Japanese Kofun “ancient grave” Megalithic Mound Tombs or Tumuli (mounds of earth/stones over graves) like Barrows, and Burial mounds/Kurgans

Damien Marie AtHope’s Art

ref, ref, ref,  ref, ref, ref

• Shell Mounds, Dolmens, Kurgans, Earth Mounds, Ziggurats, Mastabas, Pyramids: their origins, evolutions, and migrations
• Sumerians and Ancient Egyptians: mountains, mounds, and temples: Ziggurats or Pyramids, with related Deities, as well as Mythology
• Creation myths: From chaos, Ex nihilo, Earth-diver, Emergence, World egg, and World parent
• My thoughts on the Origin and Evolution of Ziggurats and Pyramids, Mountain/Hill/Axis Mundi Mythology and the Mound of Creation
• My thoughts on the Origin of the Mound Builders of the Americas: mainly C-Y-DNA in the Mounds of North America and mainly Q-Y-DNA in the Mounds of South America, and their seeming connections to mounds all over the world
• Cosmic egg/World Egg and the Mound of Creation/Mountain of God mythology, seen around the world, are loosely related?
• My thoughts on Mound origins, in seeming Shell Mounds, and likely religious beliefs in Primordial Waters, Earth Diver Myths, and Mound of Creation, centering on Siberia: Golden Mountains of Altai and Lake Baikal areas
• Prehistoric Pacific Northwest: Shell Mounds, Culture, Religion, Migrations, Languages, Clans, Power/Elites, Inequality, and Slavery
• Choctaw tribe’s Creation mythology and their Mound of Creation, Southeastern Ceremonial Complex, Muskogean languages, and the Eagle dance
• Indigenous Pre-Columbian Brazilian Shell Mounds and Amazonian Earthworks, Q-DNA migrations and the Spread of Culture and Religious thinking
• Indigenous Religion and Monuments of the Land: Ancient Earthworks/Rockworks; Rings and Mounds in Canada
• Investigating and Visiting Several Prehistoric Indian Mounds in Florida; Culture, Religion, and Power
• Ritual Mound Migrations: Kurgans, Dolmens, and later Pyramids likely all trace back to Siberia, helping show how Yeniseian languages, may have influenced Proto-Indo-European languages

Kofun

“Kofun (古墳, from Sino-Japanese “ancient grave”) are megalithic tombs or tumuli in Northeast Asia. Kofun were mainly constructed in the Japanese archipelago between the middle of the 3rd century to the early 7th century CE. The term is the origin of the name of the Kofun period, which indicates the middle 3rd century to early–middle 6th century. Many kofun have distinctive keyhole-shaped mounds (zempō-kōen fun (前方後円墳)).” ref

“The kofun tumuli have assumed various shapes throughout history. The most common type of kofun is known as a zenpō-kōen-fun (前方後円墳), which is shaped like a keyhole, having one square end and one circular end, when viewed from above. There are also circular-type (empun [ja] (円墳)), “two conjoined rectangles” typed (zenpō-kōhō-fun [ja] (前方後方墳)), and square-type (hōfun [ja] (方墳)) kofun. Orientation of kofun is not specified. For example, in the Saki kofun group, all of the circular parts are facing north, but there is no such formation in the Yanagimoto kofun group. Haniwa, terracotta figures, were arrayed above and in the surroundings to delimit and protect the sacred areas.” ref

“Kofun range from several metres to over 400 m long. The largest, which has been attributed to Emperor Nintoku, is Daisen Kofun in Sakai City, Osaka Prefecture. The funeral chamber was located beneath the round part and comprised a group of megaliths. In 1972, the unlooted Takamatsuzuka Tomb was found in Asuka, and some details of the discovery were revealed. Inside the tightly assembled rocks, white lime plasters were pasted, and colored pictures depict the ‘Asuka Beauties’ of the court as well as constellations. A stone coffin was placed in the chamber, and accessories, swords, and bronze mirrors were laid both inside and outside the coffin. The wall paintings have been designated national treasures and the grave goods as important cultural property, while the tumulus is a special historic site.” ref

“Kofun burial mounds and their remains have been found all over Japan, including remote islands such as Nishinoshima. A total of 161,560 kofun tomb sites have been found as of 2001. Hyōgo Prefecture has the most of all prefectures (16,577 sites), and Chiba Prefecture has the second most (13,112 sites).” ref

“A research group’s results on the orientation of ancient Japanese tombs—the so-called Kofun, show that these tombs are oriented towards the arc of the rising sun, the Goddess Amaterasu, whom the Japanese emperors linked to the mythical origin of their dynasty. The Japanese islands are dotted with hundreds of ancient burial mounds, the largest of which are in the typical shape of a keyhole and are called Kofun. Built between the third and the seventh centuries CE, the most imposing are attributed to the semi-legendary first emperors, while the smaller ones probably belong to court officers and to members of the royal family. Among these, the so-called Daisen Kofun is one of the largest monuments ever built on Earth: it measures 486 meters in length and about 36 in height. It is traditionally attributed to Emperor Nintoku, the sixteenth emperor of Japan.” ref

“There are no written sources on these tombs, and excavations are rare and limited to the smaller ones, since the largest are considered the tombs of the first semi-legendary emperors and, as such, are strictly protected by law. Protection also extends to the outside: many monuments are fenced, and it is not allowed to enter the perimeter. For these reasons, it is impossible to obtain accurate measurements of size, height, and orientation. Furthermore, their number discourages any on field investigation. It is, therefore natural, to study them using high-resolution satellite images, which furnish simple but very powerful tools for remote sensing investigations.” ref

“The aim of deepening the knowledge of the relationships between these fascinating monuments with the landscape and, in particular, with the sky. The team measured the orientation of more than 100 Kofuns and came to interesting conclusions. The results—just published in the scientific journal “Remote Sensing” —indicate a strong connection of the Kofun entrance corridors with the arc in the sky where the Sun and the Moon are visible every day of the year, and show the orientation of the hugest keyhole-shaped Kofuns to the arc of the Sun rising/shining.” ref

“In particular, the Daisen Kofun is oriented towards the Sun rising at the winter solstice. Orientation of the imperial tombs towards the Sun does not happen by chance: rather, it is in full agreement with the Japanese imperial tradition. Indeed, the mythical origin of the dynasty of the Japanese Emperors considers them as direct descendants of the Sun Goddess Amaterasu.” ref

“During the Jomon Period (10,500 BCE – 300 BCE) nomadic groups across Japan began to farm crops, namely rice, and construct settlements. Agricultural surplus resulted in socio-political hierarchy. By the end of the 5th century, much of Japan — then called Wa (倭) — came under the rule of the Yamato Kingdom. Massive symbols of wealth and power, the burial mounds were likely inspired by the nearby cultures of China and Korea, built to legitimize the Yamato Kingdom both domestically and overseas, as they occupy rare and valuable plains on the mountainous island.” ref

“As the ancient empire’s main port, gateway to the world, Sakai was likely to have been the political and cultural center of Wa. The imposing Daisen Kofun would have been visible from Osaka Bay, a distance of one kilometer (.6 miles). Wa had not yet developed written language, so what little is known about this era is derived from surviving Chinese and Korean records, as well as limited excavations. The surviving burial mounds lend the mysterious era their name, the Kofun Period (200 – 600 CE).” ref

“Combining stone, mountain, and water, kofun design was likely influenced by the indigenous religion of Shinto (神道), in which all natural elements and phenomena are considered divine kami (神) [deities]. According to the 7th century Kojiki (古事記) [Records of Ancient Matters], Japan’s Yamato Clan are direct descendents of the most important kami, Amaterasu (天照), sun goddess and ruler of the heavens, vital to the island’s creation myth.” ref

“The Japanese imperial line claims to be the oldest continuous hereditary monarchy in the world, lead today by reigning Emperor Naruhito (今上天皇 徳仁). A team of researchers at the Politecnico di Milano (Polytechnic University of Milan), recently found that the kofun are oriented around patterns of the sun and moon, with their bases aligned for maximum exposure to light.” ref

“While many historians suggest the unique keyhole shape simply evolved from earlier kofun designs, the Italian team posits that the form is intended to resemble a sun and mountain, with most coffins entombed in the circular head. The burial mounds entomb coffins of varying complexity, accompanied by collections of armor, weapons, and jewelry. A chest-shaped coffin and various artifacts were discovered at Daisen Kofun amidst an 1872 storm and landslide. While the items were quickly returned, sketches were made by researchers, and replicas are on display at the Sakai City Museum.” ref

Yayoi period

“Most of the tombs of chiefs in the Yayoi period were square-shaped mounds surrounded by ditches. The most notable example in the late Yayoi period is Tatetsuki Mound Tomb in Kurashiki, Okayama. The mound is about 45 metres wide and 5 metres high and has a shaft chamber. Broken pieces of Tokushu-kidai, cylindrical earthenware, were excavated around the mound. Another prevalent type of Yayoi period tomb is the Yosumi tosshutsugata funkyūbo, a square mound with protruding corners. These tombs were built in the San’in region, a coastal area off the Sea of Japan. Unearthed articles indicate the existence of alliances between native tribes in the region.” ref

Early Kofun period

“One of the first keyhole-shaped kofun was built in the Makimuku area, the southeastern part of the Nara Basin. Hashihaka Kofun, which was built in the middle of the 3rd century CE, is 280 meters long and 30 meters high. Its scale is obviously different from previous Yayoi tombs. During the next three decades, about 10 kofun were built in the area, which are now called as the Makimuku Kofun Group. A wooden coffin was placed on the bottom of a shaft, and the surrounding walls were built up by flat stones. Finally, megalithic stones formed the roof. Bronze mirrors, iron swords, magatama, clay vessels, and other artifacts were found in good condition in undisturbed tombs. Some scholars assume the buried person of Hashihaka kofun was the shadowy ancient Queen Himiko of Yamataikoku, mentioned in the Chinese historical texts. According to the books, Japan was called Wa, which was the confederation of numerous small tribes or countries. The construction of gigantic kofun is the result of the relatively centralized governmental structure in the Nara Basin, possibly the origin of the Yamato polity and the Imperial lineage of Japan.” ref

Mid-Kofun period

“During the 5th century CE, the construction of keyhole kofun began in Yamato Province; continued in Kawachi, where gigantic kofun, such as Daisen Kofun of the Emperor Nintoku, were built; and then throughout the country. The proliferation of keyhole kofun is generally assumed to be evidence of the Yamato court’s expansion in this age. However, some argue that it simply shows the spread of culture based on progress in distribution, and has little to do with a political breakthrough. A few tombs from the mid-Baekje era were excavated around the Yeongsan River basin in South Korea. The design of these tombs are notably different. The tombs that were discovered on the Korean peninsula were built between the 5th and 6th centuries CE. There remain questions about who were buried in these tombs such as nobility, aristocracy, warriors or mercenaries.” ref

Late Kofun period

“Keyhole-shaped kofun disappeared in the late 6th century CE, probably due to the drastic reformation in the Yamato court, where Nihon Shoki records the introduction of Buddhism during this era.” ref

Ok, you seem confused, so let’s talk about Buddhism.

ref

Japan’s population Origins and Religious Beliefs from around 35,000 to 500 years ago

Japanese Paleolithic

“The Japanese Paleolithic period (旧石器時代, kyūsekki jidai) is the period of human inhabitation in Japan predating the development of pottery, generally before 10,000 BCE. The starting dates commonly given to this period are from around 40,000 BCE; although any date of human presence before 35,000 BCE is controversial, with artifacts supporting a pre-35,000 BCE human presence on the archipelago being of questionable authenticity. The period extended to the beginning of the Mesolithic Jōmon period, or around 14,000 BCE. The earliest human bones were discovered in the city of Hamamatsu in Shizuoka Prefecture, which were determined by radiocarbon dating to date to around 18,000–14,000 years ago.” ref

Jōmon period

“In Japanese history, the Jōmon period (縄文時代, Jōmon jidai) is the time between c. 14,000 and 300 BCE, during which Japan was inhabited by a diverse hunter-gatherer and early agriculturalist population united through a common Jōmon culture, which reached a considerable degree of sedentism and cultural complexity. The name “cord-marked” was first applied by the American zoologist and orientalist Edward S. Morse, who discovered sherds of pottery in 1877 and subsequently translated it into Japanese as Jōmon. The pottery style characteristic of the first phases of Jōmon culture was decorated by impressing cords into the surface of wet clay and is generally accepted to be among the oldest in the world.” ref

“The Jōmon period was rich in tools and jewelry made from bone, stone, shell, and antler; pottery figurines and vessels; and lacquerware. It is often compared to pre-Columbian cultures of the North American Pacific Northwest and especially to the Valdivia culture in Ecuador because in these settings, cultural complexity developed within a primarily hunting-gathering context with limited use of horticulture. The approximately 14,000 year Jōmon period is conventionally divided into several phases, progressively shorter: Incipient (13,750–8,500 BCE), Initial (8,500–5,000 BCE), Early (5,000–3,520 BCE), Middle (3,520–2,470 BCE), Late (2,470–1,250 BCE), and Final (1,250–500 BCE). Recent findings have refined the final phase of the Jōmon period to 300 BCE. The Yayoi period started between 500 and 300 BCE according to radio-carbon evidence, while Yayoi styled pottery was found in a Jōmon site of northern Kyushu already in 800 BCE.” ref

Yayoi period

“Most linguists and archaeologists agree that the Japonic language family was introduced to and spread through the archipelago during the Yayoi period.” ref

