic Dyaus Pita, etymologically descended from the same Proto-Indo-European deity name as the Greek Zeûs Pater and Roman Jupiter and Germanic Týr, Tir or Tiwaz, all of which are reflexes of the same Proto-Indo-European deity’s name, *Dyēus Ph₂tḗr. While there are numerous parallels adduced from outside of Indo-European mythology, there are exceptions (e.g. In Egyptian mythology, Nut is the sky mother and Geb is the earth father).” ref

Tutelary deity

“A tutelary (also tutelar) is a deity or spirit who is a guardian, patron, or protector of a particular place, geographic feature, person, lineage, nation, culture, or occupation. The etymology of “tutelary” expresses the concept of safety and thus of guardianship. In late Greek and Roman religion, one type of tutelary deity, the genius, functions as the personal deity or daimon of an individual from birth to death. Another form of personal tutelary spirit is the familiar spirit of European folklore.” ref

“A tutelary (also tutelar) iKorean shamanismjangseung and sotdae were placed at the edge of villages to frighten off demons. They were also worshiped as deities. Seonangshin is the patron deity of the village in Korean tradition and was believed to embody the SeonangdangIn Philippine animism, Diwata or Lambana are deities or spirits that inhabit sacred places like mountains and mounds and serve as guardians. Such as: Maria Makiling is the deity who guards Mt. Makiling and Maria Cacao and Maria Sinukuan. In Shinto, the spirits, or kami, which give life to human bodies come from nature and return to it after death. Ancestors are therefore themselves tutelaries to be worshiped. And similarly, Native American beliefs such as Tonás, tutelary animal spirit among the Zapotec and Totems, familial or clan spirits among the Ojibwe, can be animals.” ref

“A tutelary (also tutelar) in Austronesian beliefs such as: Atua (gods and spirits of the Polynesian peoples such as the Māori or the Hawaiians), Hanitu (Bunun of Taiwan‘s term for spirit), Hyang (KawiSundaneseJavanese, and Balinese Supreme Being, in ancient Java and Bali mythology and this spiritual entity, can be either divine or ancestral), Kaitiaki (New Zealand Māori term used for the concept of guardianship, for the sky, the sea, and the land), Kawas (mythology) (divided into 6 groups: gods, ancestors, souls of the living, spirits of living things, spirits of lifeless objects, and ghosts), Tiki (Māori mythologyTiki is the first man created by either Tūmatauenga or Tāne and represents deified ancestors found in most Polynesian cultures). ” ref, ref, ref, ref, ref, ref, ref

Mesopotamian Tutelary Deities can be seen as ones related to City-States 

“Historical city-states included Sumerian cities such as Uruk and UrAncient Egyptian city-states, such as Thebes and Memphis; the Phoenician cities (such as Tyre and Sidon); the five Philistine city-states; the Berber city-states of the Garamantes; the city-states of ancient Greece (the poleis such as AthensSpartaThebes, and Corinth); the Roman Republic (which grew from a city-state into a vast empire); the Italian city-states from the Middle Ages to the early modern period, such as FlorenceSienaFerraraMilan (which as they grew in power began to dominate neighboring cities) and Genoa and Venice, which became powerful thalassocracies; the Mayan and other cultures of pre-Columbian Mesoamerica (including cities such as Chichen ItzaTikalCopán and Monte Albán); the central Asian cities along the Silk Road; the city-states of the Swahili coastRagusa; states of the medieval Russian lands such as Novgorod and Pskov; and many others.” ref

“The Uruk period (ca. 4000 to 3100 BCE; also known as Protoliterate period) of Mesopotamia, named after the Sumerian city of Uruk, this period saw the emergence of urban life in Mesopotamia and the Sumerian civilization. City-States like Uruk and others had a patron tutelary City Deity along with a Priest-King.” ref

Chinese folk religion, both past, and present, includes myriad tutelary deities. Exceptional individuals, highly cultivated sages, and prominent ancestors can be deified and honored after death. Lord Guan is the patron of military personnel and police, while Mazu is the patron of fishermen and sailors. Such as Tu Di Gong (Earth Deity) is the tutelary deity of a locality, and each individual locality has its own Earth Deity and Cheng Huang Gong (City God) is the guardian deity of an individual city, worshipped by local officials and locals since imperial times.” ref

“A tutelary (also tutelar) in Hinduism, personal tutelary deities are known as ishta-devata, while family tutelary deities are known as Kuladevata. Gramadevata are guardian deities of villages. Devas can also be seen as tutelary. Shiva is the patron of yogis and renunciants. City goddesses include: Mumbadevi (Mumbai), Sachchika (Osian); Kuladevis include: Ambika (Porwad), and Mahalakshmi. In NorthEast India Meitei mythology and religion (Sanamahism) of Manipur, there are various types of tutelary deities, among which Lam Lais are the most predominant ones. Tibetan Buddhism has Yidam as a tutelary deity. Dakini is the patron of those who seek knowledge.” ref