“The Yayoi period (弥生時代, Yayoi jidai) started in the late Neolithic period in Japan, continued through the Bronze Age, and towards its end crossed into the Iron Age.  Since the 1980s, scholars have argued that a period previously classified as a transition from the Jōmon period should be reclassified as Early Yayoi. The date of the beginning of this transition is controversial, with estimates ranging from the 10th to the 3rd centuries BCE. The period is named after the neighbourhood of Tokyo where archaeologists first uncovered artifacts and features from that era in the late 19th century. Distinguishing characteristics of the Yayoi period include the appearance of new Yayoi pottery styles, improved carpentry and architecture, and the start of an intensive rice agriculture in paddy fields. A hierarchical social class structure dates from this period and has its origin in China. Techniques in metallurgy based on the use of bronze and iron were also introduced from China via Korea to Japan in this period.” ref

“The Yayoi followed the Jōmon period, and Yayoi culture flourished in a geographic area from southern Kyūshū to northern Honshū. Archaeological evidence supports the idea that during this time, an influx of farmers (Yayoi people) from the Korean Peninsula to Japan overwhelmed and mixed with the native predominantly hunter-gatherer population (Jōmon). The Yayoi period is, generally, accepted to date from circa 300 BCE to 300 CE. However, although highly controversial, radiocarbon evidence, from organic samples attached to pottery shards, may suggest a date up to 500 years earlier, between ca. 1000 BCE and 800 BCE. During this period, Japan largely transitioned to a more settled, agricultural society, adopting methods of farming and crop production that were introduced to the country (initially in the Kyūshū region) from Korea.” ref

“The earliest archaeological evidence of the Yayoi Period is found on northern Kyūshū, though that is still debated. Yayoi culture quickly spread to the main island of Honshū, mixing with native Jōmon culture. The name Yayoi is borrowed from a location in Tokyo, where pottery of the Yayoi period was first found. Yayoi pottery was simply decorated and produced, using the same coiling technique previously used in Jōmon pottery. Yayoi craft specialists made bronze ceremonial bells (dōtaku), mirrors, and weapons. By the 1st century Ce, Yayoi people began using iron agricultural tools and weapons. As the Yayoi population increased, the society became more stratified and complex.” ref

“They wove textiles, lived in permanent farming villages, and constructed buildings with wood and stone. They also accumulated wealth through land ownership and the storage of grain. Such factors promoted the development of distinct social classes. Contemporary Chinese sources described the people as having tattoos and other bodily markings which indicated differences in social status. Yayoi chiefs, in some parts of Kyūshū, appear to have sponsored, and politically manipulated, trade in bronze and other prestige objects. That was made possible by the introduction of an irrigated, wet-rice agriculture from the Yangtze estuary in southern China via the Ryukyu Islands or Korean Peninsula. Wet-rice agriculture led to the development and growth of a sedentary, agrarian society in Japan. Local political and social developments in Japan were more important than the activities of the central authority within a stratified society.” ref

“Direct comparisons between Jōmon and Yayoi skeletons show that the two peoples are noticeably distinguishable. The Jōmon tended to be shorter, with relatively longer forearms and lower legs, more deep-set eyes, shorter and wider faces, and much more pronounced facial topography. They also have strikingly raised brow ridges, noses, and nose bridges. Yayoi people, on the other hand, averaged 2.5–5 cm (0.98–1.97 in) taller, with shallow-set eyes, high and narrow faces, and flat brow ridges and noses. By the Kofun period, almost all skeletons excavated in Japan except those of the Ainu are of the Yayoi type with some having small Jōmon admixture, resembling those of modern-day Japanese.” ref

“The origin of Yayoi culture and the Yayoi people has long been debated. The earliest archaeological sites are Itazuke or Nabata in the northern part of Kyūshū. Contacts between fishing communities on this coast and the southern coast of Korea date from the Jōmon period, as witnessed by the exchange of trade items such as fishhooks and obsidian. During the Yayoi period, cultural features from Korea and China arrived in this area at various times over several centuries, and later spread to the south and east. This was a period of mixture between immigrants and the indigenous population, and between new cultural influences and existing practices.” ref

“Chinese influence was obvious in the bronze and copper weapons, dōkyō, dōtaku, as well as irrigated paddy rice cultivation. Three major symbols of Yayoi culture are the bronze mirror, the bronze sword, and the royal seal stone. Yayoi remains found in Japan’s Yamaguchi and Fukuoka prefectures with those from China’s coastal Jiangsu province, and found many similarities between the Yayoi and the Jiangsu remains. Further links to the Korean Peninsula have been discovered, and several researchers have reported discoveries/evidence that strongly link the Yayoi culture to the southern part of the Korean Peninsula.” ref 

“The archaeological evidence that included “bounded paddy fields, new types of polished stone tools, wooden farming implements, iron tools, weaving technology, ceramic storage jars, exterior bonding of clay coils in pottery fabrication, ditched settlements, domesticated pigs, and jawbone rituals.” The migrant transfusion from the Korean peninsula gains strength because Yayoi culture began on the north coast of Kyūshū, where Japan is closest to Korea. Yayoi pottery, burial mounds, and food preservation were discovered to be very similar to the pottery of southern Korea.” ref

“According to several linguists, Japonic or proto-Japonic was present on large parts of the southern Korean peninsula. These Peninsular Japonic languages, now extinct, were eventually replaced by Koreanic languages. Similarly, Whitman suggests that the Yayoi are not related to the proto-Koreans but that they (the Yayoi) were present on the Korean peninsula during the Mumun pottery period. According to him and several other researchers, Japonic/proto-Japonic arrived in the Korean peninsula around 1500 BCE and was brought to the Japanese archipelago by Yayoi wet-rice farmers at some time between 700 and 300 BCE. Whitman and Miyamoto associate Japonic as the language family associated with both Mumun and Yayoi cultures. Several linguists believe that speakers of Koreanic/proto-Koreanic arrived in the Korean Peninsula at some time after the Japonic/proto-Japonic speakers and coexisted with these peoples (i.e. the descendants of both the Mumun and Yayoi cultures) and possibly assimilated them. Both Koreanic and Japonic had prolonged influence on each other and a later founder effect diminished the internal variety of both language families.” ref

“Direct comparisons between Jōmon and Yayoi skeletons show that the two peoples are noticeably distinguishable. The Jōmon tended to be shorter, with relatively longer forearms and lower legs, more deep-set eyes, shorter and wider faces, and much more pronounced facial topography. They also have strikingly raised brow ridges, noses, and nose bridges. Yayoi people, on the other hand, averaged 2.5–5 cm (0.98–1.97 in) taller, with shallow-set eyes, high and narrow faces, and flat brow ridges and noses. By the Kofun period, almost all skeletons excavated in Japan except those of the Ainu are of the Yayoi type with some having small Jōmon admixture, resembling those of modern-day Japanese.” ref

Kofun period

“The Kofun period (古墳時代, Kofun jidai) is an era in the history of Japan from about 300 to 538 CE (the date of the introduction of Buddhism), following the Yayoi period. The Kofun and the subsequent Asuka periods are sometimes collectively called the Yamato period. This period is the earliest era of recorded history in Japan, but studies depend heavily on archaeology since the chronology of historical sources tends to be distorted. The word kofun is Japanese for the type of burial mound dating from this era. It was a period of cultural import. Continuing from the Yayoi period, the Kofun period is characterized by influence from China and the Korean Peninsula; archaeologists consider it a shared culture across the southern Korean Peninsula, Kyūshū, and Honshū.” ref

“On the other hand, the most prosperous keyhole-shaped burial mounds in Japan during this period were approximately 5,000 in Japan from the middle of the 3rd century in the Yayoi period to the 7th century in the Asuka period, and many of them had huge tombs, but in the southern Korean Peninsula there were only 13 from the 5th century to the 6th century, and the tombs were small. Wall decorations and Japanese-style armor, which are characteristic of older Japanese burial mounds, were excavated from 5th century burial mounds in the southern Korean Peninsula. This shows that Japan and the southern Korean Peninsula influenced each other.” ref

“According to the Nihon Shoki, Buddhism and the Chinese writing system were introduced near the end of the period from Baekje. The Kofun period recorded Japan’s earliest political centralization, when the Yamato clan rose to power in southwestern Japan, established the Imperial House, and helped control trade routes across the region. Kofun (from Middle Chinese kú 古 “ancient” + bjun 墳 “burial mound”) are burial mounds built for members of the ruling class from the 3rd to the 7th centuries in Japan, and the Kofun period takes its name from the distinctive earthen mounds. The mounds contained large stone burial chambers, and some are surrounded by moats.” ref

“Kofun have four basic shapes: round and square are the most common, followed by ‘scallop-shell’ and ‘keyhole.’ The keyhole tomb is a distinct style found only in Japan, with a square front and round back. Kofun range in size from several meters to over 400 meters long, and unglazed pottery figures (Haniwa) were often buried under a kofun’s circumference. The oldest Japanese kofun is reportedly Hokenoyama Kofun in Sakurai, Nara, which dates to the late 3rd century. In the Makimuku district of Sakurai, later keyhole kofuns (Hashihaka Kofun, Shibuya Mukaiyama Kofun) were built during the early 4th century. The keyhole kofun spread from Yamato to Kawachi—with giant kofun, such as Daisenryō Kofun—and then throughout the country during the 5th century.” ref

“Keyhole kofun disappeared later in the 6th century, probably because of the drastic reformation of the Yamato court; Nihon Shoki records the introduction of Buddhism at this time. The last two great kofun are the 190-metre-long (620 ft) Imashirozuka kofun in Osaka (currently believed by scholars to be the tomb of Emperor Keitai) and the 135-metre long (443 ft) Iwatoyama kofun in Fukuoka, recorded in Fudoki of Chikugo as the tomb of Iwai (political archrival of Emperor Keitai). Kofun burial mounds on the island of Tanegashima and two very old Shinto shrines on the island of Yakushima suggest that these islands were the southern boundary of the Yamato state; it extended north to Tainai in the present-day Niigata Prefecture, where excavated mounds have been associated with a person closely linked to the Yamato kingdom.” ref

“Yamato rule is usually believed to have begun about 250 AD, and it is generally agreed that Yamato rulers had keyhole-kofun culture and hegemony in Yamato until the 4th century. Autonomy of local powers remained throughout the period, particularly in Kibi (the present-day Okayama Prefecture), Izumo (current Shimane Prefecture), Koshi (current Fukui and Niigata Prefecture), Kenu (northern Kantō), Chikushi (northern Kyūshū), and Hi (central Kyūshū). During the 6th century, the Yamato clans began to dominate the southern half of Japan. According to the Book of Song, Yamato relationships with China probably began in the late 4th century.” ref

“The Yamato polity, which emerged by the late 5th century, was distinguished by powerful clans (豪族, gōzoku). Each clan was headed by a patriarch (氏上, Uji-no-kami), who performed sacred rituals to the clan’s kami (objects of worship) to ensure its long-term welfare. Clan members were the aristocracy, and the royal line which controlled the Yamato court was at its zenith. Clan leaders were awarded kabane, inherited titles denoting rank and political standing which replaced family names.” ref 

“The Kofun period is called the Yamato period by some Western scholars, since this local chieftainship became the imperial dynasty at the end of the period. However, the Yamato clan ruled just one polity among others during the Kofun era. Japanese archaeologists emphasise that other regional chieftainships (such as Kibi) were in close contention for dominance in the first half of the Kofun period; Kibi’s Tsukuriyama Kofun is Japan’s fourth-largest.” ref

“The Yamato court exercised power over clans in Kyūshū and Honshū, bestowing titles (some hereditary) on clan chieftains. The Yamato name became synonymous with Japan as Yamato rulers suppressed other clans and acquired agricultural land. Based on Chinese models (including the adoption of the Chinese written language), they began to develop a central administration and an imperial court attended by subordinate clan chieftains with no permanent capital.” ref 

“Powerful clans were the Soga, Katsuragi, Heguri and Koze clans in the Yamato and Bizen Provinces and the Kibi clans in the Izumo Province. The Ōtomo and Mononobe clans were military leaders, and the Nakatomi and Inbe clans handled rituals. The Soga clan provided the government’s chief minister, the Ōtomo and Mononobe clans provided secondary ministers, and provincial leaders were called kuni no miyatsuko. Craftsmen were organized into guilds.” ref

“In addition to archaeological findings indicating a local monarchy in Kibi Province as an important rival, the legend of the 4th-century Prince Yamato Takeru alludes to the borders of the Yamato and battlegrounds in the region; a frontier was near the later Izumo Province (eastern present-day Shimane Prefecture). Another frontier, in Kyūshū, was apparently north of present-day Kumamoto Prefecture. According to the legend, there was an eastern land in Honshū “whose people disobeyed the imperial court” and against whom Yamato Takeru was sent to fight.^{[citation needed]} It is unclear if the rival country was near the Yamato nucleus or further away. Kai Province is mentioned as a location where prince Yamato Takeru traveled on his military expedition.” ref

“The period’s northern frontier was explained in Kojiki as the legend of Shido Shōgun’s (四道将軍, “Shōguns to four ways”) expedition. One of four shōguns, Ōbiko set out northward to Koshi and his son Take Nunakawawake left for the eastern states. The father moved east from northern Koshi, and the son moved north;^{[contradictory]} they met at Aizu, in present-day western Fukushima Prefecture. Although the legend is probably not factual, Aizu is near southern Tōhoku (the northern extent of late-4th-century keyhole-kofun culture).” ref

“During the Kofun period, an aristocratic society with militaristic rulers developed. The period was a critical stage in Japan’s evolution into a cohesive, recognized state. The society was most developed in the Kinai region and the eastern Setouchi region. Japan’s rulers petitioned the Chinese court for confirmation of royal titles. While the rulers’ title was officially “King”, they called themselves “Ōkimi” (大王, “Great King”) during this period. Inscriptions on two swords (the Inariyama and Eta Funayama Swords) read Amenoshita Shiroshimesu (治天下; “ruling Heaven and Earth”) and Ōkimi, indicating that the rulers invoked the Mandate of Heaven. The title Amenoshita Shiroshimesu Ōkimi was used until the 7th century, when it was replaced by Tennō.” ref

“Many of the clans and local chieftains who made up the Yamato polity claimed descent from the imperial family or kami. Archaeological evidence for the clans is found on the Inariyama Sword, on which the bearer recorded the names of his ancestors to claim descent from Ōbiko (大彦, recorded in the Nihon Shoki as a son of Emperor Kōgen). A number of clans claimed origin in China or the Korean Peninsula.” ref

“During the 5th century, the Katsuragi clan (葛城氏, descended from the legendary grandson of Emperor Kōgen) was the most prominent power in the court and intermarried with the imperial family. After the clan declined, late in the century, it was replaced by the Ōtomo clan. When Emperor Buretsu died with no apparent heir, Ōtomo no Kanamura recommended Emperor Keitai (a distant imperial relative in Koshi Province) as the new monarch. Kanamura resigned due to the failure of his diplomatic policies, and the court was controlled by the Mononobe and Soga clans at the beginning of the Asuka period.” ref

Mounds?

“A mound is a heaped pile of earth, gravel, sand, rocks, or debris. Most commonly, mounds are earthen formations such as hills and mountains, particularly if they appear artificial. A mound may be any rounded area of topographically higher elevation on any surface. Artificial mounds have been created for a variety of reasons throughout history, including habitation (see Tell and Terp), ceremonial (platform mound), burial (tumulus), and commemorative purposes (e.g. Kościuszko Mound). In the archaeology of the United States and Canada, a mound is a deliberately constructed elevated earthen structure or earthwork, intended for a range of potential uses. In European and Asian archaeology, the word “tumulus” may be used as a synonym for an artificial hill, particularly if the hill is related to particular burial customs.” ref

“While the term “mound” may be applied to historic constructions, most mounds in the United States are pre-Columbian earthworks, built by Native American peoples. Native Americans built a variety of mounds, including flat-topped pyramids or cones known as platform mounds, rounded cones, and ridge or loaf-shaped mounds. Some mounds took on unusual shapes, such as the outline of cosmologically significant animals. These are known as effigy mounds. Some mounds, such as a few in Wisconsin, have rock formations, or petroforms within them, on them, or near them.” ref

While these mounds are perhaps not as famous as burial mounds, like their European analogs, Native American mounds also have a variety of other uses. While some prehistoric cultures, like the Adena culture, used mounds preferentially for burial, others used mounds for other ritual and sacred acts, as well as for secular functions. The platform mounds of the Mississippian culture, for example, may have supported temples, the houses of chiefs, council houses, and may have also acted as a platform for public speaking. Other mounds would have been part of defensive walls to protect a certain area. The Hopewell culture used mounds as markers of complex astronomical alignments related to ceremonies.” ref

Mounds and related earthworks are the only significant monumental construction in pre-Columbian Eastern and Central North America. Mounds are given different names depending on which culture they strive from. They can be located all across the world in spots such as Asia, Europe and the Americas. “Mound builders” have more commonly been associated with the mounds in the Americas. They all have different meanings and sometimes are constructed as animals and can be clearly seen from aerial views. Kankali Tila is a famous mound located at Mathura in the Indian state of Uttar Pradesh. A Jain stupa was excavated here in 1890-91 by Dr. Fuhrer.” ref

“Mound, as a technical term in archaeology, is not generally in favor in the rest of the world. More specific local terminology is preferred, and each of these terms has its own:

• Cairn
  • Chambered cairn
• Effigy mound
• Kofun (Japanese mounds)
• Platform mound
• Subglacial mound
• Tell (also includes multi-lingual synonyms for mounds in the Near East)
• Terp (European dwelling mounds located in wetlands like flood plains and salt marshes)
• Tumulus (barrow)
  • Bank barrow
  • Bell barrow
  • Bowl barrow
  • Chambered long barrow
  • Kurgan
  • Long barrow
  • Oval barrow ref

Tumulus

“A tumulus (pl.: tumuli) is a mound of earth and stones raised over a grave or graves. Tumuli are also known as barrows, burial mounds, or (in Siberia and Central Asia) kurgans, and may be found throughout much of the world. A cairn, which is a mound of stones built for various purposes, may also originally have been a tumulus. Tumuli are often categorized according to their external apparent shape. In this respect, a long barrow is a long tumulus, usually constructed on top of several burials, such as passage graves. A round barrow is a round tumulus, also commonly constructed on top of burials. The internal structure and architecture of both long and round barrows have a broad range; the categorization only refers to the external apparent shape. The method of inhumation may involve a dolmen, a cist, a mortuary enclosure, a mortuary house, or a chamber tomb. Examples of barrows include Duggleby Howe and Maeshowe.” ref

“The word tumulus is Latin for ‘mound’ or ‘small hill’, which is derived from the Proto-Indo-European root *teuh₂– with extended zero grade *tum-, ‘to bulge, swell’ also found in tomb, tumor, tumescent, thumb, thigh, and thousand. The funeral of Patroclus is described in book 23 of Homer‘s Iliad. Patroclus is burned on a pyre, and his bones are collected into a golden urn in two layers of fat. The barrow is built on the location of the pyre. Achilles then sponsors funeral games, consisting of a chariot race, boxing, wrestling, running, a duel between two champions to the first blood, discus throwing, archery, and spear throwing.” ref

“Beowulf‘s body in the Anglo-Saxon poem Beowulf is taken to Hronesness, where it is burned on a funeral pyre. During cremation, the Geats lament the death of their lord, a widow’s lament being mentioned in particular, singing dirges as they circumambulate the barrow. Afterwards, a mound is built on top of a hill, overlooking the sea, and filled with treasure. A band of twelve of the best warriors ride around the barrow, singing dirges in praise of their lord. Parallels have also been drawn to the account of Attila‘s burial in Jordanes‘ Getica. Jordanes tells that as Attila’s body was lying in state, the best horsemen of the Huns circled it, as in circus games. An Old Irish Life of Columcille reports that every funeral procession “halted at a mound called Eala, whereupon the corpse was laid, and the mourners marched thrice solemnly round the spot.” ref

“Archaeologists often classify tumuli according to their location, form, and date of construction (see also mound). Some British types are listed below:

• Bank barrow
• Bell barrow
• Bowl barrow
• D-shaped barrow – round barrow with a purposely flat edge at one side often defined by stone slabs.
• Disc barrow
• Fancy barrow – generic term for any Bronze Age barrows more elaborate than a simple hemispherical shape.
• Long barrow
• Oval barrow – a Neolithic long barrow consisting of an elliptical, rather than rectangular or trapezoidal mound.
• Platform barrow – The least common of the recognised types of round barrow, consisting of a flat, wide circular mound that may be surrounded by a ditch. They occur widely across southern England with a marked concentration in East and West Sussex.
• Pond barrow – a barrow consisting of a shallow circular depression, surrounded by a bank running around the rim of the depression, from the Bronze Age.
• Ring barrow – a bank that encircles a number of burials.
• Round barrow – a circular feature created by the Bronze Age peoples of Britain and also the later Romans, Vikings, and Saxons. Divided into subclasses such as saucer and bell barrow – the Six Hills are a rare Roman example.
• Saucer barrow – a circular Bronze Age barrow that features a low, wide mound surrounded by a ditch that may have an external bank.
• Square barrow – burial site, usually of Iron Age date, consisting of a small, square, ditched enclosure surrounding a central burial, which may also have been covered by a mound.” ref

Kurgans

“A kurgan is a type of tumulus constructed over a grave, often characterized by containing a single human body along with grave vessels, weapons, and horses. Originally in use on the Pontic–Caspian steppe, kurgans spread into much of Central Asia and Eastern, Southeast, Western, and Northern Europe during the 3rd millennium BCE. The earliest kurgans date to the 4th millennium BCE in the Caucasus, and some researchers associate these with the Indo-Europeans. Kurgans were built in the Eneolithic, Bronze, Iron, Antiquity, and Middle Ages, with ancient traditions still active in Southern Siberia and Central Asia.” ref

“According to the Etymological dictionary of the Ukrainian language, the word “kurhan” is borrowed directly from the “Polovtsian” language (Kipchak, part of the Turkic languages) and means: fortress, embankment, high grave. The word has two possible etymologies, either from the Old Turkic root qori- “to close, to block, to guard, to protect,” or qur- “to build, to erect, furnish or stur.” According to Vasily Radlov it may be a cognate to qorγan, meaning “fortification, fortress or a castle.” The Russian noun, already attested in Old East Slavic, comes from an unidentified Turkic language. Kurgans are mounds of earth and stones raised over a grave or graves. Popularised by its use in Soviet archaeology, the word is now widely used for tumuli in the context of Eastern European and Central Asian archaeology.” ref

“Some sceptre graves could have been covered with a tumulus, placing the first kurgans as early as the 5th millennium BC in eastern Europe. However, this hypothesis is not unanimous. Kurgans were used in Ukrainian and Russian steppes, their use spreading with migration into southern, central, and northern Europe in the 3rd millennium BCE. Later, Kurgan barrows became characteristic of Bronze Age peoples, and have been found from Ukraine, Belarus, Bulgaria (Thracians, Getae, etc) Romania (Getae, Dacians), the Caucasus, Russia, to Kazakhstan, Mongolia and the Altay Mountains.” ref

“The Kurgan hypothesis is that Proto-Indo-Europeans were the bearers of the Kurgan culture of the Black Sea and the Caucasus and west of the Urals. Introduced by Marija Gimbutas in 1956, it combines kurgan archaeology with linguistics to locate the origins of the peoples who spoke the Proto-Indo-European language. She tentatively named the culture “Kurgan” after its distinctive burial mounds and traced its diffusion into Europe. The hypothesis has had a significant impact on Indo-European studies.” ref

“Scholars who follow Gimbutas identify a “Kurgan culture” as reflecting an early Proto-Indo-European ethnicity that existed in the steppes and in southeastern Europe from the 5th millennium to the 3rd millennium BCE. In Kurgan cultures, most burials were in kurgans, either clan or individual. Most prominent leaders were buried in individual kurgans, now called “royal kurgans.” More elaborate than clan kurgans and containing grave goods, royal kurgans have attracted the most attention and publicity. Burial mounds are complex structures with internal chambers. Within the burial chamber at the heart of the kurgan, elite individuals were buried with grave goods and sacrificial offerings, sometimes including horses and chariots. The structures of the earlier Neolithic period from the 4th to the 3rd millenniums BC, and Bronze Age until the 1st millennium BCE, display continuity of the archaic forming methods. They were inspired by common ritual-mythological ideas.” ref

“The monuments of these cultures coincide with the Scytho-Siberian world (Saka) monuments. Scytho-Siberian monuments have common features, and sometimes common genetic roots. Also associated with these spectacular burial mounds are the Pazyryk, an ancient people who lived in the Altai Mountains lying in Siberian Russia on the Ukok Plateau, near the borders with China, Kazakhstan, and Mongolia. Scytho-Siberian classification includes monuments from the 8th to the 3rd century BCE. This period is called the Early or Ancient Nomads epoch. “Hunnic” monuments date from the 3rd century BCE to the 6th century CE, and Turkic ones from the 6th century CE to the 13th century CE, leading up to the Mongolian epoch.” ref

Ziggurats of Mesopotamia (like temple mounds/pyramids) 

“A ziggurat (/ˈzɪɡʊˌræt/; Cuneiform: 𒅆𒂍𒉪, Akkadian: ziqqurratum, D-stem of zaqārum ‘to protrude, to build high’, cognate with other Semitic languages like Hebrew zaqar (זָקַר) ‘protrude’) is a type of massive structure built in ancient Mesopotamia. It has the form of a terraced compound of successively receding storeys or levels. Notable ziggurats include the Great Ziggurat of Ur near Nasiriyah, the Ziggurat of Aqar Quf near Baghdad, the now-destroyed Etemenanki in Babylon, Chogha Zanbil in Khūzestān and Sialk. The Sumerians believed that the gods lived in the temple at the top of the ziggurats, so only priests and other highly-respected individuals could enter. Sumerian society offered these individuals such gifts as music, harvested produce, and the creation of devotional statues to entice them to live in the temple.” ref

“The word ziggurat comes from ziqqurratum (height, pinnacle), in ancient Assyrian. From zaqārum, to be high up. The Ziggurat of Ur is a Neo-Sumerian ziggurat built by King Ur-Nammu, who dedicated it in honor of Nanna/Sîn in approximately the 21st century BC during the Third Dynasty of Ur. Ziggurats were built by ancient Sumerians, Akkadians, Elamites, Eblaites, and Babylonians for local religions. Each ziggurat was part of a temple complex that included other buildings. The precursors of the ziggurat were raised platforms that date from the Ubaid period during the sixth millennium BCE. The ziggurats began as platforms (usually oval, rectangular or square). The ziggurat was a mastaba-like structure with a flat top. The sun-baked bricks made up the core of the ziggurat with facings of fired bricks on the outside. Each step was slightly smaller than the step below it. The facings were often glazed in different colors and may have had astrological significance. Kings sometimes had their names engraved on these glazed bricks. The number of floors ranged from two to seven.” ref

“The Mesopotamian ziggurats were not places for public worship or ceremonies. They were believed to be dwelling places for the gods, and each city had its own patron god. Only priests were permitted on the ziggurat or in the rooms at its base, and it was their responsibility to care for the gods and attend to their needs. The priests were very powerful members of Sumerian and Assyro-Babylonian society. One of the best-preserved ziggurats is Chogha Zanbil in western Iran. The Sialk ziggurat, in Kashan, Iran, is one of the oldest known ziggurats, dating to the early 3rd millennium BCE. Ziggurat designs ranged from simple bases upon which a temple sat, to marvels of mathematics and construction which spanned several terraced stories and were topped with a temple.” ref