“A tutelary (also tutelar) The Greeks also thought deities guarded specific places: for instance, Athena was the patron goddess of the city of Athens. Socrates spoke of hearing the voice of his personal spirit or daimonion:

You have often heard me speak of an oracle or sign which comes to me … . This sign I have had ever since I was a child. The sign is a voice which comes to me and always forbids me to do something which I am going to do, but never commands me to do anything, and this is what stands in the way of my being a politician.” ref

“Tutelary deities who guard and preserve a place or a person are fundamental to ancient Roman religion. The tutelary deity of a man was his Genius, that of a woman her Juno. In the Imperial era, the Genius of the Emperor was a focus of Imperial cult. An emperor might also adopt a major deity as his personal patron or tutelary, as Augustus did Apollo. Precedents for claiming the personal protection of a deity were established in the Republican era, when for instance the Roman dictator Sulla advertised the goddess Victory as his tutelary by holding public games (ludi) in her honor.” ref

“Each town or city had one or more tutelary deities, whose protection was considered particularly vital in time of war and siege. Rome itself was protected by a goddess whose name was to be kept ritually secret on pain of death (for a supposed case, see Quintus Valerius Soranus). The Capitoline Triad of Juno, Jupiter, and Minerva were also tutelaries of Rome. The Italic towns had their own tutelary deities. Juno often had this function, as at the Latin town of Lanuvium and the Etruscan city of Veii, and was often housed in an especially grand temple on the arx (citadel) or other prominent or central location. The tutelary deity of Praeneste was Fortuna, whose oracle was renowned.” ref

“The Roman ritual of evocatio was premised on the belief that a town could be made vulnerable to military defeat if the power of its tutelary deity were diverted outside the city, perhaps by the offer of superior cult at Rome. The depiction of some goddesses such as the Magna Mater (Great Mother, or Cybele) as “tower-crowned” represents their capacity to preserve the city. A town in the provinces might adopt a deity from within the Roman religious sphere to serve as its guardian, or syncretize its own tutelary with such; for instance, a community within the civitas of the Remi in Gaul adopted Apollo as its tutelary, and at the capital of the Remi (present-day Rheims), the tutelary was Mars Camulus.” ref 

Household deity (a kind of or related to a Tutelary deity)

“A household deity is a deity or spirit that protects the home, looking after the entire household or certain key members. It has been a common belief in paganism as well as in folklore across many parts of the world. Household deities fit into two types; firstly, a specific deity – typically a goddess – often referred to as a hearth goddess or domestic goddess who is associated with the home and hearth, such as the ancient Greek Hestia.” ref

“The second type of household deities are those that are not one singular deity, but a type, or species of animistic deity, who usually have lesser powers than major deities. This type was common in the religions of antiquity, such as the Lares of ancient Roman religion, the Gashin of Korean shamanism, and Cofgodas of Anglo-Saxon paganism. These survived Christianisation as fairy-like creatures existing in folklore, such as the Anglo-Scottish Brownie and Slavic Domovoy.” ref

“Household deities were usually worshipped not in temples but in the home, where they would be represented by small idols (such as the teraphim of the Bible, often translated as “household gods” in Genesis 31:19 for example), amulets, paintings, or reliefs. They could also be found on domestic objects, such as cosmetic articles in the case of Tawaret. The more prosperous houses might have a small shrine to the household god(s); the lararium served this purpose in the case of the Romans. The gods would be treated as members of the family and invited to join in meals, or be given offerings of food and drink.” ref

“In many religions, both ancient and modern, a god would preside over the home. Certain species, or types, of household deities, existed. An example of this was the Roman Lares. Many European cultures retained house spirits into the modern period. Some examples of these include:

“Although the cosmic status of household deities was not as lofty as that of the Twelve Olympians or the Aesir, they were also jealous of their dignity and also had to be appeased with shrines and offerings, however humble. Because of their immediacy they had arguably more influence on the day-to-day affairs of men than the remote gods did. Vestiges of their worship persisted long after Christianity and other major religions extirpated nearly every trace of the major pagan pantheons. Elements of the practice can be seen even today, with Christian accretions, where statues to various saints (such as St. Francis) protect gardens and grottos. Even the gargoyles found on older churches, could be viewed as guardians partitioning a sacred space.” ref

“For centuries, Christianity fought a mop-up war against these lingering minor pagan deities, but they proved tenacious. For example, Martin Luther‘s Tischreden have numerous – quite serious – references to dealing with kobolds. Eventually, rationalism and the Industrial Revolution threatened to erase most of these minor deities, until the advent of romantic nationalism rehabilitated them and embellished them into objects of literary curiosity in the 19th century. Since the 20th century this literature has been mined for characters for role-playing games, video games, and other fantasy personae, not infrequently invested with invented traits and hierarchies somewhat different from their mythological and folkloric roots.” ref