“An example of a simple ziggurat is the White Temple of Uruk, in ancient Sumer. The ziggurat itself is the base on which the White Temple is set. Its purpose is to get the temple closer to the heavens, and provide access from the ground to it via steps. The Mesopotamians believed that these pyramid temples connected heaven and earth. In fact, the ziggurat at Babylon was known as Etemenanki, which means “House of the foundation of heaven and earth” in Sumerian.” ref

“The date of its original construction is unknown, with suggested dates ranging from the fourteenth to the ninth century BC, with textual evidence suggesting it existed in the second millennium. Unfortunately, not much of even the base is left of this massive structure, yet archeological findings and historical accounts put this tower at seven multicolored tiers, topped with a temple of exquisite proportions. The temple is thought to have been painted and maintained an indigo color, matching the tops of the tiers. It is known that there were three staircases leading to the temple, two of which (side flanked) were thought to have only ascended half the ziggurat’s height.” ref

“According to some historians the design of Egyptian pyramids, especially the stepped designs of the oldest pyramids (Pyramid of Zoser at Saqqara, 2600 BCE), may have been an evolution from the ziggurats built in Mesopotamia. Others say the Pyramid of Zoser and the earliest Egyptian pyramids may have been derived locally from the bench-shaped mastaba tomb.” ref 

Egyptian pyramids (like burial mounds/mounds of creation) 

“The Egyptian pyramids are ancient masonry structures located in Egypt. Sources cite at least 118 identified “Egyptian” pyramids. Approximately 80 pyramids were built within the Kingdom of Kush, now located in the modern country of Sudan. Of those located in modern Egypt, most were built as tombs for the country’s pharaohs and their consorts during the Old and Middle Kingdom periods.” ref

“The earliest known Egyptian pyramids are found at Saqqara, northwest of Memphis, although at least one step-pyramid-like structure has been found at Saqqara, dating to the First Dynasty: Mastaba 3808, which has been attributed to the reign of Pharaoh Anedjib, with inscriptions, and other archaeological remains of the period, suggesting there may have been others. The otherwise earliest among these is the Pyramid of Djoser built c. 2630–2610 BCE during the Third Dynasty. This pyramid and its surrounding complex are generally considered to be the world’s oldest monumental structures constructed of dressed masonry.” ref

“The most famous Egyptian pyramids are those found at Giza, on the outskirts of Cairo. Several of the Giza pyramids are counted among the largest structures ever built. The Pyramid of Khufu is the largest Egyptian pyramid and the last of the Seven Wonders of the Ancient World still in existence, despite being the oldest by about 2,000 years. The name for a pyramid in Egyptian is myr, written with the symbol 𓉴 (O24 in the Gardner Sign List). Myr is preceded by three other signs used as phonetics. The meaning of myr is unclear, as it only self-references the built object itself. By comparison, some similar architectural terms become compound words, such as the word for ‘temple’ (per-ka) becoming a compound of the words for ‘house’ and ‘soul’. It has been speculated myr belongs to a class of words like djed and ankh, which refer to objects already in existence when the Egyptian language split off from afroasiatic. A typical translation of myr is given as ‘high place’. By graphical analysis, myr uses the same sign, O24, as benben. The benben is the mound of existence that arose out of the abyss, known as nun in the Egyptian creation myth. The relationship between myr and benben is further linked by the capstone architectural element of pyramids and obelisks, which was named benbenet, the feminine form of benben.” ref

“From the time of the Early Dynastic Period (c. 3150–2686 BCE), Egyptians with sufficient means were buried in bench-like structures known as mastabas. At Saqqara, Mastaba 3808, dating from the latter part of the 1st Dynasty, was discovered to contain a large, independently built step-pyramid-like structure enclosed within the outer palace facade mastaba. Archaeological remains and inscriptions suggest there may have been other similar structures dating to this period.” ref

“The first historically documented Egyptian pyramid is attributed by Egyptologists to the 3rd Dynasty pharaoh Djoser. Although Egyptologists often credit his vizier Imhotep as its architect, the dynastic Egyptians themselves, contemporaneously or in numerous later dynastic writings about the character, did not credit him with either designing Djoser’s pyramid or the invention of stone architecture. The Pyramid of Djoser was first built as a square mastaba-like structure, which as a rule were known to otherwise be rectangular, and was expanded several times by way of a series of accretion layers, to produce the stepped pyramid structure we see today. Egyptologists believe this design served as a gigantic stairway by which the soul of the deceased pharaoh could ascend to the heavens.” ref

“Though other pyramids were attempted in the 3rd Dynasty after Djoser, it was the 4th Dynasty, transitioning from the step pyramid to true pyramid shape, which gave rise to the great pyramids of Meidum, Dahshur, and Giza. The last pharaoh of the 4th Dynasty, Shepseskaf, did not build a pyramid and beginning in the 5th Dynasty; for various reasons, the massive scale and precision of construction decreased significantly leaving these later pyramids smaller, less well-built, and often hastily constructed. By the end of the 6th Dynasty, pyramid building had largely ended and it was not until the Middle Kingdom that large pyramids were built again, though instead of stone, mudbrick was the main construction material.” ref

“Long after the end of Egypt’s own pyramid-building period, a burst of pyramid-building occurred in what is present-day Sudan, after much of Egypt came under the rule of the Kingdom of Kush, which was then based at Napata. Napatan rule, known as the 25th Dynasty, lasted from 750 BCE to 664 BCE. The Meroitic period of Kushite history, when the kingdom was centered on Meroë, (approximately in the period between 300 BCE and 300 CE), experienced a full-blown pyramid-building revival, which saw about 180 Egyptian-inspired indigenous royal pyramid-tombs constructed in the vicinity of the kingdom’s capital cities.” ref

“The shape of Egyptian pyramids is thought to represent the primordial mound from which the Egyptians believed the earth was created. The shape of a pyramid is also thought to be representative of the descending rays of the sun, and most pyramids were faced with polished, highly reflective white limestone, in order to give them a brilliant appearance when viewed from a distance. Pyramids were often also named in ways that referred to solar luminescence. For example, the formal name of the Bent Pyramid at Dahshur was The Southern Shining Pyramid, and that of Senusret II at El Lahun was Senusret Shines.” ref

“While it is generally agreed that pyramids were burial monuments, there is continued disagreement on the particular theological principles that might have given rise to them. One suggestion is that they were designed as a type of “resurrection machine.” The Egyptians believed the dark area of the night sky around which the stars appear to revolve was the physical gateway into the heavens. One of the narrow shafts that extend from the main burial chamber through the entire body of the Great Pyramid points directly towards the center of this part of the sky. This suggests the pyramid may have been designed to serve as a means to magically launch the deceased pharaoh’s soul directly into the abode of the gods. All Egyptian pyramids were built on the west bank of the Nile, which, as the site of the setting sun, was associated with the realm of the dead in Egyptian mythology.” ref

“The shape of Egyptian pyramids is thought to represent the primordial mound from which the Egyptians believed the earth was created.” ref

Benben (the primordial mound of Earth in Egyptian mythology)

“In the creation myth of the Heliopolitan form of ancient Egyptian religion, Benben was the mound that arose from the primordial waters Nu upon which the creator deity Atum settled. The Benben stone (also known as a pyramidion) is the top stone of the pyramid. It is also related to the obelisk. In the Pyramid Texts, e.g. Utterances 587 and 600, Atum himself is at times referred to as “mound”. It was said to have turned into a small pyramid, located in Heliopolis (Egyptian: Annu or Iunu), within which Atum was said to dwell. Other cities developed their own myths of the primeval mound. At Memphis, the god Tatenen, an earth god and the origin of “all things in the shape of food and viands, divine offers, all good things”, was the personification of the primeval mound.” ref

“The Benben stone, named after the mound, was a sacred stone in the temple of Ra at Heliopolis (Egyptian: Annu or Iunu). It was the location on which the first rays of the sun fell. It is thought to have been the prototype for later obelisks, and the capstones of the great pyramids were based on its design. The capstone (the tip of the pyramid) is also called a pyramidion. In ancient Egypt, these were probably gilded so they shone in sunlight. Many Benben stones, often carved with images and inscriptions, are found in museums around the world. The bird deity Bennu, which was probably the inspiration for the phoenix, was venerated at Heliopolis, where it was said to be living on the Benben stone or on the holy willow tree. According to Barry Kemp, the connection between the benben, the phoenix, and the sun may well have been based on alliteration: the rising, weben, of the sun sending its rays towards the benben, on which the bennu bird lives. Utterance 600, § 1652 of the Pyramid Texts speaks of Atum as you rose up, as the benben, in the Mansion of the Bennu in Heliopolis.” ref

“Much of Egyptian mythology consists of origin myths, explaining the beginnings of various elements of the world, including human institutions and natural phenomena. Kingship arises among the gods at the beginning of time and later passed to the human pharaohs; warfare originates when humans begin fighting each other after the sun god’s withdrawal into the sky.” ref

Mounds of Creation

“Mounds of Creation were one of were many kinds of temples in the Age of the Pyramids. Some, such as the sanctuary of Khnum at Elephantine, or the Sacred Precinct at Nekhen, were ancient places where rocks and stones marked out a sacred site. In several towns, a special Mound of Creation marked the place where the local deity had brought land out of chaos and begun the work of creation. The existence of many of these Mounds of Creations shows that local gods and goddesses had originally been credited with the work of creation. When Egypt was united under one king, the world of gods and goddesses was also united under the sun god, Re, but older temples and stories were not destroyed. Students may ask – “Well, who did create the Universe? Re, or Atum? Neith, or Ptah?” The right answer would depend on which city you were in. Different stories of creation emphasized different ways of looking at the universe. Ancient peoples thought it perfectly appropriate that people from different parts of the country gave precedence to their own god or goddess.” ref

To me, Indigenous people built pyramids, and one main reason they did this, was religious beliefs in mounds of creation/Earth-Diver mythology or similar related myths.

Earth diver, Axis Mundi, and World Turtle Mythology

Lake Baikal and Myths of Creation: Primordial waters, Supernatural Creatures of water, and the Mounds of creation

Damien Marie AtHope’s Art

ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref

Axis Mundi

“In astronomy, axis mundi is the Latin term for the axis of Earth between the celestial poles. In a geocentric coordinate system, this is the axis of rotation of the celestial sphere. Consequently, in ancient Greco-Roman astronomy, the axis mundi is the axis of rotation of the planetary spheres within the classical geocentric model of the cosmos. In 20th-century comparative mythology, the term axis mundi – also called the cosmic axis, world axis, world pillar, the center of the world, or world tree – has been greatly extended to refer to any mythological concept representing “the connection between Heaven and Earth” or the “higher and lower realms.” ref

“Mircea Eliade introduced the concept in the 1950s. Axis mundi closely relates to the mythological concept of the omphalos (navel) of the world or cosmos. Items adduced as examples of the axis mundi by comparative mythologists include plants (notably a tree but also other types of plants such as a vine or stalk), a mountain, a column of smoke or fire, or a product of human manufacture (such as a staff, a tower, a ladder, a staircase, a maypole, a cross, a steeple, a rope, a totem pole, a pillar, a spire). Its proximity to heaven may carry implications that are chiefly religious (pagoda, temple mount, minaret, church) or secular (obelisk, lighthouse, rocket, skyscraper). The image appears in religious and secular contexts. The axis mundi symbol may be found in cultures utilizing shamanic practices or animist belief systems, in major world religions, and in technologically advanced “urban centers”. In Mircea Eliade‘s opinion: “Every Microcosm, every inhabited region, has a Centre; that is to say, a place that is sacred above all.” ref

“There are multiple interpretations about the origin of the concept of the axis mundi. One psychological and sociological interpretation suggests that the symbol originates in a natural and universal psychological perception – i.e., that the particular spot that one occupies stands at “the center of the world”. This space serves as a microcosm of order because it is known and settled. Outside the boundaries of the microcosm lie foreign realms that – because they are unfamiliar or not ordered – represent chaos, death, or night. From the center, one may still venture in any of the four cardinal directions, make discoveries, and establish new centers as new realms become known and settled. The name of China — meaning “Middle Nation” (中国 pinyin: Zhōngguó) – is often interpreted as an expression of an ancient perception that the Chinese polity (or group of polities) occupied the center of the world, with other lands lying in various directions relative to it.” ref

“A second interpretation suggests that ancient symbols such as the axis mundi lie in a particular philosophical or metaphysical representation of a common and culturally shared philosophical concept, which is that of a natural reflection of the macrocosm (or existence at grand scale) in the microcosm (which consists of either an individual, community, or local environment that shares the same principles and structures as the macrocosm). In this metaphysical representation of the universe, mankind is placed into an existence that serves as a microcosm of the universe or the entire cosmic existence, and who – in order to achieve higher states of existence or liberation into the macrocosm – must gain necessary insights into universal principles that can be represented by his life or environment in the microcosm. In many religious and philosophical traditions around the world, mankind is seen as a sort of bridge between either: two worlds, the earthly and the heavenly (as in Hindu, and Taoist philosophical and theological systems); or three worlds, namely the earthly, heavenly, and the “sub-earthly” or “infra-earthly” (e.g., the underworld, as in the Ancient Greek, Incan, Mayan, and Ancient Egyptian religious systems). Spanning these philosophical systems is the belief that man traverses a sort of axis, or path, which can lead from man’s current central position in the intermediate realms into heavenly or sub-earthly realms. Thus, in this view, symbolic representations of a vertical axis represent a path of “ascent” or “descent” into other spiritual or material realms, and often capture a philosophy that considers human life to be a quest in which one develops insights or perfections in order to move beyond this current microcosmic realm and to engage with the grand macrocosmic order.” ref

“In other interpretations, an axis mundi is more broadly defined as a place of connection between heavenly and the earthly realms – often a mountain or other elevated site. Tall mountains are often regarded as sacred and some have shrines erected at the summit or base. Mount Kunlun fills a similar role in China. Mount Kailash is holy to Hinduism and several religions in Tibet. The Pitjantjatjara people in central Australia consider Uluru to be central to both their world and culture. The Teide volcano was for the Canarian aborigines (Guanches) a kind of axis mundi. In ancient Mesopotamia, the cultures of ancient Sumer and Babylon built tall platforms, or ziggurats, to elevate temples on the flat river plain. Hindu temples in India are often situated on high mountains – e.g., Amarnath, Tirupati, Vaishno Devi, etc. The pre-Columbian residents of Teotihuacán in Mexico erected huge pyramids, featuring staircases leading to heaven. These Amerindian temples were often placed on top of caves or subterranean springs, which were thought to be openings to the underworld. Jacob’s Ladder is an axis mundi image, as is the Temple Mount. For Christians, the Cross on Mount Calvary expresses this symbol. The Middle Kingdom, China, had a central mountain, Kunlun, known in Taoist literature as “the mountain at the middle of the world”. To “go into the mountains” meant to dedicate oneself to a spiritual life.” ref

“As the abstract concept of axis mundi is present in many cultural traditions and religious beliefs, it can be thought to exist in any number of locales at once. Mount Hermon was regarded as the axis mundi in Canaanite tradition, from where the sons of God are introduced descending in 1 Enoch 6:6. The ancient Armenians had a number of holy sites, the most important of which was Mount Ararat, which was thought to be the home of the gods as well as the center of the universe. Likewise, the ancient Greeks regarded several sites as places of Earth’s omphalos (navel) stone, notably the oracle at Delphi, while still maintaining a belief in a cosmic world tree and in Mount Olympus as the abode of the gods. Judaism has the Temple Mount; Christianity has the Mount of Olives and Calvary; and Islam has the Ka’aba (said to be the first building on Earth), as well as the Temple Mount (Dome of the Rock). In Hinduism, Mount Kailash is identified with the mythical Mount Meru and regarded as the home of Shiva; in Vajrayana Buddhism, Mount Kailash is recognized as the most sacred place where all the dragon currents converge and is regarded as the gateway to Shambhala. In Shinto, the Ise Shrine is the omphalos.” ref

“Sacred places can constitute world centers (omphaloi), with an altar or place of prayer as the axis. Altars, incense sticks, candles, and torches form the axis by sending a column of smoke, and prayer, toward heaven. It has been suggested by Romanian religious historian Mircea Eliade that architecture of sacred places often reflects this role: “Every temple or palace – and by extension, every sacred city or royal residence – is a Sacred Mountain, thus becoming a Centre.” Pagoda structures in Asian temples take the form of a stairway linking earth and heaven. A steeple in a church or a minaret in a mosque also serve as connections of earth and heaven. Structures such as the maypole, derived from the Saxons‘ Irminsul, and the totem pole among indigenous peoples of the Americas also represent world axes. The calumet, or sacred pipe, represents a column of smoke (the soul) rising from a world center. A mandala creates a world center within the boundaries of its two-dimensional space analogous to that created in three-dimensional space by a shrine. In the classical elements and the Vedic Pancha Bhoota, the axis mundi corresponds to Aether, the quintessence.” ref

“A common shamanic concept, and a universally told story, is that of the healer traversing the axis mundi to bring back knowledge from the other world. It may be seen in the stories from Odin and the World Ash Tree to the Garden of Eden and Jacob’s Ladder to Jack and the Beanstalk and Rapunzel. It is the essence of the journey described in The Divine Comedy by Dante Alighieri. The epic poem relates its hero’s descent and ascent through a series of spiral structures that take him through the core of the earth, from the depths of hell to celestial paradise. It is also a central tenet in the Southeastern Ceremonial Complex. Anyone or anything suspended on the axis between heaven and earth becomes a repository of potential knowledge. A special status accrues to the thing suspended: a serpent, a rod, a fruit, mistletoe. Derivations of this idea find form in the Rod of Asclepius, an emblem of the medical profession, and in the caduceus, an emblem of correspondence and commercial professions. The staff in these emblems represents the axis mundi, while the serpents act as guardians of, or guides to, knowledge.” ref

“Secular structures can also function as axes mundi. In Navajo culture, the hogan acts as a symbolic cosmic center. In some Asian cultures, houses were traditionally laid out in the form of a square oriented toward the four compass directions. A traditional home was oriented toward the sky through feng shui, a system of geomancy, just as a palace would be. Traditional Arab houses are also laid out as a square surrounding a central fountain that evokes a primordial garden paradise. Mircea Eliade noted that “the symbolism of the pillar in [European] peasant houses likewise derives from the ‘symbolic field’ of the axis mundi. In many archaic dwellings, the central pillar does in fact serve as a means of communication with the heavens, with the sky.” The nomadic peoples of Mongolia and the Americas more often lived in circular structures. The central pole of the tent still operated as an axis, but a fixed reference to the four compass points was avoided.” ref

“Plants often serve as images of the axis mundi. The image of the Cosmic Tree provides an axis symbol that unites three planes: sky (branches), earth (trunk), and underworld (roots). In some Pacific Island cultures, the banyan tree – of which the Bodhi tree is of the Sacred Fig variety – is the abode of ancestor spirits. In the Hindu religion, the banyan tree is considered sacred and is called ashwath vriksha (“Of all trees I am the banyan tree” – Bhagavad Gita). It represents eternal life because of its seemingly ever-expanding branches. The Bodhi tree is also the name given to the tree under which Gautama Siddhartha, the historical Buddha, sat on the night he attained enlightenment.” ref

“The Mesoamerican world tree connects the planes of the underworld and the sky with that of the terrestrial realm. The Yggdrasil, or World Ash, functions in much the same way in Norse mythology; it is the site where Odin found enlightenment. Other examples include Jievaras in Lithuanian mythology and Thor’s Oak in the myths of the pre-Christian Germanic peoples. The Tree of Life and the Tree of Knowledge of Good and Evil in Genesis present two aspects of the same image. Each is said to stand at the center of the paradise garden from which four rivers flow to nourish the whole world. Each tree confers a boon. Bamboo, the plant from which Asian calligraphy pens are made, represents knowledge and is regularly found on Asian college campuses. The Christmas tree, which can be traced in its origins back to pre-Christian European beliefs, represents an axis mundi. In Yoruba religion, oil palm is the axis mundi (though not necessarily a “world tree”) that Ọrunmila climbs to alternate between heaven and earth.” ref

“The human body can express the symbol of the world axis. Some of the more abstract Tree of Life representations, such as the sefirot in Kabbalism and the chakra system recognized by Hinduism and Buddhism, merge with the concept of the human body as a pillar between heaven and earth. Disciplines such as yoga and tai chi begin from the premise of the human body as axis mundi. The Buddha represents a world center in human form. Large statues of a meditating figure unite the human form with the symbolism of the temple and tower. Astrology in all its forms assumes a connection between human health and affairs and celestial-body orientation. World religions regard the body itself as a temple and prayer as a column uniting earth and heaven. The ancient Colossus of Rhodes combined the role of the human figure with those of portal and skyscraper. The Renaissance image known as the Vitruvian Man represented a symbolic and mathematical exploration of the human form as world axis.” ref

The Center of the World “Axis Mundi” and/or “Sacred Mountains” Mythology Could Relate to the Altai Mountains, Heart of the Steppe

“Golden Mountains of Altai is the name of the Altai and Katun Natural Reserves, Lake Teletskoye, Belukha Mountain, and the Ukok Plateau. The region represents the most complete sequence of altitudinal vegetation zones in central Siberia, from steppe, forest-steppe, mixed forest, subalpine vegetation to alpine vegetation”. The Altai region is made up of four primary sites and landscapes: Mount Belukha, the Ukok Plateau, the Katun River, and the Karakol Valley. Mount Beluka is regarded as a sacred site to Buddhists and the Burkhanist. Their myths surrounding this portion of the mountain range lent credence to their claim that it was the location of Shangri-la (Shambala). The Ukok Plateau is an ancient burial site of the early Siberian people. Moreover, a number of myths are connected to this portion of the Golden Mountains. For example, the plateau was thought to have been the Elysian fields. The Katun River is an important religious location to the Altaians where they (during celebrations) utilize ancient ecological knowledge to restore and maintain the river. The Karakol Valley is home of three indigenous villages where tourism is greatly managed. While the Golden Mountains of Altai are listed on the World Heritage List under natural criteria, it holds information about the nomadic Scythian culture. The permafrost in these mountains has preserved Scythian burial mounds. These frozen tombs, or kurgans, hold metal objects, pieces of gold, mummified bodies, tattooed bodies, sacrificed horses, wood/leather objects, clothes, textiles, etc. However, the Ukok Plateau (in the Altai Mountains) is a sacred site to the Altai people, so archeologists and scholars who are looking to excavate the site for human remains raise controversy.” ref

The Center of the World “Axis Mundi” and/or “Sacred Mountains” Mythology Could Relate to the Altai Mountains, Heart of the Steppe, as well as a hub for Shamanism

Damien Marie AtHope’s Art

ref, ref, ref, ref, ref, ref, ref, ref, ref

Lenticular Clouds

“Lenticular clouds (Latin: Lenticularis lentil-shaped, from lenticula lentil) are stationary clouds that form mostly in the troposphere, typically in parallel alignment to the wind direction. They are often comparable in appearance to a lens or saucer. Nacreous clouds that form in the lower stratosphere sometimes have lenticular shapes.” ref 

“There are three main types of lenticular clouds: altocumulus standing lenticular (ACSL), stratocumulus standing lenticular (SCSL), and cirrocumulus standing lenticular (CCSL), varying in altitude above the ground. Because of their unique appearance, they have been suggested as an explanation for some unidentified flying object (UFO) sightings.” ref

Formation and appearance

“As air travels along the surface of the Earth, obstructions are often encountered. These include both natural features of the Earth, such as mountains or hills, and artificial structures, such as buildings and other structures. These disrupt the flow of air into “eddies”, or areas of turbulence influenced by these obstructions.” ref

“When moist, stable air flows over a larger eddy, such as those caused by mountains, a series of large-scale standing waves form on the leeward side of the mountain. If the temperature at the crest of the wave drops below the local dew point, moisture in the air may condense to form lenticular clouds. Under certain conditions, long strings of lenticular clouds may form near the crest of each successive wave, creating a formation known as a “wave cloud“. These wave systems can produce large updrafts, occasionally enough for water vapour to condense and produce precipitation.” ref

“Lenticular clouds have been said to be mistaken for UFOs; as many of these clouds have the shape of a “flying saucer”, with a characteristic “lens” or smooth, “saucer-like” shape. Because lenticular clouds generally do not form over low-lying or flat terrain, many people may have never seen one before and don’t know that they can exist. Bright colors (called iridescence) are sometimes seen along the edge of lenticular clouds.” ref

“Lenticular clouds have continuously mystified, more than “mystified” since clouds typically high above the ground are the most creative and artistic forms of water that never failed to launch human thoughts and imagination to other dimensions of creativity and this is particularly so cloud formation, the lenticular clouds, has a more profound effect on the human mind. More often they are viewed in the extraterrestrial context. They, more often, represent or are seen as the majestic but mythic flying saucer.” ref 

“Lenticular clouds (Altocumulus lenticularis, meaning “shaped like a lentil” in Latin) mostly develop among the crests and valleys of mountainous terrain. They are associated with waves in the atmosphere that form when moist air flow is forced up, over, and partway down a mountaintop. The moist air cools, causing it to condense into a disk-shaped cloud.” ref 

“Often a lenticular cloud resembles a spaceship hovering near a mountain’s summit. Sometimes, however, multiple clouds will pile on top of each other like a stack of pancakes. Not only do lenticulars look unique but they also behave differently than other clouds by not moving with the wind flow. By reforming over and over again in the crest of the mountain wave, they can stay in one location for several hours.” ref

“Atmospheric waves generate turbulence, so pilots avoid flying near lenticular clouds. Also, because they’re a sign that rain or snow is on the way, one glance offers an instant and visually spectacular weather forecast. Mount Rainier, located southeast of Seattle, is a magnet for this type of cloud. Numerous news stories tell of lenticulars hovering atop the mountain.” ref

“Although the clouds seem unearthly, most onlookers recognize them for what they are. Even so, a sighting by a pilot in 1947 launched a flying saucer craze, according to the book “Meteorology Today” by C. Ahrens and R. Henson. Thanks to studies of the atmosphere, lenticular clouds may look mysterious, but the way they’re formed is far from a mystery.” ref

Evidence of an alien invasion? No – the rare phenomenon of eerily beautiful lenticular clouds captured by a Russian photographer

“Russian photographer Denis Budkov, 33, captured formations the over the Kamchatka Peninsula in Russia. The rare phenomenon occurs when strong winds are blocked by large geographical features such as mountains. The clouds are often mistaken for flying saucers or cover for UFOS because of their unusual shape. Hovering high above the mountains these unusual, saucer-like white masses resemble a creature or vehicle from another world – but they are in fact clouds.” ref 

“The natural phenomenon, known as lenticular clouds, tends to form at high altitudes, such as above mountains. The lens-shaped formations are scientifically known as ‘altocumulus lenticularis’ and are the result of moist air that has condensed at a high altitude. They are formed when the air temperature drops and moisture droplets are pushed up a steep slope by high winds.” ref

“This unique atmospheric condition creates the interesting lens-shaped form that defines a lenticular cloud. Mountains act as natural barriers forcing clouds to condense quickly as they are pushed to cooler altitudes. This is why a large or particularly tall mountain range will experience a moist climate on one side but an arid one on the other.” ref