“In contradistinction to both Herbert Spencer and Edward Burnett Tylor, who defended theories of animistic origins of ancestor worship, Émile Durkheim saw its origin in totemism. In reality, this distinction is somewhat academic, since totemism may be regarded as a particularized manifestation of animism, and something of a synthesis of the two positions was attempted by Sigmund Freud. In Freud’s Totem and Taboo, both totem and taboo are outward expressions or manifestations of the same psychological tendency, a concept which is complementary to, or which rather reconciles, the apparent conflict. Freud preferred to emphasize the psychoanalytic implications of the reification of metaphysical forces, but with particular emphasis on its familial nature. This emphasis underscores, rather than weakens, the ancestral component.” ref

William Edward Hearn, a noted classicist, and jurist, traced the origin of domestic deities from the earliest stages as an expression of animism, a belief system thought to have existed also in the neolithic, and the forerunner of Indo-European religion. In his analysis of the Indo-European household, in Chapter II “The House Spirit”, Section 1, he states:

The belief which guided the conduct of our forefathers was … the spirit rule of dead ancestors.” ref

“In Section 2 he proceeds to elaborate:

It is thus certain that the worship of deceased ancestors is a vera causa, and not a mere hypothesis. …

In the other European nations, the Slavs, the Teutons, and the Kelts, the House Spirit appears with no less distinctness. … [T]he existence of that worship does not admit of doubt. … The House Spirits had a multitude of other names which it is needless here to enumerate, but all of which are more or less expressive of their friendly relations with man. … In [England] … [h]e is the Brownie. … In Scotland this same Brownie is well known. He is usually described as attached to particular families, with whom he has been known to reside for centuries, threshing the corn, cleaning the house, and performing similar household tasks. His favorite gratification was milk and honey.” ref

Damien Marie AtHope’s Art

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“These ideas are my speculations from the evidence.”

I am still researching the “god‘s origins” all over the world. So you know, it is very complicated but I am smart and willing to look, DEEP, if necessary, which going very deep does seem to be needed here, when trying to actually understand the evolution of gods and goddesses. I am sure of a few things and less sure of others, but even in stuff I am not fully grasping I still am slowly figuring it out, to explain it to others. But as I research more I am understanding things a little better, though I am still working on understanding it all or something close and thus always figuring out more. 

Sky Father/Sky God?

“Egyptian: (Nut) Sky Mother and (Geb) Earth Father” (Egypt is different but similar)

Turkic/Mongolic: (Tengri/Tenger Etseg) Sky Father and (Eje/Gazar Eej) Earth Mother *Transeurasian*

Hawaiian: (Wākea) Sky Father and (Papahānaumoku) Earth Mother *Austronesian*

New Zealand/ Māori: (Ranginui) Sky Father and (Papatūānuku) Earth Mother *Austronesian*

Proto-Indo-European: (Dyus/Dyus phtr) Sky Father and (Dʰéǵʰōm/Plethwih) Earth Mother

Indo-Aryan: (Dyaus Pita) Sky Father and (Prithvi Mata) Earth Mother *Indo-European*

Italic: (Jupiter) Sky Father and (Juno) Sky Mother *Indo-European*

Etruscan: (Tinia) Sky Father and (Uni) Sky Mother *Tyrsenian/Italy Pre–Indo-European*

Hellenic/Greek: (Zeus) Sky Father and (Hera) Sky Mother who started as an “Earth Goddess” *Indo-European*

Nordic: (Dagr) Sky Father and (Nótt) Sky Mother *Indo-European*

Slavic: (Perun) Sky Father and (Mokosh) Earth Mother *Indo-European*

Illyrian: (Deipaturos) Sky Father and (Messapic Damatura’s “earth-mother” maybe) Earth Mother *Indo-European*

Albanian: (Zojz) Sky Father and (?) *Indo-European*

Baltic: (Perkūnas) Sky Father and (Saulė) Sky Mother *Indo-European*

Germanic: (Týr) Sky Father and (?) *Indo-European*

Colombian-Muisca: (Bochica) Sky Father and (Huythaca) Sky Mother *Chibchan*

Aztec: (Quetzalcoatl) Sky Father and (Xochiquetzal) Sky Mother *Uto-Aztecan*

Incan: (Viracocha) Sky Father and (Mama Runtucaya) Sky Mother *Quechuan*

China: (Tian/Shangdi) Sky Father and (Dì) Earth Mother *Sino-Tibetan*

Sumerian, Assyrian and Babylonian: (An/Anu) Sky Father and (Ki) Earth Mother

Finnish: (Ukko) Sky Father and (Akka) Earth Mother *Finno-Ugric*

Sami: (Horagalles) Sky Father and (Ravdna) Earth Mother *Finno-Ugric*

Puebloan-Zuni: (Ápoyan Ta’chu) Sky Father and (Áwitelin Tsíta) Earth Mother

Puebloan-Hopi: (Tawa) Sky Father and (Kokyangwuti/Spider Woman/Grandmother) Earth Mother *Uto-Aztecan*

Puebloan-Navajo: (Tsohanoai) Sky Father and (Estsanatlehi) Earth Mother *Na-Dene*

refrefrefrefrefrefrefrefrefrefrefrefrefrefrefrefrefrefrefrefrefrefrefrefrefrefref 

 

Sky Father/Sky Mother “High Gods” or similar gods/goddesses of the sky more loosely connected, seeming arcane mythology across the earth seen in Siberia, China, Europe, Native Americans/First Nations People and Mesopotamia, etc.