“He said: ‘These clouds are very special as they do not move, they stay in one place and it’s only their shape that changes. ‘There needs to be at least two factors for these clouds to appear, a very strong wind and a very high object, so Klyuchevskaya Sopka is a perfect place to find lenticular clouds.” ref

“Kamchatka is a very special and beautiful land. ‘With every new day, I seem to discover more areas of natural beauty that I didn’t even know existed. ‘I was born and raised in Kamchatka, the so-called ‘land of fire breathing mountains’ and there is nowhere else like it on Earth. You can walk to the top of a volcano, find the Pacific Ocean by following the mountain rivers and see the first sunrise over all of Russia.” ref 

Lenticular Clouds

“Lenticular clouds form due to the wind blowing across the top of a mountain at a pretty good speed.  The wind on the windward side is pushed up and then pulled back down on the downwind side.  This process results in a slight drop in pressure on the downwind side of the mountain.  This drop in pressure results in a drop in temperature (thanks Bernouli).  The slight drop in temperature forces moisture in the air to condense and form a cloud.  Given that the air quickly returns back to normal pressure and temperature in a short distance, the water then goes back to vapor and you do not see the cloud continuing on the downwind side of the mountain.  This is different from normal clouds as we generally think of a cloud as a single parcel of air.  In this case, the “cloud” we see actually has tons of air rushing through it.  It is not one stationary parcel of air, but rather a stationary zone of low pressure and low temperature causing moisture to become visible momentarily before it flows on by. It typically takes very stable air blowing at 40 knots or more to generate these type of clouds.” ref 

Rotor Clouds

“Rotor clouds are caused by the same weather pattern as lenticular clouds, stable air blowing perpendicularly across a mountain range.  A rotor cloud will contain severe turbulence and is generally found just below the lenticular clouds, at or below the top altitude of the mountain tops.  Rotor clouds form down here as a result of the surface friction with the wind blowing over the mountain. Take a look at the two pictures below to get a better understanding.” ref

Mountain Wave Turbulence

“So it seems obvious with all this air circulating around very quickly we can expect some pretty good turbulence.  We refer to this as mountain wave turbulence and it can be even nastier than the regular bumps that bang you around.  The trouble with mountain wave turbulence is, when air is flowing perpendicular to a mountain range, it is going to be creating updrafts as it flows up one side and downdrafts down the other.  These vertical air currents are so strong in fact some aircraft could shut down their engine and still not be able to descend on the upwind side of the mountain as they get “picked up” in the updrafts.  The same is true and much worse on the other side of the mountains.  You NEVER want to approach a mountain range on the downwind side of it!  Especially if you are flying low and in a smaller airplane without a whole lot of excess power (basically if you don’t have the ability to climb at 4,000+ fpm you should rethink your approach).” ref  

“As you see in the diagram below, as you approach the mountain from the downwind side, you are going to get pushed down towards the ground, and despite your best efforts, it is doubtful your airplane will have enough power to climb up faster than the downdraft is pushing you down.  Pilots who are unwise and unlucky enough to find themselves in such a situation generally either wind up flying right into the side of the mountain or stalling trying to climb more than the airplane can and falling into the side of the mountain.  Either is a very bad option.  Don’t try to cross a mountain range with a headwind of any strength, if you do encounter unexpected downdrafts, hopefully, you will have enough margin of error with the altitude you are flying at to execute a 180-degree turn and use that tailwind to help you get back to where you came from extra fast!” ref

The Mythology of Clouds

“What could be more whimsical and imagination-stirring than a cloud? These transient puffs of air laced with water particles take on mysterious shapes we naturally recognize as children. In recent months alone I’ve watched in awe as clouds morphed into giraffes, turtles, Coke bottles, and top hats. With their infinite changeability and frustratingly untouchable height, it’s no wonder clouds have been imbued with mythological and folkloric qualities by many cultures, for hundreds of years.” ref

“We’ll start in Ancient Greece. According to myth, clouds were not clouds at all but a group of young nymphs called Nephelai, the daughters of two titans, Oceanus and Tethys. These cloud spirits, depicted as beautiful and transparent, spent their days collecting water from the rivers in cloudy pitchers, then floating up to the heavens. When these pitchers were full, they poured water down from the sky, nourishing the earth and feeding the streams of their brothers, the Potamoi (river gods). Nephelai were thought to sail through the sky in billowing white robes, much like the way that clouds drift across the heavens.” ref 

“An ancient Hindu tradition said that elephants brought the rain, and that clouds themselves were the celestial relatives of the white elephants that roamed the earth. An elephant’s body was thought to be representative of a cloud, and they would use their trunks to shower the earth with rain.” ref

“Native Americans also created myths and folklore around clouds. According to the Skidi Pawnee tribe, who lived in Nebraska, clouds were the clothing of the gods of heaven. A god spreading its arms would cause the clouds to stretch across the entire sky. And the early Navajo people believed that clouds were formed when a great white swan flapped its wings.” ref

“Even today, cloud myths endure. The Pueblo of Southwest America worship the Cloud People, supernatural beings from the Underworld who bring rain and moisture to the earth. These Cloud People are the spirits of the deceased who lived a good life, thereby taking on the form of clouds in the afterlife. By properly honoring the dead, the Pueblo – an agricultural people – believe that the Cloud People will grant them rain, thereby nourishing their land.” ref

“Since we’re into etymology (and when I see ‘we’, I mean ‘me’) – ‘cloud’ comes from the old English ‘clud’ or ‘clod,’ meaning a hill or a mass of rock. In the beginning of the 13th century, the word came to be used to refer to clouds in the sky. And in other news, the official scientific definition of a cloud is ‘a visible accumulation of water droplets or solid ice crystals that floats in the Earth’s troposphere’.” ref

“There’s no doubt about it – there’s just something about clouds that is utterly magical seeming. And it’s not just you and I that have that feeling – it’s a universal phenomenon throughout history. In fact, a Cloud Appreciation Society formed in 2005 now has more than 35,000 members worldwide. The society quite romantically calls clouds ‘Nature’s poetry’ in its manifesto.” ref

Nephele: Cloud Goddess of hospitality and Member of the Athamantian Royal House

“In Greek mythology, Nephele was a cloud nymph who figured prominently in the story of Phrixus and Helle. Greek myth has it that Nephele is the cloud whom Zeus created in the image of Hera to trick Ixion to test his integrity after displaying his lust for Hera during a feast as a guest of Zeus. Ixion’s restraint failed him, and he coupled with Nephele, eventually fathering the Centaurs (through Imbros or Centauros).” ref 

“Nephele married Athamas, and had twins, a son, Phrixus, and a daughter, Helle. Athamas then divorced her for Ino, who hatched a devious plot to get rid of the twins, roasting all the town’s crop seeds so they would not grow. The local farmers, frightened of famine, asked a nearby oracle for assistance. Inobribed the men sent to the oracle to lie and tell the others that the oracle required the sacrifice of Phrixus. Before he was killed though, Phrixus and Helle were rescued by a flying golden ram sent by their natural mother Nephele.” ref

“Phrixus and Helle were instructed to not look down to Earth for the duration of their flight. Helle, though, did look down, and fell off the ram into the Hellespont (which was named after her, meaning Sea of Helle) and drowned. Phrixus survived all the way to Colchis, where King Aeetes took him in and treated him kindly, giving Phrixus his daughter, Chalciope, in marriage. In gratitude, Phrixus gave the king the Golden Fleece of the Golden Ram, which Aeetes hung in a tree in his kingdom. The Golden Fleece would later be taken by Jason and his Argonauts.” ref

Hera

“Hera (/ˈhɛrə, ˈhɪərə/; Greek: Ἥρα, translit. Hḗrā; Ἥρη, Hḗrē in Ionic and Homeric Greek) is the goddess of women, marriage, family, and childbirth in ancient Greek religion and mythology, one of the twelve Olympians and the sister and wife of Zeus. She is the daughter of the Titans Cronus and Rhea. Hera rules over Mount Olympus as queen of the gods. A matronly figure, Hera served as both the patroness and protectress of married women, presiding over weddings and blessing marital unions. One of Hera’s defining characteristics is her jealous and vengeful nature against Zeus’ numerous lovers and illegitimate offspring, as well as the mortals who cross her.” ref 

“Hera is commonly seen with the animals she considers sacred, including the cow, lion, and the peacock. Portrayed as majestic and solemn, often enthroned, and crowned with the polos (a high cylindrical crown worn by several of the Great Goddesses), Hera may hold a pomegranate in her hand, emblem of fertile blood and death and a substitute for the narcotic capsule of the opium poppy. Her Roman counterpart is Juno.” ref

“The name of Hera has several possible and mutually exclusive etymologies; one possibility is to connect it with Greek ὥρα hōra, season, and to interpret it as ripe for marriage and according to Plato ἐρατή eratē, “beloved” as Zeus is said to have married her for love. According to Plutarch, Hera was an allegorical name and an anagram of aēr (ἀήρ, “air”). So begins the section on Hera in Walter Burkert‘s Greek Religion. In a note, he records other scholars’ arguments “for the meaning Mistress as a feminine to Heros, Master.” ref 

“John Chadwick, a decipherer of Linear B, remarks “her name may be connected with hērōs, ἥρως, ‘hero’, but that is no help since it too is etymologically obscure.” A. J. van Windekens, offers “young cow, heifer”, which is consonant with Hera’s common epithet βοῶπις (boōpis, “cow-eyed”). R. S. P. Beekes has suggested a Pre-Greek origin. Her name is attested in Mycenaean Greek written in the Linear B syllabic script as e-ra, appearing on tablets found in Pylos and Thebes, as well in the Cypriotic dialect in the dative e-ra-i.” ref

Hera may have been the first deity to whom the Greeks dedicated an enclosed roofed temple sanctuary, at Samos about 800 BCE. It was replaced later by the Heraion of Samos, one of the largest of all Greek temples (altars were in front of the temples under the open sky). There were many temples built on this site so evidence is somewhat confusing and archaeological dates are uncertain.” ref

“The temple created by the Rhoecus sculptors and architects was destroyed between 570–560 BCE. This was replaced by the Polycratean temple of 540–530 BCE. In one of these temples we see a forest of 155 columns. There is also no evidence of tiles on this temple suggesting either the temple was never finished or that the temple was open to the sky.” ref

“Earlier sanctuaries, whose dedication to Hera is less certain, were of the Mycenaean type called “house sanctuaries”. Samos excavations have revealed votive offerings, many of them late 8th and 7th centuries BCE, which show that Hera at Samos was not merely a local Greek goddess of the Aegean: the museum there contains figures of gods and suppliants and other votive offerings from Armenia, Babylon, Iran, Assyria, Egypt, testimony to the reputation which this sanctuary of Hera enjoyed and to the large influx of pilgrims. Compared to this mighty goddess, who also possessed the earliest temple at Olympia and two of the great fifth and sixth century temples of Paestum, the termagant of Homer and the myths is an “almost… comic figure”, according to Burkert.” ref

“Though greatest and earliest free-standing temple to Hera was the Heraion of Samos, in the Greek mainland Hera was especially worshipped as “Argive Hera” (Hera Argeia) at her sanctuary that stood between the former Mycenaean city-states of Argos and Mycenae, where the festivals in her honor called Heraia were celebrated. “The three cities I love best,” the ox-eyed Queen of Heaven declares in the Iliad, book iv, “are Argos, Sparta, and Mycenae of the broad streets.” There were also temples to Hera in Olympia, Corinth, Tiryns, Perachora, and the sacred island of Delos. In Magna Graecia, two Doric temples to Hera were constructed at Paestum, about 550 BCE and about 450 BCE. One of them, long called the Temple of Poseidon was identified in the 1950s as a second temple there of Hera.” ref

“In Euboea, the festival of the Great Daedala, sacred to Hera, was celebrated on a sixty-year cycle. Hera’s importance in the early archaic period is attested by the large building projects undertaken in her honor. The temples of Hera in the two main centers of her cult, the Heraion of Samos and the Heraion of Argos in the Argolis, were the very earliest monumental Greek temples constructed, in the 8th century BCE.” ref

Importance of Hera

“According to Walter Burkert, both Hera and Demeter have many characteristic attributes of Pre-Greek Great Goddesses. In the same vein, British scholar Charles Francis Keary suggests that Hera had some sort of “Earth Goddess” worship in ancient times, connected to her possible origin as a Pelasgian goddess (as mentioned by Herodotus).” ref

“According to Homeric Hymn III to Delian Apollo, Hera detained Eileithyia to prevent Leto from going into labor with Artemis and Apollo, since the father was Zeus. The other goddesses present at the birthing on Delos sent Iris to bring her. As she stepped upon the island, the divine birth began. In the myth of the birth of Heracles, it is Hera herself who sits at the door, delaying the birth of Heracles until her protégé, Eurystheus, had been born first.” ref

“The Homeric Hymn to Pythian Apollo makes the monster Typhaon the offspring of archaic Hera in her Minoan form, produced out of herself, like a monstrous version of Hephaestus, and whelped in a cave in Cilicia. She gave the creature to Python to raise.” ref

“In the Temple of Hera, Olympia, Hera’s seated cult figure was older than the warrior figure of Zeus that accompanied it. Homer expressed her relationship with Zeus delicately in the Iliad, in which she declares to Zeus, “I am Cronus‘ eldest daughter, and am honorable not on this ground only, but also because I am your wife, and you are king of the gods.” ref

Hera and Matriarchy

“There has been considerable scholarship, reaching back to Johann Jakob Bachofen in the mid-nineteenth century, about the possibility that Hera, whose early importance in Greek religion is firmly established, was originally the goddess of a matriarchal people, presumably inhabiting Greece before the Hellenes. In this view, her activity as goddess of marriage established the patriarchal bond of her own subordination: her resistance to the conquests of Zeus is rendered as Hera’s “jealousy”, the main theme of literary anecdotes that undercut her ancient cult.” ref