Damien Marie AtHope’s Art

ref, ref

Hinduism around 3,700 to 3,500 years old. ref

 Judaism around 3,450 or 3,250 years old. (The first writing in the bible was “Paleo-Hebrew” dated to around 3,000 years ago Khirbet Qeiyafa is the site of an ancient fortress city overlooking the Elah Valley. And many believe the religious Jewish texts were completed around 2,500) ref, ref

Judaism is around 3,450 or 3,250 years old. (“Paleo-Hebrew” 3,000 years ago and Torah 2,500 years ago)

“Judaism is an Abrahamic, its roots as an organized religion in the Middle East during the Bronze Age. Some scholars argue that modern Judaism evolved from Yahwism, the religion of ancient Israel and Judah, by the late 6th century BCE, and is thus considered to be one of the oldest monotheistic religions.” ref

“Yahwism is the name given by modern scholars to the religion of ancient Israel, essentially polytheistic, with a plethora of gods and goddesses. Heading the pantheon was Yahweh, the national god of the Israelite kingdoms of Israel and Judah, with his consort, the goddess Asherah; below them were second-tier gods and goddesses such as Baal, Shamash, Yarikh, Mot, and Astarte, all of whom had their own priests and prophets and numbered royalty among their devotees, and a third and fourth tier of minor divine beings, including the mal’ak, the messengers of the higher gods, who in later times became the angels of Judaism, Christianity and Islam. Yahweh, however, was not the ‘original’ god of Israel “Isra-El”; it is El, the head of the Canaanite pantheon, whose name forms the basis of the name “Israel”, and none of the Old Testament patriarchs, the tribes of Israel, the Judges, or the earliest monarchs, have a Yahwistic theophoric name (i.e., one incorporating the name of Yahweh).” ref

“El is a Northwest Semitic word meaning “god” or “deity“, or referring (as a proper name) to any one of multiple major ancient Near Eastern deities. A rarer form, ‘ila, represents the predicate form in Old Akkadian and in Amorite. The word is derived from the Proto-Semitic *ʔil-, meaning “god”. Specific deities known as ‘El or ‘Il include the supreme god of the ancient Canaanite religion and the supreme god of East Semitic speakers in Mesopotamia’s Early Dynastic Period. ʼĒl is listed at the head of many pantheons. In some Canaanite and Ugaritic sources, ʼĒl played a role as father of the gods, of creation, or both. For example, in the Ugaritic texts, ʾil mlk is understood to mean “ʼĒl the King” but ʾil hd as “the god Hadad“. The Semitic root ʾlh (Arabic ʾilāh, Aramaic ʾAlāh, ʾElāh, Hebrew ʾelōah) may be ʾl with a parasitic h, and ʾl may be an abbreviated form of ʾlh. In Ugaritic the plural form meaning “gods” is ʾilhm, equivalent to Hebrew ʾelōhîm “powers”. In the Hebrew texts this word is interpreted as being semantically singular for “god” by biblical commentators. However the documentary hypothesis for the Old Testament (corresponds to the Jewish Torah) developed originally in the 1870s, identifies these that different authors – the Jahwist, Elohist, Deuteronomist, and the Priestly source – were responsible for editing stories from a polytheistic religion into those of a monotheistic religion. Inconsistencies that arise between monotheism and polytheism in the texts are reflective of this hypothesis.” ref

 

Jainism around 2,599 – 2,527 years old. ref

Confucianism around 2,600 – 2,551 years old. ref

Buddhism around 2,563/2,480 – 2,483/2,400 years old. ref

Christianity around 2,o00 years old. ref

Shinto around 1,305 years old. ref

Islam around 1407–1385 years old. ref

Sikhism around 548–478 years old. ref

Bahá’í around 200–125 years old. ref

Knowledge to Ponder: 

Stars/Astrology:

  • Possibly, around 30,000 years ago (in simpler form) to 6,000 years ago, Stars/Astrology are connected to Ancestors, Spirit Animals, and Deities.
  • The star also seems to be a possible proto-star for Star of Ishtar, Star of Inanna, or Star of Venus.
  • Around 7,000 to 6,000 years ago, Star Constellations/Astrology have connections to the “Kurgan phenomenon” of below-ground “mound” stone/wood burial structures and “Dolmen phenomenon” of above-ground stone burial structures.
  • Around 6,500–5,800 years ago, The Northern Levant migrations into Jordon and Israel in the Southern Levant brought new cultural and religious transfer from Turkey and Iran.
  • “The Ghassulian Star,” a mysterious 6,000-year-old mural from Jordan may have connections to the European paganstic kurgan/dolmens phenomenon.

“Astrology is a range of divinatory practices, recognized as pseudoscientific since the 18th century, that claim to discern information about human affairs and terrestrial events by studying the apparent positions of celestial objects. Different cultures have employed forms of astrology since at least the 2nd millennium BCE, these practices having originated in calendrical systems used to predict seasonal shifts and to interpret celestial cycles as signs of divine communications. Most, if not all, cultures have attached importance to what they observed in the sky, and some—such as the HindusChinese, and the Maya—developed elaborate systems for predicting terrestrial events from celestial observations. Western astrology, one of the oldest astrological systems still in use, can trace its roots to 19th–17th century BCE Mesopotamia, from where it spread to Ancient GreeceRome, the Islamicate world and eventually Central and Western Europe. Contemporary Western astrology is often associated with systems of horoscopes that purport to explain aspects of a person’s personality and predict significant events in their lives based on the positions of celestial objects; the majority of professional astrologers rely on such systems.” ref 

Around 5,500 years ago, Science evolves, The first evidence of science was 5,500 years ago and was demonstrated by a body of empirical, theoretical, and practical knowledge about the natural world. ref

Around 5,000 years ago, Origin of Logics is a Naturalistic Observation (principles of valid reasoning, inference, & demonstration) ref

Around 4,150 to 4,000 years ago: The earliest surviving versions of the Sumerian Epic of Gilgamesh, which was originally titled “He who Saw the Deep” (Sha naqba īmuru) or “Surpassing All Other Kings” (Shūtur eli sharrī) were written. ref

Hinduism:

  • 3,700 years ago or so, the oldest of the Hindu Vedas (scriptures), the Rig Veda was composed.
  • 3,500 years ago or so, the Vedic Age began in India after the collapse of the Indus Valley Civilization.

Judaism:

  • around 3,000 years ago, the first writing in the bible was “Paleo-Hebrew”
  • around 2,500 years ago, many believe the religious Jewish texts were completed

Myths: The bible inspired religion is not just one religion or one myth but a grouping of several religions and myths

  • Around 3,450 or 3,250 years ago, according to legend, is the traditionally accepted period in which the Israelite lawgiver, Moses, provided the Ten Commandments.
  • Around 2,500 to 2,400 years ago, a collection of ancient religious writings by the Israelites based primarily upon the Hebrew Bible, Tanakh, or Old Testament is the first part of Christianity’s bible.
  • Around 2,400 years ago, the most accepted hypothesis is that the canon was formed in stages, first the Pentateuch (Torah).
  • Around 2,140 to 2,116 years ago, the Prophets was written during the Hasmonean dynasty, and finally the remaining books.
  • Christians traditionally divide the Old Testament into four sections:
  • The first five books or Pentateuch (Torah).
  • The proposed history books telling the history of the Israelites from their conquest of Canaan to their defeat and exile in Babylon.
  • The poetic and proposed “Wisdom books” dealing, in various forms, with questions of good and evil in the world.
  • The books of the biblical prophets, warning of the consequences of turning away from God:
  • Henotheism:
  • Exodus 20:23 “You shall not make other gods besides Me (not saying there are no other gods just not to worship them); gods of silver or gods of gold, you shall not make for yourselves.”
  • Polytheism:
  • Judges 10:6 “Then the sons of Israel again did evil in the sight of the LORD, served the Baals and the Ashtaroth, the gods of Aram, the gods of Sidon, the gods of Moab, the gods of the sons of Ammon, and the gods of the Philistines; thus they forsook the LORD and did not serve Him.”
  • 1 Corinthians 8:5 “For even if there are so-called gods whether in heaven or on earth, as indeed there are many gods and many lords.”
  • Monotheism:
  • Isaiah 43:10 “You are my witnesses,” declares the LORD, “and my servant whom I have chosen, so that you may know and believe me and understand that I am he. Before me no god was formed, nor will there be one after me.

Around 2,570 to 2,270 Years Ago, there is a confirmation of atheistic doubting as well as atheistic thinking, mainly by Greek philosophers. However, doubting gods is likely as old as the invention of gods and should destroy the thinking that belief in god(s) is the “default belief”. The Greek word is apistos (a “not” and pistos “faithful,”), thus not faithful or faithless because one is unpersuaded and unconvinced by a god(s) claim. Short Definition: unbelieving, unbeliever, or unbelief.