“However, it remains a controversial claim that an ancient matriarchy or a cultural focus on a monotheistic Great Goddess existed among the ancient Greeks or elsewhere. The claim is generally rejected by modern scholars as insufficiently evidenced.” ref

Youth and Hera

“Hera was most known as the matron goddess, Hera Teleia; but she presided over weddings as well. In myth and cult, fragmentary references and archaic practices remain of the sacred marriage of Hera and Zeus. At Plataea, there was a sculpture of Hera seated as a bride by Callimachus, as well as the matronly standing Hera.” ref

“Hera was also worshipped as a virgin: there was a tradition in Stymphalia in Arcadia that there had been a triple shrine to Hera the Girl (Παις [Pais]), the Adult Woman (Τελεια [Teleia]), and the Separated (Χήρη [Chḗrē] ‘Widowed’ or ‘Divorced’). In the region around Argos, the temple of Hera in Hermione near Argos was to Hera the Virgin. At the spring of Kanathos, close to Nauplia, Hera renewed her virginity annually, in rites that were not to be spoken of (arrheton). The Female figure, showing her “Moon” over the lake is also appropriate, as Hebe, Hera, and Hecate; new moon, full moon, and old moon in that order and otherwise personified as the Virgin of Spring, The Mother of Summer, and the destroying Crone of Autumn.” ref

Emblems of Hera

“In Hellenistic imagery, Hera’s chariot was pulled by peacocks, birds not known to Greeks before the conquests of Alexander. Alexander’s tutor, Aristotle, refers to it as “the Persian bird.” The peacock motif was revived in the Renaissance iconography that unified Hera and Juno, and which European painters focused on. A bird that had been associated with Hera on an archaic level, where most of the Aegean goddesses were associated with “their” bird, was the cuckoo, which appears in mythic fragments concerning the first wooing of a virginal Hera by Zeus.” ref

“Her archaic association was primarily with cattle, as a Cow Goddess, who was especially venerated in “cattle-rich” Euboea. On Cyprus, very early archaeological sites contain bull skulls that have been adapted for use as masks (see Bull (mythology)). Her familiar Homeric epithet Boôpis, is always translated “cow-eyed”. In this respect, Hera bears some resemblance to the Ancient Egyptian deity Hathor, a maternal goddess associated with cattle. Scholar of Greek mythology Walter Burkert writes in Greek Religion, “Nevertheless, there are memories of an earlier aniconic representation, as a pillar in Argos and as a plank in Samos.” ref

Hera Epithets

“Hera bore several epithets in the mythological tradition, including:

• Ἀλέξανδρος (Alexandros) ‘Protector of Men’ (Alexandros) (among the Sicyonians)
• Αἰγοφάγος (Aigophágos) ‘Goat-Eater’ (among the Lacedaemonians)
• Ἀκραῖα (Akráia) ‘(She) of the Heights’
• Ἀμμωνία (Ammonia)
• Ἄνθεια (Antheia), meaning flowery
• Ἀργεία (Argéia) ‘(She) of Argos‘
• Βασίλεια (Basíleia) ‘Queen’
• Βουναία (Bounáia) ‘(She) of the Mound’ (in Corinth)
• Βοῶπις (Boṓpis) ‘Cow-Eyed’ or ‘Cow-Faced’
• Λευκώλενος (Leukṓlenos) ‘White-Armed’
• Παῖς (Pais) ‘Child’ (in her role as virgin)
• Παρθένος (Parthénos) ‘Virgin’
• Τελεία (Teléia) (as goddess of marriage)
• Χήρη (Chḗrē) ‘Widowed’
• Τελχινία (Telchinia), Diodorus Siculus write that she was worshiped by the Ialysians and the Cameirans (both were on the island of Rhodes). She was named liked that because according to a legend, Telchines (Τελχῖνες) were the first inhabitants of the island and also the first who created statues of gods.” ref

Hera Mythology

Hera’s Birth

“Hera is the daughter of the youngest Titan Cronus and his wife, and sister, Rhea. Cronus was fated to be overthrown by one of his children; to prevent this, he swallowed all of his newborn children whole until Rhea tricked him into swallowing a stone instead of her youngest child, Zeus. Zeus grew up in secret and when he grew up he tricked his father into regurgitating his siblings, including Hera. Zeus then led the revolt against the Titans, banished them, and divided the dominion over the world with his brothers Poseidon and Hades.” ref

Hera’s Marriage with Zeus

“Hera is the goddess of marriage and childbirth rather more than of motherhood, and much of her mythology revolves around her marriage with her brother Zeus. She is charmed by him and she seduces him; he cheats on her and has many children by other goddesses and mortal women; she is intensely jealous and vindictive towards his children and their mothers; he is threatening and violent to her.” ref

“In the Iliad, Zeus implies their marriage was some sort of elopement, as they lay secretly from their parents. Pausanias records a tale of how they came to be married in which Zeus transformed into a cuckoo bird to woo Hera. She caught the bird and kept it as her pet; this is why the cuckoo is seated on her scepter. According to a scholion on Theocritus‘ Idylls, when Hera was heading toward Mount Thornax alone, Zeus created a terrible storm and transformed himself into a cuckoo bird who flew down and sat on her lap.” ref

“When Hera saw him, she covered him with her cloak. Zeus then transformed back and took hold of her; because she was refusing to sleep with him due to their mother, he promised to marry her. In one account Hera refused to marry Zeus and hid in a cave to avoid him; an earthborn man named Achilles convinced her to give him a chance, and thus the two had their first sexual intercourse. According to Callimachus, their wedding feast lasted three thousand years. The Apples of the Hesperides that Heracles was tasked by Eurystheus to take were a wedding gift by Gaia to the couple.” ref

Heracles and Hera

“Hera is the stepmother and enemy of Heracles. The name Heracles means “Glory of Hera”. In Homer’s Iliad, when Alcmene was about to give birth to Heracles, Zeus announced to all the gods that on that day a child by Zeus himself, would be born and rule all those around him. Hera, after requesting Zeus to swear an oath to that effect, descended from Olympus to Argos and made the wife of Sthenelus (son of Perseus) give birth to Eurystheus after only seven months, while at the same time preventing Alcmene from delivering Heracles. This resulted in the fulfilment of Zeus’s oath in that it was Eurystheus rather than Heracles.” ref

“In Pausanias’ recounting, Hera sent witches (as they were called by the Thebans) to hinder Alcmene’s delivery of Heracles. The witches were successful in preventing the birth until Historis, daughter of Tiresias, thought of a trick to deceive the witches. Like Galanthis, Historis announced that Alcmene had delivered her child; having been deceived, the witches went away, allowing Alcmene to give birth. Hera’s wrath against Zeus’ son continues and while Heracles is still an infant, Hera sends two serpents to kill him as he lies in his cot. Heracles throttles the snakes with his bare hands and is found by his nurse playing with their limp bodies as if they were a child’s toy.” ref

“One account of the origin of the Milky Way is that Zeus had tricked Hera into nursing the infant Heracles: discovering who he was, she pulled him from her breast, and a spurt of her milk formed the smear across the sky that can be seen to this day. Unlike any Greeks, the Etruscans instead pictured a full-grown bearded Heracles at Hera’s breast: this may refer to his adoption by her when he became an Immortal. He had previously wounded her severely in the breast.” ref

“When Heracles reached adulthood, Hera drove him mad, which led him to murder his family and this later led to him undertaking his famous labors. Hera assigned Heracles to labor for King Eurystheus at Mycenae. She attempted to make almost all of Heracles’ twelve labors more difficult. When he fought the Lernaean Hydra, she sent a crab to bite at his feet in the hopes of distracting him. Later Hera stirred up the Amazons against him when he was on one of his quests. When Heracles took the cattle of Geryon, he shot Hera in the right breast with a triple-barbed arrow: the wound was incurable and left her in constant pain, as Dione tells Aphrodite in the Iliad, Book V. Afterwards, Hera sent a gadfly to bite the cattle, irritate them and scatter them.” ref 

“Hera then sent a flood which raised the water level of a river so much that Heracles could not ford the river with the cattle. He piled stones into the river to make the water shallower. When he finally reached the court of Eurystheus, the cattle were sacrificed to Hera. Eurystheus also wanted to sacrifice the Cretan Bull to Hera. She refused the sacrifice because it reflected glory on Heracles. The bull was released and wandered to Marathon, becoming known as the Marathonian Bull.” ref

“Some myths state that in the end, Heracles befriended Hera by saving her from Porphyrion, a giant who tried to rape her during the Gigantomachy, and that she even gave her daughter Hebe as his bride. Whatever myth-making served to account for an archaic representation of Heracles as “Hera’s man” it was thought suitable for the builders of the Heraion at Paestum to depict the exploits of Heracles in bas-reliefs.” ref

Leto and the Twins: Apollo and Artemis

“When Hera discovered that Leto was pregnant and that Zeus was the father, she convinced the nature spirits to prevent Leto from giving birth on terra-firma, the mainland, any island at sea, or any place under the sun. Poseidon gave pity to Leto and guided her to the floating island of Delos, which was neither mainland nor a real island where Leto was able to give birth to her children. Afterward, Zeus secured Delos to the bottom of the ocean. The island later became sacred to Apollo. Alternatively, Hera kidnapped Eileithyia, the goddess of childbirth, to prevent Leto from going into labor. The other gods bribed Hera with a beautiful necklace nobody could resist and she finally gave in.” ref

“Either way, Artemis was born first and then assisted with the birth of Apollo. Some versions say Artemis helped her mother give birth to Apollo for nine days. Another variation states that Artemis was born one day before Apollo, on the island of Ortygia and that she helped Leto cross the sea to Delos the next day to give birth to Apollo. Later, Tityos attempted to rape Leto at the behest of Hera. He was slain by Artemis and Apollo. This account of the birth of Apollo and Artemis is contradicted by Hesiod in Theogony, as the twins are born prior to Zeus’ marriage to Hera.” ref

Io and Argus

“The myth of Io has many forms and embellishments. Generally, Io was a priestess of Hera at the Heraion of Argos. Zeus lusted after her and either Hera turned Io into a heifer to hide her from Zeus, or Zeus did so to hide her from Hera but was discovered. Hera had Io tethered to an olive-tree and set Argus Panoptes (lit. ‘all-seeing’) to watch over her, but Zeus sent Hermes to kill him. Infuriated, Hera then sent a gadfly (Greek oistros, compare oestrus) to pursue and constantly sting Io, who fled into Asia and eventually reached Egypt. There Zeus restored her to human form and she gave birth to his son Epaphus.” ref

Judgment of Paris

“A prophecy stated that a son of the sea-nymph Thetis, with whom Zeus fell in love after gazing upon her in the oceans off the Greek coast, would become greater than his father. Possibly for this reasons, Thetis was betrothed to an elderly human king, Peleus son of Aeacus, either upon Zeus’ orders, or because she wished to please Hera, who had raised her. All the gods and goddesses as well as various mortals were invited to the marriage of Peleus and Thetis (the eventual parents of Achilles) and brought many gifts. Only Eris, goddess of discord, was not invited and was stopped at the door by Hermes, on Zeus’ order. She was annoyed at this, so she threw from the door a gift of her own: a golden apple inscribed with the word καλλίστῃ (kallistēi, “To the fairest”). Aphrodite, Hera, and Athena all claimed to be the fairest, and thus the rightful owner of the apple.” ref

“The goddesses quarreled bitterly over it, and none of the other gods would venture an opinion favoring one, for fear of earning the enmity of the other two. They chose to place the matter before Zeus, who, not wanting to favor one of the goddesses, put the choice into the hands of Paris, a Trojan prince. After bathing in the spring of Mount Ida where Troy was situated, they appeared before Paris to have him choose. The goddesses undressed before him, either at his request or for the sake of winning. Still, Paris could not decide, as all three were ideally beautiful, so they resorted to bribes. Hera offered Paris political power and control of all of Asia, while Athena offered wisdom, fame, and glory in battle, and Aphrodite offered the most beautiful mortal woman in the world as a wife, and he accordingly chose her. This woman was Helen, who was, unfortunately for Paris, already married to King Menelaus of Sparta. The other two goddesses were enraged by this and through Helen’s abduction by Paris, they brought about the Trojan War.” ref

The Iliad

“Hera plays a substantial role in The Iliad, appearing in a number of books throughout the epic poem. She hates the Trojans because of Paris’ decision that Aphrodite was the most beautiful goddess, and so supports the Greeks during the war. Throughout the epic, Hera makes many attempts to thwart the Trojan army. In books 1 and 2, Hera declares that the Trojans must be destroyed. Hera persuades Athena to aid the Achaeans in battle and she agrees to assist with interfering on their behalf.” ref

“In book 5, Hera and Athena plot to harm Ares, who had been seen by Diomedes in assisting the Trojans. Diomedes called for his soldiers to fall back slowly. Hera, Ares’ mother, saw Ares’ interference and asked Zeus, Ares’ father, for permission to drive Ares away from the battlefield. Hera encouraged Diomedes to attack Ares and he threw his spear at the god. Athena drove the spear into Ares’ body, and he bellowed in pain and fled to Mount Olympus, forcing the Trojans to fall back.” ref

“In book 8, Hera tries to persuade Poseidon to disobey Zeus and help the Achaean army. He refuses, saying he doesn’t want to go against Zeus. Determined to intervene in the war, Hera and Athena head to the battlefield. However, seeing the two flee, Zeus sent Iris to intercept them and make them return to Mount Olympus or face grave consequences. After prolonged fighting, Hera sees Poseidon aiding the Greeks and giving them the motivation to keep fighting.” ref