Damien Marie AtHope’s Art

Expressions of Atheistic Thinking:

  • Around 2,600 years ago, Ajita Kesakambali, ancient Indian philosopher, who is the first known proponent of Indian materialism. ref
  • Around 2,535 to 2,475 years ago, Heraclitus, Greek pre-Socratic philosopher, a native of the Greek city Ephesus, Ionia, on the coast of Anatolia, also known as Asia Minor or modern Turkey. ref
  • Around 2,500 to 2,400 years ago, according to The Story of Civilization book series certain African pygmy tribes have no identifiable gods, spirits, or religious beliefs or rituals, and even what burials accrue are without ceremony. ref
  • Around 2,490 to 2,430 years ago, Empedocles, Greek pre-Socratic philosopher and a citizen of Agrigentum, a Greek city in Sicily. ref
  • Around 2,460 to 2,370 years ago, Democritus, Greek pre-Socratic philosopher considered to be the “father of modern science” possibly had some disbelief amounting to atheism. ref
  • Around 2,399 years ago or so, Socrates, a famous Greek philosopher was tried for sinfulness by teaching doubt of state gods. ref
  • Around 2,341 to 2,270 years ago, Epicurus, a Greek philosopher known for composing atheistic critics and famously stated, “Is God willing to prevent evil, but not able? Then he is not omnipotent. Is he able, but not willing? Then he is malevolent. Is he both able and willing? Then whence cometh evil? Is he neither able nor willing? Then why call him god?” ref

This last expression by Epicurus, seems to be an expression of Axiological Atheism. To understand and utilize value or actually possess “Value Conscious/Consciousness” to both give a strong moral “axiological” argument (the problem of evil) as well as use it to fortify humanism and positive ethical persuasion of human helping and care responsibilities. Because value-blindness gives rise to sociopathic/psychopathic evil.

“Theists, there has to be a god, as something can not come from nothing.”

Well, thus something (unknown) happened and then there was something. This does not tell us what the something that may have been involved with something coming from nothing. A supposed first cause, thus something (unknown) happened and then there was something is not an open invitation to claim it as known, neither is it justified to call or label such an unknown as anything, especially an unsubstantiated magical thinking belief born of mythology and religious storytelling.

How do they even know if there was nothing as a start outside our universe, could there not be other universes outside our own?
 
For all, we know there may have always been something past the supposed Big Bang we can’t see beyond, like our universe as one part of a mega system.

Damien Marie AtHope’s Art

While hallucinogens are associated with shamanism, it is alcohol that is associated with paganism.

The Atheist-Humanist-Leftist Revolutionaries Shows in the prehistory series:

Show one: Prehistory: related to “Anarchism and Socialism” the division of labor, power, rights, and recourses.

Show two: Pre-animism 300,000 years old and animism 100,000 years old: related to “Anarchism and Socialism”

Show tree: Totemism 50,000 years old: related to “Anarchism and Socialism”

Show four: Shamanism 30,000 years old: related to “Anarchism and Socialism”

Show five: Paganism 12,000 years old: related to “Anarchism and Socialism”

Show six: Emergence of hierarchy, sexism, slavery, and the new male god dominance: Paganism 7,000-5,000 years old: related to “Anarchism and Socialism” (Capitalism) (World War 0) Elite and their slaves!

Show seven: Paganism 5,000 years old: progressed organized religion and the state: related to “Anarchism and Socialism” (Kings and the Rise of the State)

Show eight: Paganism 4,000 years old: Moralistic gods after the rise of Statism and often support Statism/Kings: related to “Anarchism and Socialism” (First Moralistic gods, then the Origin time of Monotheism)

Prehistory: related to “Anarchism and Socialism” the division of labor, power, rights, and recourses: VIDEO

Pre-animism 300,000 years old and animism 100,000 years old: related to “Anarchism and Socialism”: VIDEO

Totemism 50,000 years old: related to “Anarchism and Socialism”: VIDEO

Shamanism 30,000 years old: related to “Anarchism and Socialism”: VIDEO

Paganism 12,000 years old: related to “Anarchism and Socialism” (Pre-Capitalism): VIDEO

Paganism 7,000-5,000 years old: related to “Anarchism and Socialism” (Capitalism) (World War 0) Elite and their slaves: VIEDO

Paganism 5,000 years old: progressed organized religion and the state: related to “Anarchism and Socialism” (Kings and the Rise of the State): VIEDO

Paganism 4,000 years old: related to “Anarchism and Socialism” (First Moralistic gods, then the Origin time of Monotheism): VIEDO

I do not hate simply because I challenge and expose myths or lies any more than others being thought of as loving simply because of the protection and hiding from challenge their favored myths or lies.

The truth is best championed in the sunlight of challenge.

An archaeologist once said to me “Damien religion and culture are very different”

My response, So are you saying that was always that way, such as would you say Native Americans’ cultures are separate from their religions? And do you think it always was the way you believe?

I had said that religion was a cultural product. That is still how I see it and there are other archaeologists that think close to me as well. Gods too are the myths of cultures that did not understand science or the world around them, seeing magic/supernatural everywhere.

I personally think there is a goddess and not enough evidence to support a male god at Çatalhöyük but if there was both a male and female god and goddess then I know the kind of gods they were like Proto-Indo-European mythology.

This series idea was addressed in, Anarchist Teaching as Free Public Education or Free Education in the Public: VIDEO

Our 12 video series: Organized Oppression: Mesopotamian State Force and the Politics of power (9,000-4,000 years ago), is adapted from: The Complete and Concise History of the Sumerians and Early Bronze Age Mesopotamia (7000-2000 BC): https://www.youtube.com/watch?v=szFjxmY7jQA by “History with Cy

Show #1: Mesopotamian State Force and the Politics of Power (Samarra, Halaf, Ubaid)

Show #2: Mesopotamian State Force and the Politics of Power (Eridu: First City of Power)

Show #3: Mesopotamian State Force and the Politics of Power (Uruk and the First Cities)

Show #4: Mesopotamian State Force and the Politics of Power (First Kings)

Show #5: Mesopotamian State Force and the Politics of Power (Early Dynastic Period)

Show #6: Mesopotamian State Force and the Politics of Power (King Lugalzagesi and the First Empire)

Show #7: Mesopotamian State Force and the Politics of Power (Sargon and Akkadian Rule)

Show #8: Mesopotamian State Force and the Politics of Power (Naram-Sin, Post-Akkadian Rule, and the Gutians)

Show #9: Mesopotamian State Force and the Politics of Power (Gudea of Lagash and Utu-hegal)

Show #10: Mesopotamian State Force and the Politics of Power (Third Dynasty of Ur / Neo-Sumerian Empire)

Show #11: Mesopotamian State Force and the Politics of Power (Amorites, Elamites, and the End of an Era)

Show #12: Mesopotamian State Force and the Politics of Power (Aftermath and Legacy of Sumer)

Damien Marie AtHope’s Art

The “Atheist-Humanist-Leftist Revolutionaries”

Cory Johnston ☭ Ⓐ Atheist Leftist @Skepticallefty & I (Damien Marie AtHope) @AthopeMarie (my YouTube & related blog) are working jointly in atheist, antitheist, antireligionist, antifascist, anarchist, socialist, and humanist endeavors in our videos together, generally, every other Saturday.

Why Does Power Bring Responsibility?

Think, how often is it the powerless that start wars, oppress others, or commit genocide? So, I guess the question is to us all, to ask, how can power not carry responsibility in a humanity concept? I know I see the deep ethical responsibility that if there is power their must be a humanistic responsibility of ethical and empathic stewardship of that power. Will I be brave enough to be kind? Will I possess enough courage to be compassionate? Will my valor reach its height of empathy? I as everyone, earns our justified respect by our actions, that are good, ethical, just, protecting, and kind. Do I have enough self-respect to put my love for humanity’s flushing, over being brought down by some of its bad actors? May we all be the ones doing good actions in the world, to help human flourishing.

I create the world I want to live in, striving for flourishing. Which is not a place but a positive potential involvement and promotion; a life of humanist goal precision. To master oneself, also means mastering positive prosocial behaviors needed for human flourishing. I may have lost a god myth as an atheist, but I am happy to tell you, my friend, it is exactly because of that, leaving the mental terrorizer, god belief, that I truly regained my connected ethical as well as kind humanity.

Cory and I will talk about prehistory and theism, addressing the relevance to atheism, anarchism, and socialism.

At the same time as the rise of the male god, 7,000 years ago, there was also the very time there was the rise of violence, war, and clans to kingdoms, then empires, then states. It is all connected back to 7,000 years ago, and it moved across the world.

Cory Johnston: https://damienmarieathope.com/2021/04/cory-johnston-mind-of-a-skeptical-leftist/?v=32aec8db952d  

The Mind of a Skeptical Leftist (YouTube)

Cory Johnston: Mind of a Skeptical Leftist @Skepticallefty

The Mind of a Skeptical Leftist By Cory Johnston: “Promoting critical thinking, social justice, and left-wing politics by covering current events and talking to a variety of people. Cory Johnston has been thoughtfully talking to people and attempting to promote critical thinking, social justice, and left-wing politics.” http://anchor.fm/skepticalleft

Cory needs our support. We rise by helping each other.

Cory Johnston ☭ Ⓐ @Skepticallefty Evidence-based atheist leftist (he/him) Producer, host, and co-host of 4 podcasts @skeptarchy @skpoliticspod and @AthopeMarie

Damien Marie AtHope (“At Hope”) Axiological Atheist, Anti-theist, Anti-religionist, Secular Humanist. Rationalist, Writer, Artist, Poet, Philosopher, Advocate, Activist, Psychology, and Armchair Archaeology/Anthropology/Historian.

Damien is interested in: Freedom, Liberty, Justice, Equality, Ethics, Humanism, Science, Atheism, Antiteism, Antireligionism, Ignosticism, Left-Libertarianism, Anarchism, Socialism, Mutualism, Axiology, Metaphysics, LGBTQI, Philosophy, Advocacy, Activism, Mental Health, Psychology, Archaeology, Social Work, Sexual Rights, Marriage Rights, Woman’s Rights, Gender Rights, Child Rights, Secular Rights, Race Equality, Ageism/Disability Equality, Etc. And a far-leftist, “Anarcho-Humanist.”