“In book 14 Hera devises a plan to deceive Zeus. Zeus set a decree that the gods were not allowed to interfere in the mortal war. Hera is on the side of the Achaeans, so she plans a Deception of Zeus where she seduces him, with help from Aphrodite, and tricks him into a deep sleep, with the help of Hypnos, so that the Gods could interfere without the fear of Zeus.” ref

“In book 21, Hera continues her interference with the battle as she tells Hephaestus to prevent the river from harming Achilles. Hephaestus sets the battlefield ablaze, causing the river to plead with Hera, promising her he will not help the Trojans if Hephaestus stops his attack. Hephaestus stops his assault and Hera returns to the battlefield where the gods begin to fight amongst themselves.” ref

Minor stories

Semele and Dionysus

“When Hera learned that Semele, daughter of Cadmus King of Thebes, was pregnant by Zeus, she disguised herself as Semele’s nurse and persuaded the princess to insist that Zeus show himself to her in his true form. When he was compelled to do so, having sworn by Styx, his thunder and lightning destroyed Semele. Zeus took Semele’s unborn child, Dionysus, and completed its gestation sewn into his own thigh.” ref

“In another version, Dionysus was originally the son of Zeus by either Demeter or Persephone. Hera sent her Titans to rip the baby apart, from which he was called Zagreus (“Torn in Pieces”). Zeus rescued the heart; or, the heart was saved, variously, by Athena, Rhea, or Demeter.[74] Zeus used the heart to recreate Dionysus and implant him in the womb of Semele—hence Dionysus became known as “the twice-born”. Certain versions imply that Zeus gave Semele the heart to eat to impregnate her. Hera tricked Semele into asking Zeus to reveal his true form, which killed her. Dionysus later managed to rescue his mother from the underworld and have her live on Mount Olympus.” ref

Lamia

“Lamia was a lovely queen of Libya, whom Zeus loved and slept with. Hera in jealousy, caused Lamia to kill her own children; out of grief for her actions, Lamia was turned into a misshapen creature that would therefore snatch and murder other people’s children.” ref

Gerana

“Gerana was a queen of the Pygmies who boasted she was more beautiful than Hera. The wrathful goddess turned her into a crane and proclaimed that her bird descendants should wage eternal war on the Pygmy folk.” ref

Cydippe

“Cydippe, a priestess of Hera, was on her way to a festival in the goddess’ honor. The oxen which were to pull her cart were overdue and her sons, Biton and Cleobis, pulled the cart the entire way (45 stadia, 8 kilometers). Cydippe was impressed with their devotion to her and Hera so asked Hera to give her children the best gift a god could give a person. Hera ordained that the brothers would die in their sleep. This honor bestowed upon the children was later used by Solon, as a proof while trying to convince Croesus that it is impossible to judge a person’s happiness until they have died a fruitful death after a joyous life.” ref

Tiresias

“Tiresias was a priest of Zeus, and as a young man, he encountered two snakes mating and hit them with a stick. He was then transformed into a woman. As a woman, Tiresias became a priestess of Hera, married, and had children, including Manto. After seven years as a woman, Tiresias again found mating snakes; depending on the myth, either she made sure to leave the snakes alone this time, or, according to Hyginus, trampled on them and became a man once more.” ref

“As a result of his experiences, Zeus and Hera asked him to settle the question of which sex, male or female, experienced more pleasure during intercourse. Zeus claimed it was women; Hera claimed it was men. When Tiresias sided with Zeus, Hera struck him blind. Since Zeus could not undo what she had done, he gave him the gift of prophecy.” ref

“An alternative and less commonly told story has it that Tiresias was blinded by Athena after he stumbled onto her bathing naked. His mother, Chariclo, begged her to undo her curse, but Athena could not; she gave him prophecy instead.” ref

Chelone

“At the marriage of Zeus and Hera, a nymph named Chelone was disrespectful or refused to attend the wedding. Zeus thus, turned her into a tortoise.” ref

The Golden Fleece

“Hera hated Pelias because he had killed Sidero, his step-grandmother, in one of the goddess’s temples. She later convinced Jason and Medea to kill Pelias. The Golden Fleece was the item that Jason needed to get his mother freed.” ref

Ixion

“When Zeus had pity on Ixion and brought him to Olympus and introduced him to the gods, instead of being grateful, Ixion grew lustful for Hera. Zeus found out about his intentions and made a cloud in the shape of Hera, who was later named Nephele, and tricked Ixion into coupling with it, and from their union came Centaurus. So Ixion was expelled from Olympus and Zeus ordered Hermes to bind Ixion to a winged fiery wheel that was always spinning. Therefore, Ixion was bound to a burning solar wheel for all eternity, at first spinning across the heavens, but in later myth transferred to Tartarus.” ref 

Mount Olympus

“Mount Olympus (/oʊˈlɪmpəs, əˈlɪm-/;[6] Greek: Όλυμπος, romanized: Ólympos, also Ólimbos, IPA: [ˈoli(m)bos]) is the highest mountain in Greece. It is part of the Olympus massif near the Thermaic Gulf of the Aegean Sea, located in the Olympus Range on the border between Thessaly and Macedonia, between the regional units of Larissa and Pieria, about 80 km (50 mi) southwest from Thessaloniki. Mount Olympus has 52 peaks and deep gorges. The highest peak, Mytikas (Μύτικας Mýtikas), meaning “nose”, rises to 2,917 metres (9,570 ft). It is one of the highest peaks in Europe in terms of topographic prominence.” ref 

“Olympus is notable in Greek mythology as the home of the Greek gods, on Mytikas peak. It is also noted for its exceptional biodiversity and rich flora. It has been a National Park, the first in Greece, since 1938. It is also a World Biosphere Reserve. Every year, thousands of visitors admire its fauna and flora, tour its slopes, and climb its peaks. Organized mountain refuges and various mountaineering and climbing routes are available. The usual starting point for climbing Olympus is the town of Litochoro, on the eastern foothills of the mountain, 100 km (62 mi) from Thessaloniki.” ref

“The shape of Olympus was formed by rain and wind, which produced an isolated tower almost 3,000 meters (9,800 ft) above the sea, which is only 18 kilometers (11 mi) away at Litochoro. Olympus has many peaks and an almost circular shape. The mountain has a circumference of 150 kilometers (93 mi), an average diameter of 26 kilometers (16 mi), and 500 square kilometers (190 sq mi) of area. To the northwest lies the Aromanian village of Kokkinopilos. The Makryrema stream separates Olympus from the massif of Voulgara. The villages Petra, Vrontou, and Dion lie to the northwest, while on the eastern side there is the town of Litochoro, where Enipeas bisects the massif of Olympus.” ref 

“On its southeastern side, the Ziliana gorge divides Mount Olympus from Kato Olympos (Lower Olympus), while on its southwestern foothills, there are the villages Sykaminea and Karya. The Agia Triada Sparmou Monastery and the village Pythion lie to the west. Olympus’s dry foothills, known as the Xirokampi, are covered in chaparral and provides habitat for animals such as wild boar. Further east, the plain of Dion is fertile and watered by the streams which originate on Olympus.” ref

“The origin of the name Όλυμπος (Olympos) is unknown. One theory suggests that it’s compounded of lyma (λύμα) and pous (πούς), meaning “pure foot”, conforming to Hesiod‘s description of the earth as a sort of footstool for heaven up from which rise the “Blessed Gods”. According to Robert S.P. Beekes the word is of pre-Greek origin and he speculates that it originally meant “mountain”. It is worth noting that the word is also probably cognate with the Mycenean Greek word (u-ru-pi-ja-jo) which is, most likely, a term used to describe people, or possibly an ethnic group. In Homeric Greek (Odyssey 6.42), the variant Οὔλυμπος Oulumpos occurs, conceived of as the seat of the gods (and not identified with any specific peak). Homer (Iliad 5.754, Odyssey 20.103) also appears to be using οὔλυμπος as a common noun, as a synonym of οὐρανός ouranos “sky”. Mount Olympus was historically also known as Mount Belus,] after Iliad 1.591, where the seat of the gods is referred to as βηλ[ός] θεσπεσίο[ς] “heavenly threshold”.” ref

“In Ancient Greek religion and mythology, “Olympus” was the name of the home of the Twelve Olympian gods. This was conceived of as a lofty mountaintop, and in all regions settled by Greek tribes, the highest local elevation tended to be so named; among the numerous peaks called Olumpos in antiquity are mountains in Mysia, Laconia, Lycia, Cyprus, Attica, Euboea, Ionia and Lesbos, and others. Thessalian Olympus is the highest peak in any territory with Greek settlement and came to be seen as the “Pan-Hellenic” representative of the mythological seat of the gods, by at least the 5th century BC, as Herodotus (1.56) identifies Olympus as the peak in Thessaly. In Pieria, at Olympus’s northern foot, the mythological tradition had placed the nine Muses, patrons of the Fine Arts, daughters of Zeus, and the Titanide Mnemosyne.” ref

Mount Olympus History

“In antiquity, the Olympus massif formed the border between Thessaly and Macedon. The history of the surrounding area is consequently of interest in the context of the Rise of Macedon, the Chremonidean War, and the Macedonian Wars during the 4th to 2nd centuries BCE. In the period of the Ottoman Empire the mountain was a hiding place and base of operations for klephts and armatoloi. It was known as Semavatevi in Turkish during the nearly 400 years of Ottoman rule.” ref

“In Olympus, the second armatoliki was founded, led by Kara Michalis in 1489. The action of the klephts in Olympus led the Turks to visit their outrage on the klephts’ ally-village of Milia (in the late 17th century), which they destroyed. In that period Livadi in Olympus became the seat of the armatoliki of Olympus and Western Macedonia, with their first renowned commander Panos Zidros. In the 18th century the Turks had to replace the armatoloi (who very often joined the klephts) with Muslim Albanian armatoloi who ravaged the countryside of Macedonia.” ref 

“However, Olympus’s armatoloi, even after their capitulation to Ali Pasha, never ceased fighting on land and at sea. Among them who were active there and in nearby regions were Nikotsaras, Giorgakis Olympios, and the legendary family of Lazaioi. In the early 20th century, even for some time after the liberation from the Ottoman Empire (1912), robbers were active in the region – the best known of them the notorious Giagoulas, while during the German invasion in 1941 the Royal Hellenic Army fought significant battles along with units of New Zealanders and Australians. During the German Occupation (1941–1944) the mountain was one of the centers of the Greek Resistance, while a little later the Greek Civil War (1946–49) started there, in Litochoro.” ref

Lenticular Cloud Formations may connect to Ancient “House of Gods” Mythology

Sacred Mounds, Mountains, Kurgans, and Pyramids may hold deep Mythology connections?

Damien Marie AtHope’s Art

ref, ref, ref, ref, ref, ref

Damien Marie AtHope’s Art

ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref

Damien Marie AtHope’s Art

ref, ref, ref, ref, ref, ref

• John Hoopes (Department of Anthropology, University of Kansas), who Graham Hancock thinks is “the most vehement and insulting of all archaeologists” and I think is great, addresses Pseudoarchaeology, Pseudohistory, and Pseudoscience
• Addressing Graham Hancock the Pseudoarchaeological Theorist, as well as Flaws in his Ancient Apocalypse, Great flood, and Seafaring R1b
• Addressing Pseudoarchaeology, Pseudohistory, Pseudojournalism, Pseudoscholarship, and Pseudoscience

Damien Marie AtHope’s Art

People don’t commonly teach religious history, even that of their own claimed religion. No, rather they teach a limited “pro their religion” history of their religion from a religious perspective favorable to the religion of choice. 

Damien Marie AtHope’s Art

Do you truly think “Religious Belief” is only a matter of some personal choice?

Do you not see how coercive one’s world of choice is limited to the obvious hereditary belief, in most religious choices available to the child of religious parents or caregivers? Religion is more commonly like a family, culture, society, etc. available belief that limits the belief choices of the child and that is when “Religious Belief” is not only a matter of some personal choice and when it becomes hereditary faith, not because of the quality of its alleged facts or proposed truths but because everyone else important to the child believes similarly so they do as well simply mimicking authority beliefs handed to them. Because children are raised in religion rather than being presented all possible choices but rather one limited dogmatic brand of “Religious Belief” where children only have a choice of following the belief as instructed, and then personally claim the faith hereditary belief seen in the confirming to the belief they have held themselves all their lives. This is obvious in statements asked and answered by children claiming a faith they barely understand but they do understand that their family believes “this or that” faith, so they feel obligated to believe it too. While I do agree that “Religious Belief” should only be a matter of some personal choice, it rarely is… End Hereditary Religion!

Opposition to Imposed Hereditary Religion

Damien Marie AtHope’s Art

ref, ref, ref, ref 

Animism: Respecting the Living World by Graham Harvey 

“How have human cultures engaged with and thought about animals, plants, rocks, clouds, and other elements in their natural surroundings? Do animals and other natural objects have a spirit or soul? What is their relationship to humans? In this new study, Graham Harvey explores current and past animistic beliefs and practices of Native Americans, Maori, Aboriginal Australians, and eco-pagans. He considers the varieties of animism found in these cultures as well as their shared desire to live respectfully within larger natural communities. Drawing on his extensive casework, Harvey also considers the linguistic, performative, ecological, and activist implications of these different animisms.” ref

Damien Marie AtHope’s Art

We are like believing machines we vacuum up ideas, like Velcro sticks to almost everything. We accumulate beliefs that we allow to negatively influence our lives, often without realizing it. Our willingness must be to alter skewed beliefs that impend our balance or reason, which allows us to achieve new positive thinking and accurate outcomes.

Damien Marie AtHope’s Art

Damien Marie AtHope’s Art

Damien Marie AtHope’s Art

Damien Marie AtHope’s Art

Damien Marie AtHope’s Art

Damien Marie AtHope’s Art

Damien Marie AtHope’s Art

ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref, ref