I am not a good fit in the atheist movement that is mostly pro-capitalist, I am anti-capitalist. Mostly pro-skeptic, I am a rationalist not valuing skepticism. Mostly pro-agnostic, I am anti-agnostic. Mostly limited to anti-Abrahamic religions, I am an anti-religionist.

My updated thoughts on the Evolution of Gods?
 
Animal protector tutelary deities at least 13,000/12,000 years ago, from old totems/spirit animal beliefs (tutelary animal spirits as protectors are at least 30,000 years old, as seen with dogs or dog-like animals) come first to me. Next, human sky/star/constellation deities focused representation on life-size or large nude male statues 11,000/10,000 years ago (Sky Father?), as well as small female figurines and female animal statues (Sky Mother?). Then, males (Hunter/Hurder) seem to lose some importance (Agriculture reliance may explain why), and the rise of Earth Mother (Gatherer becomes more important/powerful) female goddesses develop and are in control around 8,000 years ago. Women as the main power did not last long. Then male gods came roaring back about 7,000 to 5,000 years ago with clan wars. The “male god” seems to have forcefully become prominent/dominant around 7,000 years ago (Supreme Gods?). The “King of the Gods” idea likely is from the time of priest-kings 6,000 years ago. Whereas the now favored monotheism “male god” is more like after 4,000 years ago or so. Moralistic gods seem to relate to around 5,000/4,000 years ago, and monotheistic gods are last at around 4,000/3,000 years ago. Many monotheism-themed religions started in henotheism, emerging out of polytheism/paganism.
 
Gods?
“Animism” is needed to begin supernatural thinking.
“Totemism” is needed for supernatural thinking connecting human actions & related to clan/tribe.
“Shamanism” is needed for supernatural thinking to be controllable/changeable by special persons.
Together = Gods/paganism
 
Gods, like religions in general, are cultural products. To me, high gods, like “Sky Father” (Sun or Blue Sky usually, or Storm deities on the deity’s “dark side” like Yin and Yang) or “Sky Mother” (Moon or Stars) myths beliefs are at 39% when tested, in hunter-gatherers the world over.
The Evolution of Deities was not a one-and-done?
 
To me, the God of Sky, relating to stars 12,000 to 11,000 years ago, is older than the sun god of the sky 10,000 to maybe 11,000 years ago, but 10,000 seems more evident. Likewise, to me, the Mother Goddess of the sky was first 10,000 to maybe 11,000 years ago. All in the Middle East. Then, around 9,000 to 8,000, seemingly more evident 8,000 years ago, is the Earth Goddesses, also from the Middle East, likely once the Dawn goddesses or another goddess of the sky, possibly the night. Who dies in the childbirth of the Twins and by going to the underworld, is associated with the earth? Or is believed to live in the Earth at night, making her an Earth Goddess. These ideas were spread in several different ways, which impacted the entire world both directly and indirectly. It involved several different languages and DNA moving in different directions at various times. It is complicated and moving in different ways, even back and forth with different ideas moving both back and forth, especially in and out of the Middle East and Siberia.

Around 10,000 years ago, ideas went into Africa. Around 10,000 to 9,000 years ago, these ideas from the Middle East were in Siberia then moved to China and to the Americas by around 9,000 years ago. Religious ideas also left the Middle East from 9,000 to 8,000 years ago to Europe. Around 8,000 years ago, new ideas got to Ukraine but didn’t spread far. From 8,000 to 7,000 years ago, ideas again entered Africa with evolved beliefs from the Middle East. By 7,000 years ago, evolved deities from the Middle East moved again to Europe and Ukraine. And 7,000 years ago, the Siberian sun god of the sky, with a warrior culture, armed forts, and pre-kurgans, moved from Siberia to Ukraine and then returned to the Middle East around 6,000 years ago, influencing the Sumerian religious ideas. 6,000 to 5,000 years ago, these new Siberian influenced ideas from the Middle East were also in Africa. Then new evolved ideas moved back out of from Ukraine to the East by 5,500 to 5,000 years ago to Siberia, then China, and the Americas. Ideas from Ukraine went into Europe as well. Then, 5,000 to 4,000 years ago, the new ideas, now somewhat evolved again, from Siberia headed back to Europe, and so did ideas from the Middle East. ETC. This is just a rough outline to grasp some of the details, as I feel I understand them. There is a bit more, but this gives a good idea of how complicated it was.

Damien Marie AtHope’s Art

Damien Marie AtHope (Said as “At” “Hope”)/(Autodidact Polymath but not good at math):

Axiological Atheist, Anti-theist, Anti-religionist, Secular Humanist, Rationalist, Writer, Artist, Jeweler, Poet, “autodidact” Philosopher, schooled in Psychology, and “autodidact” Armchair Archaeology/Anthropology/Pre-Historian (Knowledgeable in the range of: 1 million to 5,000/4,000 years ago). I am an anarchist socialist politically. Reasons for or Types of Atheism

My Website, My Blog, & Short-writing or QuotesMy YouTube, Twitter: @AthopeMarie, and My Email: damien.marie.athope@gmail.com

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